The first Crimson Skies is an arcade flight video game developed by Zipper Interactive and published for PC in 2000 by Microsoft Game Studios. In 2003 Microsoft published a sequel titled “Crimson Skies: High Road to Revenge“, developed by FASA Studio for the original Xbox. Both games still have a cult-following, thanks to their fun gameplay and interesting “dieselpunk” story-settings (an alternate history of the 1930s), with a good single-player campaign, plus online and offline multiplayer
A third chapter in the series was in development by Fasa Studio around 2003 / 2004 and planned to be released for Xbox 360. Probably Microsoft wanted to offer one of their “hardcore” IPs for their new console, but in the end the project was never completed. There are currently no screenshot, videos or images preserved
Crimson Skies 3 would have expanded its gameplay by offering on-foot missions and we can speculate that FASA tried to create a much more ambitious project, making it a full open world flying game. High Road to Revenge already had many levels structured similarly to the open-world missions of GTA, where you could fly around and choose different missions located throughout the game map. We can assume in Crimson Skies 3 we could have explored cities with our character and then freely flying around the world using our planes to resolve missions and fight against enemy aircrafts
Energy is a cancelled open world adventure game in development by spanish studios Zeus Software between 1995 and 1997, with funds and help from Dinamic Multimedia. While the Tomb Raider craze started in 1996 when the first game was released, Energy’s main female protagonist was already conceived before it and the project was intended to be much more ambitious than Core Design’s popular action adventure.
While today not many people remember the existence of this lost project, at the time Zeus’s game was announced with high expectations on a few spanish gaming magazines such as Micromania. Zeus Software was known in the spanish market for their 2D PC / Arcade games, titles such as Biomechanical Toy (1995), Risky Woods (1992) and Bestial Warrior (1898). Energy would have been their first 3D project and if only completed if could also have been their first international success.
The team planned a huge open world spread out into many different areas, in which players could freely move around using different vehicles, such as boats, motorcycles and even horses. Players would have been able to talk with dozens of NPCs, to learn more about the game’s story and probably to help them in different ways. Imagine Energy’s gameplay as some kind of Tomb Raider mixed with a smaller-scale The Elder Scrolls II: Daggerfall. Enemies’ AI would also been especially advanced for its time, Zeus really wanted this to be a high-profile game, to show their talent to the world.
The game had a dark-fantasy setting, with an obscure enemy menacing to destroy the whole world. Yoell, an evil monster from another dimension, invaded the game’s world with its demonic powers, transforming humans into monsters slaves. The last hope for humanity is Yiria, a rebel who escaped from Yoell’s attack and now plan to vindicate her friends. She’ll have to find a magical portal, which could connect to different worlds and be the key to defeat Yoell.
Unfortunately after more than 2 years of development, Dinamic Multimedia fell into economic problems and they had to cut funding. With no more money to keep working on Energy, Zeus had to cancel the project and close down the whole studio. If you know spanish, you can learn more in the scans preserved in the gallery below.
It is sad and frustrating that Pandemic was shut down as there clearly was a passion behind the creation of this new project. EA boss John Riccitielo at the time really wanted Mercenaries 3 to be released and he confirmed during an interview that if it was up to him that it could go on for a very long time.. going as far as a Mercenaries 10 release.
An article by Cnet explains well the financial struggles EA endured in 2009 and the reason why they felt the need to close Pandemic:
“An Electronic Arts spokesperson confirmed the news to CNET, but called it a consolidation rather than a closing, saying that the company merged Pandemic with EA’s nearby LA campus. The core team of developers integrated into EA will continue to work on Pandemic properties.
Hit by weak game sales, EA has been hurting since last year when it warned that 2009 would be a tough one. The company said at the time that it would need to cut staff, trim product lines, and close studios. EA initially announced job cuts of 10 percent of its workforce, then later revised that to 11 percent. In January, EA also jettisoned Pandemic’s studio in Brisbane, Australia.”
Since the studio closed in 2009 and their last game was released in 2008, Mercenaries 3 didn’t go very far into development. For that reason, not much is known about the game and most of it is sadly up to speculation. Fortunately, we do have a little video showing gameplay footage of what could have been, showing off core mechanics for a few minutes with audio commentary.
During the video, there is a radio conversation between the main character and what we can presume is their boss giving them the mission. The game is set in Cuba 2017 and the protagonist is given directives to meet and escort a journalist for the Russian mafia. You meet her inside a church in an animated black and white placeholder cutscene and shortly afterwards they both drive to where the journalist needs to find proof that ‘Blackfire’ has deployed combat drones. The video ends abruptly with the main character trying to shoot a drone with a machine gun and then with a bazooka.
