Mythica is a cancelled MMORPG based on Vikings folklore and Norse mythology that was in development by Microsoft Game Studios between 2002 and 2004, planned to be released on PC. At the time most big gaming companies tried to launch their own massive online multiplayer games, as it was quite a lucrative market (at least until they over-saturated it). Mythica boosted impressive graphics for its time, and Microsoft also promised fun gameplay mechanics.
“When playing ‘Mythica,’ players will feel like genuine Norse heroes on a personalized journey unique to them,” said Adam Waalkes, studio manager for role-playing games at Microsoft Corp. “Through ‘Mythica,’ Microsoft Game Studios will revitalize the massively multiplayer genre by putting the focus where it belongs: on gameplay.”
In the quest to become the one true hero in a vast gaming world, players may adventure with a band of fellow immortals into huge, populated public spaces or enter a Private Realm. “Mythica’s” Private Realms Technology envelopes players in story lines and environments that react to their actions in private areas of the world. Here players become the central characters in a heroic tale where actions have lasting consequences in their own persistent game world.
The Private Realms are spread across several traditional planes of existence from Norse mythology, from the grassy fields and eternal spring of Asgard to the fiery heart of Muspellheim. Using godlike powers, players can dispel droves of menacing monsters with a single blow or battle massive, monstrous beasts such as the Midgard Serpent.”
In 2011 Justin Olivetti wrote a great article about why Mythica could have been a great addition to the MMORPG market:
“No matter how similar MMOs may be to each other, each one needs a “hook” that devs and marketers can bandy about to capture the imaginations of gamers. […] With Mythica, the hook was “Let players be gods.”
[…] Each day, players would get to choose whether they wanted to adventure in an open world setting or in personalized “private realms” that would change the game according to their deeds. In private realms, what you or your small group of friends did would have a lasting impact on the game world — as long as you were in that version of the game, that is.”
Mythica’s development team consisted of about forty people, but most of them were fired in 2004 when the game was officially cancelled. Just a year before Microsoft already faced another sudden problem: Mythic Entertainment (developer of popular MMORPG Dark Age of Camelot) sued Microsoft, seeing in the similarity between their name and Mythica. We could speculate it was just a way to get some money from Microsoft or interfere with their game, seeing it as a potential competitor in the same genre as DAoC. In the end Microsoft just recognized the MMORPG market was over saturated: it would have been risky to proceed with Mythica’s development, so the project was canned.
Aquaria is a cancelled action adventure that was in development by Lobotomy Software for Nintendo 64 and Playstation. It was described as having a feeling similar to SEGA’s Nights Into Dreams, but underwater and with full 3D levels to explore in every direction. If you played Exhumed / PowerSlave on Saturn or Playstation, you probably remember it was quite good for its time: a Metroidvania adventure in first person view, before Metroid Prime even existed. Aquaria could have been another cult-hit by the same team, but unfortunately we never got the chance to see more from the project. It was just mentioned in old gaming magazines, such as in GameFan Magazine Issue 5:
“Currently Lobotomy is working on both games, with the company’s 20-or-so staff split roughly down the middle on each project. They have a number of games on the back burner, including PowerSlave 2 (a 3rd person Tomb Raider style adventure starring a young King Ramses), Aquaria (like Nights underwater, but with full 3D control) and a PC strategy game called Gothic. They are currently in the process of applying to become and N64 developer (Aquaria will be their first N64 title) and never miss the opportunity to snatch a quick game of Death Tank during lunch breaks.”
“Lobotomy’s first N64 game, Aquaria already looks fantastic. The graphics run at 60fps and are apparently some of the best seen. Enix are converting the game to PlayStation.”
C&VG probably confused Aquaria with Aqua Prophecy or another cancelled Enix game for Playstation. Thanks to our friend Ross Sillifant in 2015 we published an interview with Brian McNeely (former Lobotomy Software developer), who shared some memories about their work on Aquaria:
“We had a playable demo of Aquaria up and running on PlayStation. It was a free roaming third person underwater adventure game where you controlled an alien merman character. The Nights comparison ties into how fluid the controls were. You could do various dolphin-like acrobatics to maneuver through the environment. In addition to the playable demo I had the majority of the design pretty much completed but when the company began to close its doors we had to stop development. At one point we were contacted by Sega to possibly make the next Ecco the Dolphin game and we sent them our Aquaria prototype, but that never panned out. If you’ve ever played Ecco the Dolphin Defender of the Future you can get a pretty good idea for how the core character controls and camera system for Aquaria were designed.”
In 1998 Lobotomy’s talented developers were acquired byCrave Entertainment and the team was renamed to Lobotomy Studios, to work on aCaesar’s Palace game for the Nintendo 64, but after a year of development the game was postponed and eventually cancelled. As we can read on Wikipedia, at that point Lobotomy Studios was closed and employees were let go or given the option to be relocated to another position at Crave Entertainment.
