New Cancelled Games & Their Lost Media Added to the Archive

Radikal Bikers [Game Boy Color – Cancelled]

The original Radikal Bikers was a pizza-delivery racing game for Arcades, developed by Gaelco in 1998 and later converted to PlayStation in 1999. A Game Boy Color port was also in development by Bit Managers, but it the end it was never released. Some years ago a prototype of the cancelled GBC port was leaked online, so you can play it on your favorite emulator.

Gameplay is similar to the original arcade version, but using a top-down, isometric view. Players race in different cities trying to avoid cars to delivery pizza to their clients as soon as possible. As we can read from the original press-release:

“Jump on your scooter and take up the challenge. Through the busiest streets in the world you’ve got to avoid trucks, cars, police, obstacles and people in a pizza fuelled dash for glory. Take the challenge and race your way across Paris, London, New York and the true home of Pizza – Italy!

Featuring:

  • Classic Arkade Mode.
  • Radikal Mode.
  • 2 player dash for glory.
  • Numerous Characters and Scooters to suit your personal taste.
  • GET OUTTA MY WAY!
  • No speed limit. No seat belt. No air bag. No rules!”

A sequel to Radical Bikers was also in development by Gaelco, but also canned.

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Shadowrun: Assassin (FASA Studio) [PC – Cancelled]

Shadowrun: Assassin is a cancelled stealth action RPG set in the popular fantasy sci-fi universe, that was in development for PC by FASA Studio around 1997 – 1998. While today it’s mostly forgotten by fans, Assassin would have been the first 3D PC Shadowrun video game, and the fourth Shadowrun tie-in after the previously released SNES, Genesis / Mega Drive CD projects.

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Some details were published by NEXT Generation magazine (issue 42) in June 1998:

“And yes, Virginia, there will be more Shadowrun titles. Currently scheduled for an early ’98 release is Shadowrun: Assassin, a 3D action/adventure title that is the first of a planned series of Shadowrun games, each of which will detail a different archetype from that universe. Assassin features Solitaire, a high-tech contract killer with a twist. According to producer Vijay Lakshman, “Her job is not to go out and kill business leaders or politicians. Her job is much tougher – she is trained to hunt down and terminate other assassins.”

“Again, as in Mech Commander, the means of accomplishing each mission or assignment is open-ended. The Assassin team is designing each mission from the inside out, placing guards and security systems to genuinely protect the target, not merely to serve as obstacles for a player to overcome. “We’re taking the idea of an action game and moving it more into the area of a kind of sweaty-palmed nervousness,” Lakshman says. “Not like running in and shooting everyone in this room, but in constantly having to watch out how much noise I make — I’m this badass assassin. I’m supposed to get in as a ghost and get out as a ghost. My mission is only 50% complete once I take the target out — that’s when all the shit really hits because then I still have to get out alive!” The idea of stealth is so integral to the game’s mechanics, the eventual release will even feature a noise meter.”

“All the cybergoodies one could expect from a Shadowrun game will be at Solitaire’s disposal, including cyberware dermal sheaths, shock pulse hands, cyberlimbs, and hand razors. In all, the game will feature 25 weapons, 10 unique to Solitaire, and all pulled right out of the Shadowrun books.  But what makes FASA Interactive a company to watch are the tantalizing hints about what it will be up to in the future. According to Lakshman, “The whole ultimate goal is to have this online, persistent universe where people come in and get contracts from another human player and go on runs against corporations being led by humans. That’s our ultimate goal.”

In 2019 MrTalida shared on Twitter a previously unseen Shadowrun: Assassin’s Fact Sheet and a PowerPoint presentation which was used by FASA to pitch their project to potential publishers like EA and Hasbro. In this document we can find even more details about FASA’s ideas for their unreleased game:

“In Shadowrun: Assassin you are a covert specialist trained to eliminate targets sanctioned for termination. You will accept a contract, analyze strategic data, and then exercise your contract. You will become known as a deadly operative able to accomplish missions others consider impossible.  You will compete in a world of lethal assassins, one-shot one-kill scenarios, and no second chances…”

“High Concept: 007 meets Blade Runner, Action/RPG based on the top-selling Shadowrun franchise”

“You are an assassin, with access to over 20 hi-tech weapons and 15 deadly spells. You will be tested by over 40 different enemies, from huge Troll warriors to elite corporate mercenaries. You will journey through 30 missions spanning 10 unique environments that test your skill and courage. You will hunt down and terminate 25 targets of opportunity. Failure is not an option.”

