New Cancelled Games & Their Lost Media Added to the Archive

The Lord of the Creatures [Cancelled – PC, Xbox 360, PS3]

The Lord of the Creatures is a cancelled fantasy strategy / adventure game that was in development by Spanish studio Arvirago Entertainment (a team composed of former Pyro Studios devs, creators of the Commandos RTS series) for PC, Xbox 360 and PS3. The main feature of the game was to capture and use monsters in combat, somehow similar to a real-time Pokèmon action adventure mixed with Kameo, in a classic fantasy setting with orcs, elves and other strange creatures. The game was originally announced in 2003 but after a few years of development it was quietly canned and not much more info was ever released.

Players would be able to collect over one hundred different creatures, each one with exclusive abilities to use directly by impersonating one of them or by giving orders like in a real time strategy game. Enemies would attack in groups and we had to think about the best creatures for the fight, depending on their characteristics, weapons and items. Five different main characters were available, each one with a different play-style. Online cooperative and competitive modes were also planned, to test your tactical abilities and creatures along or against other players.

We don’t know what happened to Arvirago, but it seems that the studio does not exist anymore and they never released any game before to vanish forever.

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Strelka Stories [PS3 – Cancelled]

Strelka Stories is a cancelled action adventure game planned for Playstation 3 that was in development by CyberConnect2 (Tokyo Studio and Fukuoka office), as a new chapter in their “Little Tail Bronx” series of anthropomorphic animal characters and fantasy floating world, composed of three main chapters: Tail Concerto (1998, Playstation), Solatorobo: Red the Hunter (2010, Nintendo DS) and Little Tail Story (2014, Android and iOS). The series is not widely known to the main public and sales were not great, but thanks to its fun gameplay, light hearted animal characters and interesting world-lore (mixing Jules Verne-steampunk style technology, mechs, magic, Laputa style floating islands and airships) it grown a cult following of fans in the last 18 years.

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Strelka Stories was originally announced in July 2010 when CyberConnect2 were celebrating their 15th anniversary and opened a teaser site for this new PS3 game, showing artworks featuring their usual anthropomorphic animal characters, a 19th-century fantasy town (feeling like something out of a Studio Ghibli movie, especially if you think about Sherlock Hound) and a space-conquering theme.

Over those artworks there are a series of sentences in Japanese, that can be roughly translated as ““I will surely go to space, surely”, “To the children who depart someday”, “The world’s first man-made crystal power plant, it was built against the press-cutting international public opinion”, “This country was always engulfed in restless shadows” and “The road was collapsing, they gathered Strelka, a rocket engineer…”. By reading these, we can speculate that Strelka Stories could have told the story of how the world of Little Tail Bronx became a series of floating islands and the efforts of its inhabitants to escape from the collapsing of their planet.

The title “Strelka Stories” is also inspired by the name of one of the Soviet dogs used for sub-orbital and orbital space flight tests in the ‘60:

“Belka (Белка, literally, “Squirrel” or, alternately, “Whitey”) and Strelka (Стрелка, “Little Arrow”) spent a day in space aboard Korabl-Sputnik 2 (Sputnik 5) on 19 August 1960 before safely returning to Earth. […] Strelka went on to have six puppies with a male dog named Pushok who participated in many ground-based space experiments, but never made it into space.”

In November 2010 Impress Watch published an interview with CyberConnect2’s president and CEO Hiroshi Matsuyama where he shared a few more details on Strelka Stories:

“Solatorobo was set in an imaginary scientific world, which targets the current generation of boys and girls. The content for this one [Strelka] will target ‘Adults who were once youths’. I believe those who like Gurren Lagann and Evangelion will enjoy it. We actually didn’t get approval of the project from a client or publisher. It’s a title that we started because we wanted to make it.”

In December 2012 during a fan event for the 2nd anniversary of Solatorobo, Matsuyama said that they were still working on a new game in the Little Tail Bronx series, but he could have been talking about Little Tail Story and not Strelka Stories.

