New Cancelled Games & Their Lost Media Added to the Archive

Velvet Dark [N64 / GameCube – Cancelled]

Velvet Dark is a cancelled spinoff / sequel to Perfect Dark, the cult classic FPS developed by Rare Ltd and published for the Nintendo 64 in May 2000. A few months before Perfect Dark was completed, Duncan Botwood (Production Designer on GoldenEye and Level Designer on PD), Steve Malpass (Designer on PD) and possibly a few more people from the original team started to work on this new concept, that would have featured Joanna Dark’s sister: Velvet.

velvet dark: joanna's sister

The relationship between Joanna and Velvet was never fully detailed in Perfect Dark, but Velvet is a playable character in the coop and multiplayer modes, and she is also unlocked from the start to be used as a bot in single player. We can assume that early work on Velvet Dark begun in late 1999 as in january 2000 Rare filed the trademark for the title and later in february 2000 they even registered the domain name for www.velvetdark.com.

Velvet Dark would have been a third person stealth / action game and not a first person shooter as the original Perfect Dark, as Rare wanted to expand their franchise in different genres, especially when such games as Metal Gear Solid and Symphon Filter were super popular on the Playstation. At the time Nintendo wanted to publish cool third person action games for their 64 bit console, so much that in mid 1999 they announced the Tomb Raider inspired RiQa, a collaboration project with Bits Studios that unfortunately never seen the light of day. Rare were also interested in explain more about Velvet’s mystery and her backstory, other than to take advantage of their new Vicon 8 optical motion-capture system that would have been ideal to use for a realistic third person game.

Velvet Dark render for Nintendo 64 and GameCube

Unfortunately not much was done Velvet Dark before its cancellation: a design doc and some concept arts / renders were made but in the end the project was not green lighted for full development. A photo of the cover for Velvet’s design doc was shared on Twitter by Gregg Mayle in July 2015 and it was marked with the date 30 October 2000. If our speculations are correct, the small team at Rare spent about 1 year on Velvet Dark and many gameplay elements were already detailed.

velvet dark design doc by rare ltd

From the design doc index we can read that Velvet would have use some kind of “serum” to gain new abilities, maybe something similar to the “Nectar” featured in Haze by Free Radical Design, the studio composed by a few former Rare employee. There could also have been squad-based strategy elements (probably an evolution of the bot commands used in Perfect Dark N64) and a possible GameBoy / GBA compatibility. As a spinoff and spiritual sequel to GoldenEye and Perfect Dark, multiplayer was also considered for Velvet Dark.

In August 2000 Nintendo officially announced their GameCube at Space World 2000 and one of the tech demos shown at the event was a 3D rendition of Joanna Dark, implying that a new FPS by Rare was already planned for the new console. Even if some work on Velvet Dark was undertake at least till October 2000, we can assume that the game was not developed further because they decided to switch all resources to create the new Perfect Dark Zero, a popular FPS needed to be successful in the American market. A third person action / stealth game was not Rare or Nintendo’s priority anymore. Rare’s last game for the Nintendo 64 was then Conker’s Bad Fur Day, released in March 2001.

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Deep Cover [PC – Cancelled]

Deep Cover was a first-person shooter being developed by Looking Glass Technologies and Irrational Games in the 1999 to 2000 period. During the development of System Shock 2, the Looking Glass team began work on a new game which would take the concepts of Thief: The Dark Project into a modern setting. Using the Dark Engine originally developed for Thief, the spy-espionage game took on the title of Deep Cover.

“Deep Cover was slated to be one of the coolest games to leave the studio. It was a gritty 1960’s cold war spy action-adventure that had the elegance of thief and the depth of system shock 2.”

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The game was set to incorporate more interactive elements into the Thief and System Shock pallet with a faction system which would react based on how the player decided to complete a mission, though the missions themselves had a set order of progression.

  • Extraction: Berlin, East Germany Sector, 1958. A top German scientist has developed a deadly biological weapon that could threaten the Soviet-American nuclear détente. Jon must find out who this scientist is, and extract the scientist out of Eastern-block Germany (willing or not).
  • Infiltration: Alabama, 1961. Word has it that a Soviet mole has worked his way into a chapter of the Ku Klux Klan. Infiltrate the Klan enclave, find out who the mole is and get out alive.
  • Surveillance: Cuba, October 1962. Jon infiltrates an installation near Havana to photograph alleged Soviet nuclear SS-4 missiles.
  • Interdiction: Dallas, 1963. Your information is vague but you must act fast. A group of Cuban nationalists are going to try to kill President Kennedy. Find your way into the book repository and stop them.
  • Assassination: Bulgaria, 1964. The Turkish Undersecretary of Defense has been selling documents to Moscow. He must be eliminated before he can make a critical drop. An elite squad of Turkish terror troops heavily guards him.