  • Producer: Vijay Lakshman (The Elder Scrolls: Arena)
  • Technical Director: Eric Huffman (Age of Empires, BattleTech LBE series)
  • Art Director: Brennan Priest (Wing Commander IV, Privateer, Septerra Core)

In the end Shadowrun: Assassin was canceled when Microsoft purchased FASA Studio in late 1998 / early 1999 and moved them from Chicago to Seattle, to focus their resources on MechWarrior. Many years later FASA Studio worked again on a different Shadowrun multiplayer FPS (using the Halo engine) for the original Xbox and on Shadowrun Awakening RPG for Xbox 360, both cancelled. They had to wait 2007 to finally release a Shadowrun team-based FPS for PC and Xbox 360, just before closing down forever.

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John Carpenter’s Psychopath [Xbox 360, PS3 – Cancelled]

Psychopath is a cancelled first person adventure that was initially in development around 2004 – 2005 by John Woo’s video games studio Tiger Hill Entertainment (founded with Woo’s partners Terence Chang and Brad Foxhoven), planned to be released for Xbox 360 and Playstation 3. The game’s protagonist was an ex-CIA operative called back from an early retirement to stop a serial killer, but during the adventure he would start questioning his own sanity.

Sometime in 2005 John Woo decided to cut their video game division, abandoning most of their in-development projects (Psychopath, Heat, Sundown, Demonik, Shadowclan, Sinner, Executive Assistant, Burglar) and keeping their Stranglehold IP (later released in 2007 with help from Midway). Brad Foxhoven took the remaining assets / game pitches and started a new company with former Tiger Hill creative director David Wohl. The new studio was named “Titan Productions” and they officially announced Psychopath at E3 2005, as we can read on IGN:

“Titan Productions released the first details of its upcoming first-person action game Psychopath, slated for release on upcoming next-gen platforms. The game was developed in collaboration with acclaimed film director, John Carpenter, who offered his cinematic direction and serves as a significant authority for the in-game character designs. […] According to Titan’s announcement, Todd Farmer screenwriter talents have also been sought as a key team member to write for the game and upcoming film with Carpenter.”

John Carpenter’s name was added to Psychopath when the game was still under development at Tiger Hill, during their pitching phase to find both a developer and a publisher. As we can read on Kotaku:

Todd Farmer said the first developer Tiger Hill pitched Psychopath to was People Can Fly, who passed because they wanted to focus on a sequel to Painkiller. Soon after, Sega passed on the game, which is apparently “exactly what [Tiger Hill and Farmer] wanted to happen,” so they could have latitude in finding partners for the game, and develop a film version simultaneously. Thereafter, Konami showed interest, but talks ultimately fell apart.

Tiger Hill thought they could generate more interest in the property from game publishers and film studios if they attached a major name to the project, and Farmer opted for John Carpenter. And Carpenter officially signed on board by March 2005.”

Carpenter talked about Psychopath in an interview with Gamespot in October 2005:

“GS: Psychopath is going to be both a game and a movie. Are you making the movie and turning it into a game or making the game and turning it into a movie?

JC: It’s going to be a game first.”

Carpenter would have mostly helped with direction of Psychopath’s game cutscenes, while working on the following movie if the project would have been green-lighted and founded by a major movie-studio. As we can read on Variety:

“Carpenter will oversee the game and direct its produced scenes and is attached to helm and co-write the film, along with Todd Farmer (“Jason X”).”

In the end Psychopath was mostly a game conceived by Tiger Hill Entertainment, which just wanted to find a popular director name to put on their title, a team of developers to realize their idea and a publisher to get money from. By what we were able to find during our research, the project stalled in early development and probably they never went did much more than a design document with concept artwork.

Thanks to Daniel Nicaise for the contribution!

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Ralphadia (Taito) [NES / Famicom – Cancelled]

Ralphadia is a cancelled JRPG that was planned by Taito for the Nintendo Famicom / NES, around 1992. This is another forgotten NES game with not much information online: Akamid83 found a small preview for the game in an old promotional leaflet for in-development Famicom and shared a photo on Twitter.