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The lack of a publisher for Strelka Stories is probably the reason why the game was never completed, with CyberConnect2 busy to work on other projects for which they were hired. In fact the studio released many games for Playstation 3 and Xbox 360 (such as Asura’s Wrath, .hack//Versus and the Naruto Shippuden: Ultimate Ninja Storm series), but unfortunately it seems that Strelka Stories never found support and had to be quietly cancelled. CC2 also planned a Tail Concerto sequel in late ‘90 / early ‘00, but it had to wait 12 years to be finally released (as the spiritual sequel Solatorobo), so we can assume that one day we could still see the ideas conceived for Strelka Stories in a new chapter of the “Little Tail Bronx” series.

CyberConnect2 are a big company today, they are currently working on the Final Fantasy VII Remake for Square-Enix and opened a new studio in Montreal (Canada). In April 2016 Famitsu magazine published another interview with Hiroshi Matsuyama, in which he teased a new game codenamed “Project Venom” or “CyberConnect Creative (CCC)” (it’s not clear if the two titles are for the same game or for two different projects) a self-published digital shooter planned to be released the next year for PlayStation 4, Xbox One and PC. The artworks revealed in the magazine show a fantasy setting with characters similar to the ones seen in “Nausicaa of the Valley of the Wind” and no space rockets, so we can assume that this will not be directly connected to the Strelka Stories concept.

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Kanaan (Argonaut) [PC – Cancelled]

Kanaan (AKA Chaos when it was conceived on Playstation 1) is a cancelled first / third person open world shooter that was in development by Argonaut Games in late ‘90, planned to be published in 1998 / 1999 by Ubisoft on PC. While many other lost games from Argonaut were widely known, this one seems to have been forgotten for many years, until in January 2016 Werta Oldgamesru noticed this title and posted about it in our Unseen64 FB Forum. The project was quite an interesting twist on the classic shooter genre, because of its open world environments and anthropomorphic animal enemies. As noticed by Ross Sillifant, a two-pages preview of the game was featured in Edge magazine September 1998 issue, where we can read a lot of details about its gameplay:

“Think dark tunnels, think robot enemies, think bleak future worlds. The stereotype defined by ID’s seminal Doom has been adhered to with a near-religious reverence by developers worldwide. So perhaps, it’s salient that Argonaut, a traditional console game company once strongly linked to Nintendo, should be chipping away at the genre’s mould. Argonaut first person foray is currently dubbed Kanaan, although the search for a name to replace the development tag of “Chaos” has been a protracted wrangle. While the game’s futuristic setting is nothing new, its dog-themed alien enemies are refreshingly different. Guiding lone human Gabriel Cain, the player must stop the invaders from capturing his home planet of Camrose. Cain is one of two surviving members of Camrose’s crack Chaos Squad, the other being the group’s traitorous captain deSoto. As the game progress, new plot elements are introduced, including Cain joining the underground resistance. New weapons, locations and environments will gradually be uncovered as Cain struggles to defeat the alien foe. His eventual target is the alien leader Commander Kray, who must be brought down for Cain’s final victory.

Through the careful use of tessellation techniques, Kanaan has been gifted with vast environments. […] However, the game also contains a large number of structures which can be entered, the action blending smoothly from interior to exterior. Using Kanaan’s powerful 3D engine fully, certain buildings will feature balconies, giving the player the ability to look across an area and attack enemies from a distance.

In order to move swiftly around these incredibly open areas, the player can capture and utilize a variety of vehicles. These includes jeeps, cars, trucks, speedboats, helicopters and bombers, each with their own armoury available at Cain’s disposal. […]

While Kanaan’s standard viewpoint is first person, Argonaut has strong opinions regarding character depiction, and to that end an additional third person camera is selectable. […]

Cain also has access to a sniper weapon (as seen in Goldeneye) so he can pick-off foes from a great distance by zooming in through the weapon’s sights. Traditional first person puzzle elements also emerge, along with console systems which reveal conundrums that block progress.”

A few more memories about Kanaan’s development can be found in websites of people that worked on it. Simon Grell recalls:

“Kanaan was the first game I worked on at Argonaut. I did most of the character and vehicle designs but unfortunately it was canned shortly before it was due to be released”

In an interview with Julian Alden-Salter posted in the GameOn Forum, we can read:

“I spent 5 years at Argonaut working on Hot Ice (unpublished), Alien Odyssey (unpublished), Croc, FX Fighter Turbo and Kanaan but was made redundant when the project I was producing (Kanaan) was canned.”