Irrational and Looking Glass shared equal parts of this project, with the former hiring on staff and the latter seeking investment for the project. Ken Levine put together a story and a design doc for the project to follow, reviving the Cold War theme seen in one of his pre-Thief concepts and inspired by John Le Carre’s storyThe Spy Who Came From the Cold”.

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Among the level designers were Nate Blaisdell, Edward J. Moore III, Michael Swiderek, Steve Kimura (all of whom had no prior design experience) as well as Paul Hellquist, Rick Ernst, Nathan Wells, and Michael Ryan who posted screenshots of the unannounced game online in 2002 as well as implemented a search-light system into the Dark Engine. Other developers connected to the project included Ian Vogel and Alexx Kay. The lead programmer on the project had worked at Looking Glass previously and was called back by Ken Levine to work on Deep Cover.

“When I was at Irrational, I worked on Deep Cover, which was System Shock meets JFK. Hacking closets, feeding attack dogs sleep drugged meat.”

Concurrently with this development though, both companies were attempting to manage their own affairs separately. Looking Glass was having trouble paying Irrational due to the former’s financial difficulties, causing the latter to seek out contract work in November of 1999, beginning work on a project which would eventually become the Playstation 2 game The Lost. Looking Glass were also working on Thief 2, which ended up featuring some of the code originally intended for Deep Cover.

There were going to be multiple factions… depending on how you played each mission, you could make different groups pleased or disappointed. Later missions would be affected by this.   while there wasn’t going to be an overall branching mission structure, each mission in the game could be changed in minor ways that would affect the flow and difficulty. – Michael ‘solus’ Ryan

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After 9 months of work on Deep Cover, Looking Glass managed to procure a major publisher: Microsoft, who expected the studio to collaborate with Irrational Games on the title. However, Irrational were moving out of the Looking Glass offices and devoting their time to The Lost, leaving Looking Glass to work on the contract alone. Disappointed, their publisher pulled out of the one million dollar deal in February of 2000, leaving the project on the verge of cancellation.

“When Irrational Games pulled out of the Deep Cover project, the publisher pulled out as well, together with a lot of calculated advances. This put Looking Glass into a very bad position concerning liquidity.” – Tim Stellmach

Work did continue on Deep Cover after Irrational’s departure. The studio attempted to negotiate a deal with Sony to keep the studio and the project afloat, but a restructuring within Sony caused their executive contact to be fired. The lead programmer described at least one level in a playable prototype state prior to a switch from the Dark Engine to a successor technology called the “Siege Engine”, which none of the available screenshots showcase. After his departure, the former lead programmer of British Open Championship Golf was brought on, who also was an expert on the JFK Assassination.

The closing of Looking Glass Technologies in May of 2000 put an end to Deep Cover, and subsequently migrated much of the talent over the industry. In a basic thematic sense, the spy theme with the Looking Glass style of freedom would re-emerge in Deus Ex which was released shortly before the studio dissolved.

The following screenshots were taken from very early versions of the levels… before any gameplay was implemented, and well before Looking Glass decided to switch from the Dark Engine to the Siege Engine. – Michael ‘solus’ Ryan

Article by AguyinaRPG

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MediEvil 3: Fate’s Arrow [PS2 – Cancelled Pitch]

MediEvil was a hack and slash adventure series that consisted of two games on the original Playstation (MediEvil in 1998 and MediEvil 2 in 2000) and a third game on the PSP (MediEvil: Resurrection in 2005). All three games were developed by SCE Cambridge Studio (now Guerrilla Cambridge), and although the series was moderately successful it was never granted the greenlight for a true third installment (MediEvil: Resurrection just being a remake / re-imagining of the first game). However, a concept for a MediEvil sequel on the Playstation 2 was actually pitched back in early 2003, when the developers within Sony Cambridge were considering several options after the less than amazing sales of Primal.

