hack and slash

Rygar 2 [Xbox-PS2] Cancelled

Rygar: The Legendary Adventure is a fun action adventure on the PS2 released in 2002. The game was well-received among critics, going as far as receiving nominations for various awards. While it did well critically, it sadly failed commercially. Rygar was unable to dethrone competitors like Shinobi and Devil May Cry. While Tecmo was working on a Ninja Gaiden game back then, rumours began to surface about a potential Rygar sequel in the works. The first mention of a Rygar follow-up appeared in an Electronic Gaming Monthly magazine issue and an IGN article in 2004 where journalists reported that Tecmo was gearing up to showcase the next chapter in the Rygar franchise. Game Informer caught up on the news and interviewed Tomonobu Itagaki to obtain more scope on the matter. The aforementioned assured everyone that he would make an announcement regarding Rygar 2, but in the end, he didn’t.

Gamekult reported that Tecmo has renewed the trademark, speculating that the company may indeed release the Rygar follow-up. On the other hand, IGN continued with their investigation, speculating that Rygar 2 may be released in 2005 for the Xbox and the PS2. In the end, nothing happened and the project was silently shelved.

There were attempts to contact Satoshi Kanematsu, Yoshifuru Okamoto and Tomonobu Itagaki to learn more about Rygar 2, but nothing came to fruition.

More details concerning Rygar 2 have been documented in a YouTube video.

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Legend of Kay 2 [PS2 – Cancelled]

Legend of Kay is a fun hack-and-slash 3D platformer developed by the German-based developer Neon Studios and published by Jowood in Europe and by Capcom in North America in 2005. The game was released to mixed reviews, but major critics were pretty positive about the game.

There is no data on how Legend of Kay performed sales-wise, but after deep research, it turns out that there were plans to make a Legend of Kay 2. Unfortunately, Jowood ran through financial troubles back then, which led to their demise. As a result, the sequel was cancelled in 2006.

Actual development on a prototype build began shortly after the original game’s release, and a few concept artworks were made. Unfortunately, that’s everything there is to see. There were plans to port the PS2 game to the PSP, but that never happened as well.

A history video was made, detailing the inception of Neon Studios, the cancelled sequel, the PSP port and information on the remastered release. Please, Enjoy.

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Bujingai 2 [PS2 – Cancelled]

Bujingai 2 [PS2 – Cancelled]

Taito and Red Entertainment once made one of the best action hack-and-slash games of all time on the PS2. An homage to Hong Kong cinema, with an amalgamation of some incredible ideas tossed in. The game was released exclusively on PS2 for North America, Japan, Europe, South Korea, and Taiwan. While the game had all the ingredients that make a hack and slash fun, it sadly flopped on the commercial side.

Even if the game didn’t meet Taito’s expectations, the developers wanted to make a sequel and push the story forward, but that didn’t happen. This can be explored in an old blog post from Gamasutra where Hiroshi Aoki said the following:

” Well, the company wanted to go in certain directions… (laughs) I did want to make more, but anyway, it didn’t really happen.”

But wait, there’s more. According to an interview from the Untold History of Japanese Game Developers by John Sczepaniak, it was revealed that an actual prototype of a Bujingai sequel existed. However, the game never got past that phase of development. Here’s a short read:

“There are a lot of things I can’t tell you. For various reasons. <nervous laughter> Bujingai 2 was in development and looked really good, but never got released. <nervous laughter> So that game existed”

 

Youngblood: Search and Destroy [PC / PSX – Cancelled]

youngbloodbetalogo.jpg

Youngblood: Search and Destroy is a cancelled action/Role-Playing game published by GT Interactive Software and developed by Realtime Associates around 1997-1998, for the PC and the Playstation. It was based on the comic-book of the same name.