As the game was almost complete when cancelled and even Edge was able to try a playable demo, we hope that in the future someone could find a video or even a prototype of Kanaan that could be saved.

Thanks to Werta Oldgamesru, Maik Thiele and Ross Sillifant for the contributions! Screenshots saved from AVOC by Fabio Cristi

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Velvet Dark [N64 / GameCube – Cancelled]

Velvet Dark is a cancelled spinoff / sequel to Perfect Dark, the cult classic FPS developed by Rare Ltd and published for the Nintendo 64 in May 2000. A few months before Perfect Dark was completed, Duncan Botwood (Production Designer on GoldenEye and Level Designer on PD), Steve Malpass (Designer on PD) and possibly a few more people from the original team started to work on this new concept, that would have featured Joanna Dark’s sister: Velvet.

velvet dark: joanna's sister

The relationship between Joanna and Velvet was never fully detailed in Perfect Dark, but Velvet is a playable character in the coop and multiplayer modes, and she is also unlocked from the start to be used as a bot in single player. We can assume that early work on Velvet Dark begun in late 1999 as in january 2000 Rare filed the trademark for the title and later in february 2000 they even registered the domain name for www.velvetdark.com.

Velvet Dark would have been a third person stealth / action game and not a first person shooter as the original Perfect Dark, as Rare wanted to expand their franchise in different genres, especially when such games as Metal Gear Solid and Symphon Filter were super popular on the Playstation. At the time Nintendo wanted to publish cool third person action games for their 64 bit console, so much that in mid 1999 they announced the Tomb Raider inspired RiQa, a collaboration project with Bits Studios that unfortunately never seen the light of day. Rare were also interested in explain more about Velvet’s mystery and her backstory, other than to take advantage of their new Vicon 8 optical motion-capture system that would have been ideal to use for a realistic third person game.

Velvet Dark render for Nintendo 64 and GameCube

Unfortunately not much was done Velvet Dark before its cancellation: a design doc and some concept arts / renders were made but in the end the project was not green lighted for full development. A photo of the cover for Velvet’s design doc was shared on Twitter by Gregg Mayle in July 2015 and it was marked with the date 30 October 2000. If our speculations are correct, the small team at Rare spent about 1 year on Velvet Dark and many gameplay elements were already detailed.

velvet dark design doc by rare ltd

From the design doc index we can read that Velvet would have use some kind of “serum” to gain new abilities, maybe something similar to the “Nectar” featured in Haze by Free Radical Design, the studio composed by a few former Rare employee. There could also have been squad-based strategy elements (probably an evolution of the bot commands used in Perfect Dark N64) and a possible GameBoy / GBA compatibility. As a spinoff and spiritual sequel to GoldenEye and Perfect Dark, multiplayer was also considered for Velvet Dark.

In August 2000 Nintendo officially announced their GameCube at Space World 2000 and one of the tech demos shown at the event was a 3D rendition of Joanna Dark, implying that a new FPS by Rare was already planned for the new console. Even if some work on Velvet Dark was undertake at least till October 2000, we can assume that the game was not developed further because they decided to switch all resources to create the new Perfect Dark Zero, a popular FPS needed to be successful in the American market. A third person action / stealth game was not Rare or Nintendo’s priority anymore. Rare’s last game for the Nintendo 64 was then Conker’s Bad Fur Day, released in March 2001.

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Deep Cover [PC – Cancelled]

Deep Cover was a first-person shooter being developed by Looking Glass Technologies and Irrational Games in the 1999 to 2000 period. During the development of System Shock 2, the Looking Glass team began work on a new game which would take the concepts of Thief: The Dark Project into a modern setting. Using the Dark Engine originally developed for Thief, the spy-espionage game took on the title of Deep Cover.

“Deep Cover was slated to be one of the coolest games to leave the studio. It was a gritty 1960’s cold war spy action-adventure that had the elegance of thief and the depth of system shock 2.”

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The game was set to incorporate more interactive elements into the Thief and System Shock pallet with a faction system which would react based on how the player decided to complete a mission, though the missions themselves had a set order of progression.