This new game would have been called “MediEvil 3: Fate’s Arrow”, a title that was later reused as an inside Easter egg for the name of a mini-game (Arrow o’ Fate) in MediEvil: Resurrection. Loosely, the story would continue from where MediEvil 2 left off, with Sir Dan travelling back in time to Gallowmere. Specifically, he travels back 100 years before the events of MediEvil 1, and just a few weeks before the Battle of Gallowmere is due to occur. We know that by rights, Sir Daniel Fortesque will be shot in the eye by the first arrow thus freeing up his men to fight on to victory, unburdened by his ‘leadership’. But Dan learns that the timeline has somehow changed: a mysterious new figure has aligned herself with Zarok – an Egyptian sorceress: Kiyante.

medievil 3 ps2 cancelled

Kiya has played Dan like a fiddle: tricking him into rescuing her, stealing the Time Machine and delivering her into the company of the one figure from history whose evil ambitions (and talents) mirror her own. By using the fabled Anubis Stone she will aid Zarok by raising an army of undead. She will ensure that living Sir Dan doesn’t die so soon and instead sticks around long enough to truly doom his brave compatriots. If that happens, together Zarok and Kiyante would achieve a crushing victory, the earth would be overrun with demons and mankind enslaved.

The aim of the game was for Sir Dan to keep the timeline pure by stealing the Anubis Stone and ensuring that his cowardly living self is firstly compelled into leading the battle charge and falls at the first arrow, allowing Zarok to be defeated and history to play out as it should. This was also to be a chance to reflect on the real story of Sir Dan and in doing so to appreciate the true hero he has become in death compared to the miserable individual he was in life (there would have been a few shades of the British comedy series Black Adder here, season one specifically).

The-Black-Adder-MediEvil-3

MediEvil 3 would have borrowed a few ideas from Primal, featuring a companion sidekick character who would be a key figure to the game. In this case, the companion is Lupo – Sir Dan’s originally-under-appreciated, but utterly faithful hound who first meets skeleton Sir Dan at the beginning of the game and then joins him in his journey.  A squeaky dog toy was going to be an item you could throw around to direct his attacks, especially against larger enemies and bosses. Generally he would tear around as an AI character, loosely following you and doing general side-kickey stuff.

The game also would have featured a more open, hub based structure to the world with story driving things forward. Dan and Lupo would travel to both old and new locations of Gallowmere in their attempt to find allies to aid them against Zarok and Kiya and one ally they meet is an eccentric genie named Al-Zalam. The developers were also planning to bring back the Hall of Heroes after it was lost in MediEvil 2.

This third chapter of Medievil for Playstation 2 of course would have also featured some exciting new weapons, puzzles, and power ups. One new addition would be beast riding, where Dan gets a mount in the form of one of those weird elephant-dragon things that were seen in the underwater portion of The Lake from MediEvil 1. Below you can see one of the concept arts created for the MediEvil 3 pitch, with Sir Dan and Lupo riding the beast mount:

medievil 3 fate's arrow for Playstation 2

The depth of this game would have expanded the MediEvil universe in a whole new way and would have featured a satisfying conclusion to Sir Dan’s heroic journey. Sadly, this never came to be. At the time this game was pitched, a couple things happened: the popular 24 TV-series license became available to Sony Cambridge, and the PSP became a significant company focus. MediEvil: Resurrection on the PSP was ultimately conceived as a way to re-introduce the franchise with a shorter scale project. A couple elements from this MediEvil 3 concept were carried over into Resurrection – one of them being the Anubis Stone and another being the character Al-Zalam.

This lost MediEvil 3 project for PS2 was never more than a design proposal plus a few lovely artworks made to shown some of the new features and characters, but it would have been a great conclusion to the MediEvil trilogy. In January 2013 Sony restructured their Cambridge Studio to develop Killzone Mercenary for the PlayStation Vita and the team was renamed into Guerrilla Cambridge. Sony did not forgot MediEvil and they tried again to develop a third MediEvil in the following years with different developers, one game for Playstation 3 and another for Playstation 4: this time they even created a playable prototype, but in the end both projects were also cancelled. We’ll have more on the lost PS3 and PS4 MediEvil sequels in the future.

Article translated in Russian thanks to Sergey Tyutin!

Metal Arms 2 [Cancelled – Xbox, PS2, GameCube]

The original Metal Arms: Glitch in the System was a third-person shooter developed by Swingin’ Ape Studios and published by Vivendi Universal and Sierra Entertainment in late 2003, for Playstation 2, Xbox and GameCube. While the game did not sold a lot, it soon became a cult classic and many loved its fun gameplay in the story mode and multiplayer. The game story ended with a cliffhanger and the team did start on Metal Arms 2 soon after the first game, but unfortunately the project was stopped when they were signed to work on Starcraft Ghost for Blizzard Entertainment. StarCraft: Ghost was initially in development by Nihilistic Software, but in June 2004 they were removed from the project and Blizzard gave it to Swingin’ Ape Studios to continue.