The game featured in various magazines from the Summer of 1997. Electronic Gaming Monthly #97 wrote:

Based on the popular comic book, Youngblood uses the power of the Playstation to give gamers a title that looks similar to Crusader: No Remorse. (…) Control one of the main characters from Youngblood in an isometric view. (…) Pick one character to control or form a group of two to four.

Game Informer #52 told us:

While most would think this title should be strictly action, GT is filling the game with less action and more RPG elements. (…) At times, the game does resemble Project Overkill, but otherwise, you’ll be controlling a party of characters, and the battles will be turn-based.

GT Interactive’s former producer Kurt Busch explained in the issue 31 of Next Generation that they initially planned to make the title a First-Person RPG, before trying a 3rd person action game, somewhat similar to Tomb Raider, and finally taking an approach much more similar to Diablo:

Initially, I felt very strongly we should do this as a first-person RPG (…). But the more we thought about it, the more we realized it would be very difficult to do it because you want to show off the characters, and in first-person we couldn’t work out the right set of views so players could see who was beside them. In the end, it just wasn’t very satisfying. (…) The problem with doing a Tomb Raider-style, third-person game, was that the main attraction of the license was not in any single character, but in the interaction of the team, and at the time trying to do it with six people on the screen all running around just wasn’t appetizing – the interface was just very, very difficult to design. I think the best way I can describe this is as a Playstation version of Diablo, except you control more than one character. You have a team, and you build your team up.

On Playstation Museum, we can read more details:

Get Ready To Rage!

Enter a radical gaming evolution blending a full-on assault of real-time combat action with elements of strategic role-playing. Badrock, Diehard, Riptide, Battlestone, Chapel… Youngblood takes on the most grotesque gauntlet of abominations a DNA experiment ever spewed out. Guide 11 heroes on a series of complex, real-time missions from secret labs to the depths of hell itself! Counter Giger. Find the Drachma codex. Oh yeah… and save the world!
Features:
  • Guide the Youngblood team through 11 real-time missions that combine pulse-pounding action with strategic role-playing elements.
  • Battle through dense jungles, parched deserts, and smoldering volcanoes to the very pits of hell as mutant enemies grow more bizarre and violent.
  • You must destroy them before the evil Giger and the traitor, Dr. Leviticus, finds the Drachma Codex, the secret to global domination.
  • Players can build, train, and hone the skills of the team members.
  • Take direct control of any hero or command an entire squadron.
  • Employ R&D to create powerful, new super weapons.
  • 2-player cooperative option, real-time combat action, and more.

Still according to Playstation Museum, it seems the game was cancelled due to major technical issues, as late former programmer Eric Peterson wrote:

There were three things that really killed it. One was the AI, and one was memory. They had a fairly cute system for pathfinding, but they ran out of memory and made the pathfinding map one-fourth the resolution of the displayed landscape, botching it. Basically no AI movement worked, after that. It would have been a huge task to carve it out and put in something that worked, and I was steeling myself up for it when, mercifully, the end came. Fixing the AI would have meant fixing the memory management, which was huge and hideous. For example, the audio system used 1/8 of the PlayStation’s memory just for its data structure — that’s with no audio samples loaded.
Another, more technical problem, was the cavalier attitude that was taken with handling global variables in the code. All the character code modules were just copies of each other with minor changes, so global variables were declared many times. The worst side effect of this was when global pointers came into play — the very first example I looked at had a global pointer declared six times with four different data types, which was then referenced (extern-ed) in twelve more modules in six different types. The poor compiler didn’t know which one you were talking about, so it just used (I believe) the last one processed as it worked its way through a build. This means that any of the declared variables could be the one used in any particular build of that code module, with no way to tell which it was. General instability and hard-to-find bugs were the result. Trying to chase down the thousands of global variable collisions were what took all the time.
Remember, this monstrosity was nine times the size of the biggest thing I’d ever worked on, Mechwarrior 2. The sheer amount of code made any major surgery a monumentous undertaking. The way it was written made practically everything major surgery.
He added on Lost Levels forums:

Youngblood was something like 2 years in development when the lead programmer quit. I was brought in to salvage the project.