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Heimao, who notified us about the photo, wrote “It is said that it was a novel mechanism in which the enemy was placed 360 degrees around the player in the battle”. By looking at these tiny screenshots it seems Ralphadia had a strange overworld map, with a top-down perspective on the bottom of the screen and a side-scrolling scenario at the top.

There are also 2 screenshots showing cities, were the game kept its side-scrolling view. Combat was “first-person turn-based”, similar to Dragon Quest, but you may have been able to rotate the “first person” camera around to see more enemies all around your protagonists.

That’s it all for now: will we ever see something else from this lost Famicom RPG? As it often happens with these obscure, unreleased Japanese games from the ’90s, probably not. If you can read Japanese and see more interesting details written in the leaflet photo, let us know in the comments below!

3 Games That Spent Years in Development Limbo

Even though it usually involves a large combination of skilled teams working together as fast as they can, developing a blockbuster-level videogame can take at least five years on average, according to a Quora response from a freelance video game programmer, Mike Prinke.

He states that creating the various textures and character interactions that you see during gameplay is an incredibly time-consuming process with a lot of trial and error. Debugging faulty code can also cause a giant domino effect, potentially stalling your eagerly anticipated game release, along with all the other complex factors involved.

Without further ado, here’s our list of games that have taken many years to develop:

1. Too Human – 9 years

In our article on ‘Too Human: The Game That Will Never Be’, we explored the evolution of this third-party action “cyberpunk-horror” RPG.

Initially, it was in development for the PlayStation system when it was announced in 1999 but was eventually moved to the Nintendo GameCube system in 2000, then finally to the Xbox 360 in 2005. This lengthy release time is mostly attributed to changes in partnership agreements and the very controversial code theft from Epic Games by Silicon Knights. If you’re curious, it should still be available to download on the Xbox game store for free (as of July 2019), according to a Forbes article on ‘The Bizarre Story Behind ‘Too Human’ — The Game That Killed Silicon Knights’.

2. StarCraft II: Wings of Liberty – 7 years

StarCraft II is one of the games credited by the community to contribute to the prolific rise of esports. Why did this game take so long to develop despite the success of its predecessor? For one, an article by Variety on StarCraft II and the esports industry recalls how a 2009 interview reported that the game would no longer include local area network (LAN) support and operate on a new platform. This was met with uproar from many fans, with a survey reporting 83 percent of respondents planned to spam Amazon with one-star ratings until it was reinstalled. Eventually, the game was released in 2010 after spending seven long years in development, also due to the temporary reassignment of Blizzard’s resources to the World of Warcraft franchise.

At the height of its popularity, players on a GameFaqs message board couldn’t help but compare StarCraft II to Age of Empires III, the latest iteration of a series of critically acclaimed real-time strategy (RTS) video games that focus on several historical events. Both games are still being played to this day, but it looks like Blizzard has put StarCraft on the backburner, with no news on a potential StarCraft III. Meanwhile, HP reports that Age of Empires IV is already in the works, 13 years after the last game was released. It’s been over two years since Age of Empires IV was announced, so we’ll see how long it takes the devs to finish that one.

3. Final Fantasy XV – 10 years

A highly successful franchise, Final Fantasy’s fifteenth iteration, unfortunately, spent a decade in development. It was initially introduced in 2006, but after many years of silence, the lack of updates, a title change, a director change, and the platform change, one of the Final Fantasy XV designers blamed its lengthy release on the development team, according to an article on Inquisitr on why it took 10 years. The designer Roberto Ferrari (who has since left the development team) referred to the team as highly disorganized, with a staff of “200 suffering souls.” The game’s story changed every three months or so requiring constant changes in terms of its animation. The good news is that its 2016 release has been received relatively well by fans, currently being rated at 81 percent on Metacritic and ranking 8.2 out of 10 on IGN.

Although they’ve spent almost a decade (or a whole decade) in development, many fans would say that these releases are worth the wait. Anticipation can make the heart grow fonder, and in the world of video games, there’s always something new to play in the meantime to keep the wait from becoming too painful.

And as we know well, being release late it’s always better than being cancelled and lost forever.