The game was developed by LucasArts and released in 1992 as a sequel to “Indiana Jones and the Last Crusade: The Graphic Adventure”. Originally Fate of Atlantis was meant to be a tie-in to Indiana Jones and the Monkey King/Garden of Life, a rejected script written by Chris Columbus for the third, lost movie. In the end Hal Barwood and Noah Falstein wrote an original story and chosen the Atlantis setting for the project. Many beta screenshots were released in gaming magazines at the time and below you can see all the differences spotted by ATMachine:
La Toile du Diable (“Devil Canvas” in english) was a PC tech demo created by Delphine Software (DSI) in 2002 in order to show to publishers the technical and gameplay features of a planned PC / PS2 adventure game called Legions of Fear. According to ex-delphine employee Paul Cuisset, Sony was interested in the project, but they wanted Delphine to finish Moto Racer Traffic first (which, ironically, got cancelled too). Unfortunately, Delphine was already going bankrupt at the time, and consequently Legions of Fear was quietly dropped shortly after.
The game was supposed to be set during the first World War, with the main characters being a sister (Helena) and her brother. The story began when the heroine got lost and entered the mysterious Wildcastle Manor. Inside the mansion she discovered that the deceased Anton Wildcastle had apparently promised Helena’s soul to his “masters”.
As seen from the videos below, Legions of Fear was a mix between a survival horror and a point & click adventure: during the action sequences we directly controlled the protagonist and fought enemies in pre-rendered backgrounds. When indoors in order to find clues it was necessary to interact with the environments by using a mouse or – in in case of the Ps2 version – the controller buttons.
Thanks to Thierry Levastre, La Toile du Diable’s lead animator, for the contribution!
Bringing Back The Classic 90’s Adventure Game – Zblu Style
The original Zblu Cops comic series, a comedy about a group of incompetent yet reluctantly heroic group of law enforcers, grew a modest cult following in its country of origin throughout its run. However, with no official English translations of it ever released, its fanbase was never able to expand beyond there in any great numbers. Biodroid’s video game would have been its first foray into English-speaking markets with the team hoping for an international release.
The title entered development midway through 2008 with ambitions high, one former developer recounted, calling it “an attempt to revive the classic 90’s adventure game”. Biodroid’s initial pitch to comics publisher Glénat placed a high emphasis on accurately conveying the humour and goofiness of the comic, but was very much set on blazing its own trail. It would have seen players controlling 10 different members of the Zblu Cops, each with their own unique abilities used to solve puzzles and take down enemies. Two officers were rendered on screen at a time, but you could cycle through a wheel of other playable characters to alternate between them in real time; similar to the LEGO video games. It was to be fully playable in 2 player local co-op, as well.
Excerpt from the initial press release:
On a criminal trail which takes them underwater, through the jungle, down the sewers, up the tower-blocks, inside a volcano – and even into deep space – the Zblucops display all of their notorious dysfunctionality, bad taste and even worse humour… before emerging triumphant with a fist-full of medals.
This action/adventure game brings to Wii the kind of strong storytelling, humor and dialogue found in traditional adventure games.
Zblu Cops was presented in a cel-shaded art style; a play to authentically represent the hand-drawn look of the comics. Even more crucially, we were informed that Bill and Gobi, the writing duo responsible for the series, were actively involved with development on the project from its inception. Their contributions mostly included overseeing the art direction, in addition to having final say on any other aspects. We were told that the two were very laidback when it came to writing duties, allowing the developers plenty of creative freedom.
Various developers were given a chance to pitch their idea for a story and soon enough Presto Studios was working on the next game in the series, Myst III: Exile. However, they were not the only developer to be assigned the Myst license.
DreamForge Intertainment, the developers of the horror themed adventure game Sanitarium, started work on the fourth Myst game one year after Presto Studios effort. This game, known internally as Myst IV: Adventure Beyond the D’ni Ultraworld, would never be released or shown to the public during its development.
After having worked on the game for two years (June 1999 to June 2001), it was cancelled as the rights to the Myst franchise transferred from Mattel to Ubisoft. Myst III: Exile was released the next year and the next game in the franchise was to be developed internally at Ubisoft and was released in 2004 as Myst IV: Revelation.
Patrick Fortier, the creative director of Myst IV: Revelation, opened up about the unreleased version of Myst IV, hereby referred to as Ultraworld to avoid confusion, in 2004 on the Uru Obsession community.
According to Fortier, Ultraworld’s development was only about 20% finished, but the designs themselves were completely done. The game was presented in realtime 3D, a first for the series at that point. Some ideas from Ultraworld even managed to carry over into Myst IV: Revelation. Specfically the inclusion of Sirrus and Achenar, the two brothers from the original Myst.
Dinotopia is a fictional series of books about an misterious island inhabited by shipwrecked humans and sentient dinosaurs who have learned to coexist peacefully as a single symbiotic society. [Info from Wikipedia] Various games based on the Dinotopia world have been produced through the years and in 2002 RFX Interactive developed Dinotopia: The Timestone Pirates, a side-scrolling platform / action game for the GBA, published by TDK Mediactive.
Dinotopia for the Gameboy Advance was a commercial success for TDK, so they decided to create a new game based on the same scenario, but this time as a “point and click” adventure (similar to Broken Sword). A prototype was developed by RFX, but in 2003 TDK had to close down and it was acquired by Take-Two Interactive. Without their publisher, RFX Interactive was not able to continue the development of this new Dinotopia point and click adventure.
Only few screens and pixels remain in the gallery below, to preserve its existence.