I designed and wrote most of MechWarrior 2. Youngblood, a 2D tiler, was nine times the size and had six times as many modules. There was one spot where there was an “#ifdef Playstation”, followed by a bunch of code, and then an “#ifdef Macintosh” (ditto), and an “#ifdef Saturn” thrown in there somewhere, and SIX THOUSAND LINES DOWNSTREAM was the “#endif” with no comment.

It probably took months to do, and none of it was even getting compiled.

I did a quick couple of tests. At least ninety percent of the comments were wrong, because all the modules were just copied from one another. He’d write some horrible buggy thing, and then (this is not an exaggeration) make 27 copies of it, one for each character.

When I first tried to compile it, MSDev gave 3500 warnings.

Youngblood originally took a minute and a half to load to the title screen, and would leak several tens of megabytes. Pro Tip: don’t null a pointer before you free it. Especially in 27 different modules.

A former animator corroborated:
I think Eric already addressed this issue in his assessment. Like he said it ran out of memory in the pathfinding for A.I. and the resolution of the environment maps suffered for it.
A demo for the PC was made available in some video games magazines, and is still playable today. You can download it here.

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Wildman (Gas Powered Games) [PC – Cancelled]

Wildman is a cancelled action/Real-Time Strategy/Role-Playing hybrid game developed by Gas Powered Games around 2012-2013 exclusively for the PC.

The game was set 200,000 years ago, in an alternate prehistory where animals and insects had evolved like humans towards civilization and technology as well as magic. You play as the Wildman (or Wildwoman) with the aim of conquering the various enemy civilizations that you were going to encounter.

It was officially revealed on January 14, 2013, with the launch of its Kickstarter as an “evolutionary” Action RPG”. Here is what we could read as main features:

“Wildman delivers an action-role-playing experience that only a developer like Gas Powered Games can deliver. Think of it as a spiritual successor to our classic PC game Dungeon Siege, with a twist.

This is what Wildman is all about:

Explore the World: Go on RPG Adventures in amazing and epic environments; discover secret dungeons; fight battles against rampaging hordes of monsters; find and equip new weapons and armor.

Evolve or Die: Steal technology from your defeated opponents and use it against them in future battles.

Smash and Destroy: Advanced physics and destructible environments deliver highly visceral (and bloody) combat.

Go to War: Build your army and fight against opposing champions armies for great rewards in hand-crafted War Zones.

Imagine a game where you control a single hero—the “Wildman”—dropped into the middle of a War Zone. The battle starts. Your own army begins to engage the approaching enemy.

You support your troops with your own combat abilities and skills. You shape-shift into new forms that grant you new abilities. You upgrade your armies with new technology. You construct defenses. Your opponent switches tactics; you reconfigure your army to counter.

You push the enemy back to their citadel, their home base. You face your opponent’s champion. You each rally your troops for support. You execute your special abilities with precision. Your opponent is devastated.

You survey the battlefield: the bodies strewn on the ground, the trees burned down and smoldering, the buildings turned to rubble. You collect your rewards. You evolve.

Victory is yours. For now.

Now imagine that between these War Zone battles you can go on role-playing adventures. You can explore fantastical environments. You can discover ancient dungeons full of mystery and treasure. You can earn new skills. You can discover and equip new weapons and armor. You can collect materials. You can craft new items. You can fight relentless onslaughts of men and monsters.

Wildman has fast-paced combat and deep role-playing that rewards strategic thinking. The more you play, the greater your power.

Wildman represents the union of our experience working on pure RPG and RTS games, and we’re pulling some of the best features from our past games into the Wildman experience.

From Dungeon Siege: The core action-RPG experience. Equip weapons and gear, cast spells. Fight monsters. Level-up. Find loot.