Since the main character in that video is a character never before seen in the series, it is very likely that its model was a placeholder used for testing purposes until they would have finished creating the real main character for this new game, or maybe it was meant to be a different hero this time around. Sadly we do not have more information about this.
“In November 2002, rumors began spreading that GTA3 for GBA had been cancelled. Destination Software denied the claims, responding, “The game has not been canned. We’ll be making an announcement at the end of the week”. Sure enough, shortly after, news leaked that Crawfish had GTA3 for GBA in development. What’s more, was that the report claimed it was already well into development with an expected 2003 release. Insanely, a week after this report, Crawfish shut down, laying off all of its staff and putting the development in limbo.
According to former Crawfish head, Cameron Sheppard, “Crawfish had many titles finishing and a number of publishers not paying on time. These issues joined meant that the company couldn’t continue quite long enough”. That was, until Rockstar handed it over to Digital Eclipse. Over the next year, Destination Software still claimed they were publishing it, both after Crawfish shut down and after production begun at Digital Eclipse. Whether their claims were truthful or not, when they ultimately lost the license is unclear. However, they were not the publisher by the time Digital Eclipse’s version hit store shelves.
It’s possible that Destination Software was involved with publishing while Crawfish was the developer, but it’s also possible that they’d lost the license by the time Crawfish landed the project. A former Crawfish developer confirmed that “There was one before ours that also got canned“. It’s unclear whether Digital Eclipse was involved with both the Crawfish one and this cancelled one, or if that previous title had been the end of the line for Destination Software. Either way, it would seem that there’s still at least one pre-Crawfish GTA3 prototype out there, somewhere.
In July 2003, several former Crawfish developers began to share details on their unreleased GTA3. This wealth of information described elements which showed up in Digital Eclipse’s GTA Advance, and aspects which did not, such as the controls and multiplayer.”
Thanks to Brian we also saved information about the planned story:
“Former Crawfish developer, Dave Murphy explained, “My version was set a few months before the events of GTA3.”. Digital Eclipse’s version also took place prior to the events of GTA3. As for the characters, Murphy explained, “[the game] featured a mix of old characters from the PS2/PC version and new ones based on my colleagues.”. He reiterated, “Many of the characters were based on other members of [Crawfish] staff”. It’s clear that these characters didn’t persist in the Digital Eclipse version.
Murphy continued, “The main character wasn’t the same as the PS2 but he looked kind of similar. He is taken on by the mafia at the beginning of the game, like the original, but stays working for them throughout, as he chases a mafia deserter and a case full of money from the Callahan bridge to the Cedar Ridge Observatory.”. Interestingly, the story is different from Digital Eclipse’s.”
A multiplayer mode for GTA 3 GBA was also planned:
“Multiplayer never made it through to the final version. Although it was planned during the Crawfish development, even Crawfish expected it to be cut. Crawfish’s Dave Murphy explained, “Yes multiplayer was planned but we probably wouldn’t have got it in there, with the time the project running over.”. As for Murphy’s design, he revealed the following: “We decided on four different modes:
+ Liberty City Survivor: Standard death match similar to GTA 1&2 on PC. + City Circuit: Racing on pre-set routes round the three islands + Car Jack Crazy: Players race to collect a list of vehicles and return them to their garage. + Special delivery: All players fight over a package which must be taken to their base.”
In December 2016PtoPOnline published a video showing an early tech demo / prototype of this cancelled Crawfish version of GTA 3 for GBA, with just a few features and most of the game missing.
Project Overdrive is a cancelled first person open world game that was in development since 1999 by Russian studio Vistage, to be published by Buka Entertainment in late 2000 / early 2001, many months before the release of GTA 3. Overdrive was an ambitious project, with many features that are still missing from today’s open world games, such as explorable buildings with no loading times and destructible environments, vehicles and gibs.
By looking at the screenshots and video below you can notice how Project Overdrive looked great for its time, with a big city to freely explore while hijacking cars, completing missions and trying to not being arrested or killed by cops. If only finished and released before GTA 3, Overdrive could have been a huge influence for the new generation of 3D open world games and Vistage could have became the Rockstar of Russian video games.
“Behind the bright, clean surface of a modern city lurk the masterminds of crime, the ones they never catch. You are not yet one of them, though. Here you are, at the federal prison’s gates, a crumpled $20 bill in your pocket and a whole new life to build.