We hope one day someone could find screenshots, footage or even the playable Aquaria prototype: it would be great to preserve more documents of this lost video game.
Thanks to Celine and Ross Sillifant for the contributions!
Ringman is a cancelled third person platform-shooter that was in development by Zono Inc in late 1996, initially planned for Sega Saturn and then for Sega Dreamcast. It would have been one of the first games ever published by Sega of America for their lost version of the Dreamcast. The team behind this project was part of the same one that worked along with Ed Annunziata on Mr. Bones for the Sega Saturn, with names such as William Novak, Simon Hallam and Dave Castelnuovo: thanks to the good relationship between Sega and Zono, they were able to pitch this project for the planned 128 bit console.
While the Dreamcast hardware was still not available in late 1996, Zono interfaced directly with Sega of America producers and the development team that was designing a 3Dfx version of the console, codenamed “Blackbelt”. Sega of America wanted to create something amazing and showed off the planned graphical power of the new 3Dfx chips. The game concept was inspired by the (at the time) newly released Quake by ID Software and Dave remembered how John Carmack was talking about implementing NURBS (“Non-uniform rational Basis spline” a model used in computer graphics for generating and representing curves) in his next rendering engine: Sega producers wanted Zono to take a look at using NURBS to create this Blackbelt game. The surfaces in each world of Ringman would be curved and even the main character would have had a body composed of different rings, like a colorful spring that would permit it to move around quickly and shoot down enemies.
The team did quite a bit of concepting for the game and got as far as having a very simple prototype world with the protagonist moving around, but unfortunately the project was canned in mid-1997 when Sega of Japan found out about Sega of America’s plan to create another console and shut down the project. As we can read in an article by Douglass C. Perry on Gamasutra:
“In 1996, 3Dfx began building wide acclaim for its powerful graphics chips, one of which ran in arcade machines, including Atari’s San Francisco Rush and Wayne Gretzky’s 3D Hockey. In 1997, 3Dfx went public, announcing its IPO. In the process it revealed the details of its contract with Sega, required by U.S. law. The announcement, however, had undesired effects. It publicly revealed Sega’s blueprint for a new, unannounced console, and angered executives at Sega Japan. Numerous reports indicate Yamamoto’s Blackbelt chipset using the 3Dfx chips was the more powerful of the two. Sega executives, however, still fuming at 3Dfx, severed their contract with the chip maker. (Soon thereafter, 3Dfx sued Sega and both companies settled out of court.) In the end, Sega of Japan selected Sato’s design, codenamed it “Katana,” and announced it publicly on September 7, 1997.”
If this internal issue between the “two Segas” was not enough, Sega of America was also split into the ill-fated SegaSoft and in early 1997, a few of their projects were canned. In late 1996, the CEO and CFO of SegaSoft asked the new company director, Peter Brown, to install a new financial system by April 1997. As told by Brown during an interview with InfoWorld magazine: “as a young company, we needed built-in maturity of process and scalability”: we can assume that games for a not-yet-confirmed new console were not a safe bet for the company stability.
After the cancellation of Ringman, along with their N64 legendary project “Freak Boy”, Zono had to wait until 2000 to release another game: Metal Fatigue, a PC RTS published by Psygnosis. In 1997, SegaSoft stil released a couple of Saturn games, Scud: The Disposable Assassin and Three Dirty Dwarves.
Angelus 2: Holy Night is the cancelled sequel to Enix’s Angelus: Akuma no Fukuin, once in development by Asmik Ace Entertainment with such names as Yuzo Koshiro and Hiroyuki Kitazume working on the project, planned to be released for PC Engine and PC-98. The first game was a beloved visual novel, released only in Japan around 1988: Angelus 2 would have continued the story, left unfinished with a huge cliff-hanger. Somehow a CD-R containing data from this unreleased sequel was found some years ago by collectors, who later uploaded the content online: it seems the main plot was complete and you can listen to audio files (in japanese) to understand what would have happened in the final game:
“Angelus 2: Holy Night’s protagonist is Brian Pearl, the same reporter from the previous game. After the incidents seen in Angelus: Akuma no Fukuin, Brian and Ellis left London and had their wedding in New York. Two years have passed since then, and Brian is asked to cover a series of deaths happening in New York, caused by a strange disease (just like in the first game). He declines this request, as he doesn’t want to be involved again in a bizarre incident. Unfortunately his editor receive a letter warning of the next murder: the minister who witnessed the marriage of Brian and Ellis would be killed. Brian goes to the church, but the minister is already dead. He then decides to cover this case, because the mysterious disease has spread to people close to him. However, people involved in Brian’s life are dying one after another. As he continues his investigation, he discovers the existence of a group of evil spirits behind the incident and the resurrected demon Seva.”
In the end it seems the game was canned because the team switched development to the PC engine CD-ROM2, but the hardware sold poorly and they just decided to stop working on it.