  • Extraction: Berlin, East Germany Sector, 1958. A top German scientist has developed a deadly biological weapon that could threaten the Soviet-American nuclear détente. Jon must find out who this scientist is, and extract the scientist out of Eastern-block Germany (willing or not).
  • Infiltration: Alabama, 1961. Word has it that a Soviet mole has worked his way into a chapter of the Ku Klux Klan. Infiltrate the Klan enclave, find out who the mole is and get out alive.
  • Surveillance: Cuba, October 1962. Jon infiltrates an installation near Havana to photograph alleged Soviet nuclear SS-4 missiles.
  • Interdiction: Dallas, 1963. Your information is vague but you must act fast. A group of Cuban nationalists are going to try to kill President Kennedy. Find your way into the book repository and stop them.
  • Assassination: Bulgaria, 1964. The Turkish Undersecretary of Defense has been selling documents to Moscow. He must be eliminated before he can make a critical drop. An elite squad of Turkish terror troops heavily guards him.

Irrational and Looking Glass shared equal parts of this project, with the former hiring on staff and the latter seeking investment for the project. Ken Levine put together a story and a design doc for the project to follow, reviving the Cold War theme seen in one of his pre-Thief concepts and inspired by John Le Carre’s storyThe Spy Who Came From the Cold”.

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Among the level designers were Nate Blaisdell, Edward J. Moore III, Michael Swiderek, Steve Kimura (all of whom had no prior design experience) as well as Paul Hellquist, Rick Ernst, Nathan Wells, and Michael Ryan who posted screenshots of the unannounced game online in 2002 as well as implemented a search-light system into the Dark Engine. Other developers connected to the project included Ian Vogel and Alexx Kay. The lead programmer on the project had worked at Looking Glass previously and was called back by Ken Levine to work on Deep Cover.

“When I was at Irrational, I worked on Deep Cover, which was System Shock meets JFK. Hacking closets, feeding attack dogs sleep drugged meat.”

Concurrently with this development though, both companies were attempting to manage their own affairs separately. Looking Glass was having trouble paying Irrational due to the former’s financial difficulties, causing the latter to seek out contract work in November of 1999, beginning work on a project which would eventually become the Playstation 2 game The Lost. Looking Glass were also working on Thief 2, which ended up featuring some of the code originally intended for Deep Cover.

There were going to be multiple factions… depending on how you played each mission, you could make different groups pleased or disappointed. Later missions would be affected by this.   while there wasn’t going to be an overall branching mission structure, each mission in the game could be changed in minor ways that would affect the flow and difficulty. – Michael ‘solus’ Ryan

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After 9 months of work on Deep Cover, Looking Glass managed to procure a major publisher: Microsoft, who expected the studio to collaborate with Irrational Games on the title. However, Irrational were moving out of the Looking Glass offices and devoting their time to The Lost, leaving Looking Glass to work on the contract alone. Disappointed, their publisher pulled out of the one million dollar deal in February of 2000, leaving the project on the verge of cancellation.

“When Irrational Games pulled out of the Deep Cover project, the publisher pulled out as well, together with a lot of calculated advances. This put Looking Glass into a very bad position concerning liquidity.” – Tim Stellmach

Work did continue on Deep Cover after Irrational’s departure. The studio attempted to negotiate a deal with Sony to keep the studio and the project afloat, but a restructuring within Sony caused their executive contact to be fired. The lead programmer described at least one level in a playable prototype state prior to a switch from the Dark Engine to a successor technology called the “Siege Engine”, which none of the available screenshots showcase. After his departure, the former lead programmer of British Open Championship Golf was brought on, who also was an expert on the JFK Assassination.

The closing of Looking Glass Technologies in May of 2000 put an end to Deep Cover, and subsequently migrated much of the talent over the industry. In a basic thematic sense, the spy theme with the Looking Glass style of freedom would re-emerge in Deus Ex which was released shortly before the studio dissolved.

The following screenshots were taken from very early versions of the levels… before any gameplay was implemented, and well before Looking Glass decided to switch from the Dark Engine to the Siege Engine. – Michael ‘solus’ Ryan

Article by AguyinaRPG

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