You’re smart, hi-tech and deadly: will you spend your days being an honest worker? Think again. There are enough high-paying jobs, and, with your underworld connections, it’s time to start climbing the crime ladder again, but remember: your reputation will always precede you.
Starting small is a wise choice: it should be easy to become a courier for the local mob. There are a whole lot of opportunities if you don’t mind getting your hands a little bloody or occasionally washing them in water that’s too hot for comfort. Become a bodyguard – or a hit man. Take orders from no one except the Boss – or work only for yourself. Save up and buy a car – or just steal one (remembering to watch out for the police – or just shoot them, if you think that’ll be easier).
Uniquely, PROJECT OVERDRIVE combines the best elements of shooters and driving games in a way that will appeal to anyone who likes movie car-chases and shoot outs, as well as hard-core gamers. It promises to release the first person shooter from the dungeon, bringing portal technology and high quality gameplay into the open where they can be appreciated properly.
This is a new kind of game that redefines the meaning of the words immersive world. Imagine a giant metropolis, several hours across, with streets full of cars and people going about their business, legal or otherwise, hundreds of buildings looming over your head and complete freedom to live your life as you see fit. Make your choices and face the consequences.
Unique 3D-engine with portal technology allows consistent frame rates while walking or driving in the streets, or inside complex buildings; no loading screens and therefore no pauses entering or exiting buildings. Intelligent reflections and shadows.
For the first time ever, real life physics and damage. Everything obeys the laws of physics with unparalleled accuracy, and this means that, just like in the real world, everything can be destroyed: cars can be twisted out of shape, windshields broken, doors torn off; humans can be maimed or reduced to a pile of body parts, furniture can be broken to pieces or burned.
Sophisticated artificial intelligence: all characters have sophisticated and realistic behavior models. Cars and pedestrians obey traffic lights and signs, intelligently following the best route to get to their destination and doing their best to avoid collisions.
Enormous city with distinct districts, for example Chinatown. Uniquely, you can enter any building in the game. The final level takes place on a separate island. Day and night cycle. Complete freedom of action; there are many different ways of finishing the game.”
“You start at the bottom of a crime syndicate’s ladder and work your way upwards, hopefully right to the top. You can steal cars, kill for hire, intimidate the opposition, in the process earning money for buying weapons, equipment, cars and even fancy apartments.
Players are trying to increase their wealth and status in the criminal world by successfully completing a variety of missions. The gameplay is non-linear, however, so there is no single way of completing the game. In addition, most of the missions in the game aren’t pre-scripted, but automatically generated by the AI, and these two features should ensure great replayability. There will also be the option of selecting and playing any mission, with a free choice of weapons, out of context as an independent unit.
Most importantly, the high quality of the game’s engine, graphics and AI. The city already looks breathtaking (see screenshots), and, for the first time ever, it will be possible to enter absolutely any building in the whole city and interact with its contents, whether they are people or (smashable) furniture or whatever.
Secondly, the game’s uniquely realistic physical model should put it head and shoulders above the rest. Objects are not just a series of polygons, but real entities, which interact and deform just as they do in the real world. For example, if a grenade lands near a tree, the tree will catch fire; later, the tree might fall on top of a car and squash it. This real world complexity is unprecedented (although a few sacrifices have been made in the name of more exciting gameplay).”
“It was not easy to us to make this decision, as a great effort had been put forth to the development of the game. The originality of the design had attracted attention of many gamers both inside and outside Russia. Quite a few people had expected the game to be released at the beginning of 2001, hoping it to become a hit. But, when the game went alpha, it became clear to us, that the final version would not meet our and our users’ expectations. And as we would not like to disappoint our users, we made the decision to put the project on hold.”
Thanks to a Russian gaming journalist a playable prototype of the game was saved and preserved online, you can download it from mirrors at 3D Shooter Legends and The Iso Zone. As wrote by Talonbrave, in this prototype you can find many of the promised features that would have been expanded if only the game would have been completed:
“The game is actually quite complex; supposedly it’s playable from the first mission to the end, vehicles have per-vertex deformation, a lot of elements within the environment are destructible, characters use inverse kinematics for some interesting results, cars have a limited amount of petrol and need to be filled up, there’s a trading system in the game, you can customize your character, there’s supposedly support for multiplayer, shadow mapping, a completely dynamic lighting system that supported day and night cycles, it appears there were also multiple locations such as an island, there are no loading screens as the game attempts to stream in content during gameplay and seems to feature fairly complex AI for the time.“
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