2021 is coming soon and as every year we’d like to review what we did in the last 12 months for Unseen64 and make some plans for the new year. 2020 was a difficult year for the whole world: we hope you and your family could be safe, while we look forward to a better 2021. Unseen64 is just a small website about video games: there are much more important things to care about in our real lives (health, friends, family, happiness), and it’s vital to remember it during these hard times.
Keeping this in mind, we still try to archive some memories of cancelled video games. As most of you know we work on Unseen64 in our own free time, after long hours of our day-jobs. We take away this extra time from our lives just to search info on lost games, write articles, read Unseen64 related emails, reply to messages on social networks, resolve technical issues on the website, save media and try to contact developers.
Here are some of the lost games we archived on Unseen64 in 2020:
There are now more than 3.200 unseen games archived on Unseen64!
You see just a few articles published on the site every week, but to keep Unseen64 online and updated we invest dozens of hours of work every month. As in the last few years 95% of the needed work is done by monokoma, as it has become harder and harder to find more people who can help the site steadily.
In 2020 we had the same issues as in the last few years, so the following points are just a reminder of our fragile situation. People are not much interested in a website like Unseen64, especially when popular cancelled games were already unveiled in the past, with lots of great videos talking about them on Youtube:
We still have hundreds of lost games for console and PC to write about, but most of them are obscure projects by small studios. There are no more popular projects like “Resident Evil 1.5” or “Sonic Xtreme” to uncover or it’s quite rare to gather information about them.
Even for those obscure and little cancelled games, it became harder to receive more details and write good articles. Some years ago we could contact 5 developers who worked on a lost game and we would get at least 2 or 3 answers. Now we contact 10 or 20 developers and 99% of the time we never get any answer. The Internet has become a fearsome place, where news could deform and spread uncontrollably on social networks. Many developers seem scared to talk about their old jobs, because they don’t want to get in trouble for talking to a small website.
Today most of our research time is spent checking old magazines, going deep into hundreds of useless Google results, finding developers portfolios, trying to load vanished websites on the Web Archive, checking abandoned forums and communities to find a few mentions about obscure games no one remembers.
Without being able to get in contact with developers, we cannot save more screenshots or footage for many lost games we are researching. With no exclusive images or videos, we cannot keep up with Patreon higher tier bonuses. As we wrote on Patreon, please just donate what you can really afford, just how much you think it’s worth keeping U64 alive. We cannot ensure anything more than our love for lost video games (even the most obscure, boring ones) and our mission to remember them.
Most people are not interested in supporting an old website in the age of Youtube.
Since 2019 we just dropped our plans to create new videos, because we can’t get new information from developers. With the few details, screens and videos available it’s best if we focus on preserving them on our website.
Even with all these limitations, we survived 2020 thanks toyour kind help and support.
We still work every week to keep Unseen64 online and updated:
We keep remembering those obscure lost games on Unseen64, even if most people don’t care about them.
We keep sending emails to developers, even if 99% of the time we never get a reply.
We write as much as we can about a lost game, by doing deep-research online, in old magazines, closed websites, developers’ resumes and online portfolios.
Unseen64 support on Patreon remained stable in 2020 (it did not grow, but it did not decrease much compared to 2019).
We keep working on other methods to raise funds (as with StoryBundle ebooks and publishing short physical books using the same content we have on the site).
Patreon is essential for the survival of a niche project like Unseen64, a 20-year old website managed with love and sleep-deprivation mostly by just one italian guy.
We are grateful for your kind words and your help: without our PatronsUnseen64 would already have been closed many years ago. You prompt us to keep doing this, even during the hardest times.
We’d like to thank all of you who are currently helping U64 on Patreon:
The Supreme Commander of the Cyber-Chihuahua Ninja Army, chubigans, Malkavio, gamemast15r, ▓░▓▓▓▒▓▓▓▓▓▓))), Denhette, Nick Ostrem, Becki Bradsher, Nelson Parra, EasterRomantic, TS, Jerry Graham, Kyle Allen, Matthew Geoffino, Shane Gill, Faisal AlKubaisi, Strider Ryoken, cyborgpluviophile, Itay Brenner, Marty Thao, Alex Schaeffer, James P Branam-Lefkove, Jake Baldino, Riptide, Reoko, Kaleb Ratcliff, Tony, Nolan Snoap, Case Davis, Christopher Cornwell, Peter Lewis, Lachlan Pini, Pedro, Robert Dyson, Brandon, Goffredo, Lou, PtoPOnline, Alpha 3, Topottsel, Matthew Gyure, Joe Tangco, Brice Onken, James Jackson, Mauro Labate, Olivier Cahagne, Bransfield, tydaze, The Video Game History Foundation, Ben Salvidrim, Cameron Banga, MARTAZIA A BROWN, Daniel, Liam Robertson, joef0x, DidYouKnowGaming, Nick Robinson, Thibaut Renaux, sheq2, NuclearSaber, allan paxton, Ehren Minnich, Nathan Wittstock, Rylan Taylor, Gabe Canada and everyone else! (did we forget someone?)
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