From Supreme Commander: The core RTS experience. Create armies. Explore a tech tree that lets you customize your hero and armies. Adjust your strategy on-the-fly.

From Demigod: You don’t fight alone in Wildman. Waves of allies fight alongside you in the War Zones as you push the battle ahead, seize key control points, and destroy the enemy citadels.

Wildman is exciting because it’s something new, but it’s also reminiscent of these games we’ve made and loved. We want to make this game, and we have the right people to do it.”

The same dayPCGamesN got more information by interviewing Chris Taylor who was lead designer on the project:

“The battles against other tribes and races will be a combination of MOBA gameplay, where you steer your hero around the battlefield killing creeps and acquiring resource, and RTS mechanics as you spend those resources on buildings and advanced units. While your spawn buildings will naturally create cannon fodder at whatever is the baseline tech level of your tribe, you can also spend gold to churn out advanced units like catapults or powerful longbowmen instead of the basic archers. These forces will spawn for as long as your gold holds out, so you can basically control where and when to start launching more powerful creep waves.

“When you defeat [the enemy], your quest reward is to pluck one of their technologies from them,” Taylor said. “So it’s got kind of a Civilization vibe. It can be passive technology, where it applies to everyone, and as soon as you get it you’ve got it across the board. Or it could be active technology where it could be… complex catapults. They’re expensive, so we can’t just turn them out by the hundreds.”

Taylor wants the war zone combat to be intense. He wants players to be turning off the ringer on their phones and sitting on the edge of their seat. But he also wants players to be able to relax after the battle with an adventure.

“Think Dungeon Siege or Diablo. But this is more of an overland adventure. You’re travelling, expanding out into the world. The battles are not as frequent, it doesn’t feel like you’re just going from whacking skull after skull, like some sort of zombie apocalypse where they’re just standing around waiting for you to come along and pop ‘em on the head. That’s almost arcade. We want a little less arcade, we want a little more sense that you really are adventuring.”

Gas Powered are asking for $1.1 million, though obviously they hope for more. Taylor says that GPG have already spent close over a million dollars just laying the groundwork for Wildman, and there are a number of features they would love to include if they achieve greater funding, like PvP multiplayer. But at its heart, Wildman is a single-player game with co-op focused multiplayer.”

However, only four days after the launch of the crowdfunding campaign, Gas Powered Games was forced to lay off 40 employees following an increasingly difficult financial situation, as we can read on Kotaku. Asking the backers if he had to continue the campaign, Chris Taylor spoke that the course of the Kickstarter would decide the fate of the studio on Gamasutra:

“The studio is still operating, but we had to slim WAY down to conserve cash reserves,” studio head Chris Taylor confirmed to Gamasutra, following earlier reports from Kotaku. As Taylor told us earlier this week, the studio is betting all it has on Wildman, and has little funds left to continue operating. “We spent all the last dough that we’ve had, and the last several months working on it. So we’re betting the company on it,” he said.”

Sadly, on February 11, the studio decided to cancel the Kickstarter after collecting 504,120 US$ on a goal of 1 100 000 US$, cancelling Wildman in the process. Still on Kotaku, we could read:

“Greetings Kickstarters.

We have some news today. We are canceling the Wildman Kickstarter.

At this point, it makes sense for us to focus our attention on other ways to keep Gas Powered Games running. Unfortunately, we are unable to share any specifics in public. When we have news to share, we will be posting it on our site. If you want status updates, or if you want to continue discussing Wildman and/or this Kickstarter, please consider migrating over to forums.gaspowered.com.

We are profoundly grateful to those of you who backed this project and Gas Powered Games. Your passion and hard work put us in a position to write this exciting new chapter in the history of GPG.”

A few days later, Gas Powered Games was bought by Wargaming and became Wargaming Seattle. The studio was shut down on July 22, 2018. Currently, Chris Taylor is working on a new game named Intergalactic Space Empire, within his new company Kanoogi.

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