Swingin’ Ape were just a small team and to assure quality work on such an important and hyped game as StarCraft: Ghost they had to use all of their resources and were not able to continue their Metal Arms sequel. Only a few concept art and early ideas for Metal Arms 2 were conceived before the cancellation of the game. One of the developers remember a few details on the characters that you can see in the gallery below:

  • Goliath: The next-generation Titan, designed for crushing/smashing Droids like ants.
  • Pinto (pictured here after one has been captured and repurposed by Droids): A light, fast hit-and-run buggy that can carry 4 grunts (1 driver, 1 gunner, 2 clinging desperately to the sides).
  • Commando: An elite Mil shock trooper, similar in abilities to the Droid Commando but more heavily armored.
  • Corrosive Suit: Krunk was going to turn the wrecked shell of General Corrosive into a mech suit that Glitch could jump into and use like a vehicle.”
  • ATAB: I don’t remember what it stands for, but it’s an armored Droid troop carrier. Troops can ride on top, and the shields on the legs allow them to use it for advancing cover in combat.
  • Droid Explorer: An old, battered robot that’s been off exploring Iron Star for years. For so long, in fact, that he completely missed that whole Mil/Droid war thing.
  • Droid Engineer: Mister Fixit, able to build/repair just about anything.
  • Droid Trooper: The first Droids actually designed for combat, rather than re-purposed from some other job. Fairly effective grunts.
  • Droid Commando: Elite combat troops (or at least as “elite” as Droids get). Faster, stronger, smarter, and more heavily armed than the Troopers.

While work on StarCraft: Ghost proceeded, in May 2005 Blizzard Entertainment decided to acquire Swingin’ Ape and they became part of the popular company. After a while StarCraft: Ghost was also put on indefinite hold and never completed.

Thanks to KRaZiGLiTcH and Josiah from the WeWantMetalArms2 fanpage for their contribution!

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Eternal Chain [Playstation – Cancelled]

Eternal Chain (エターナルチェイン) is a cancelled RPG that was in development in 1998 / 1999 by Victor Interactive Software, a gaming studio created in 1996 when its parent company Victor Entertainment wanted to focus on music publishing business and the remaining developers merged with Pack-In-Video. Victor Interactive is mostly known for the production of the Harvest Moon series, but in late ‘90 they developed and released a few other Playstation games, as “Boundary Gate: Daughter of Kingdom”, “The Airs” and “My Home Dream”: unfortunately Eternal Chain was never completed for unknown reasons.

Character design for the game was conceived by popular artist Range Murata (mostly known for his work on such anime as Last Exile and Blue Submarine No. 6.) and a few promotional phone cards were even released in Japan. Eternal Chain was shown (in playable form?) at Tokyo Game Show 1998 and 1999: you can see a short video of the game below, showing off some turn-based combat. The plot of Eternal Chain was summarized by RPG Gamer:

“16,000 years ago humans lived on Mars. After using up the resources of Mars, the humans started moving to Earth. At that time another lifeform, Gods, inhabited the Earth. After the humans settled on Earth, they eventually split into 2 groups, those who liked the Gods, and those who disliked Gods. It was only a matter of time before battles between Gods and the two groups of humans began.”

A few articles, screenshots and Murata’s comments about Eternal Chain were published in different japanese gaming magazines:

  • “Megami Magazine” (メガミマガジン, Animedia September issue separate volume special edition) Vol.1
  • “Game Walker” Vol.54
  • “HYPER PlayStation” 98 / December issue
  • Weekly “Famitsu” [ASCII Corporation] No.513.98.11 / 20 No. -99.1 / No. 22
  • “PlayStation magazine” 98 / No.21
  • “Famitsu PS” [ASCII Corporation] Nos. 98 / 10.23
  • Weekly “The PlayStation” [SOFT BANK] Vol.122.12

If you are able to find scans for these magazines, please let us know!

The theme song for Eternal Chain titled “Before the Celebration Festival” (祝祭の前) was composed by  Akino Arai and published in 2002 by Victor Entertainment in a CD titled “RGB”. As we can read on vgmdb:

  • 09 PlayStation canceled game Eternal Chain (エターナルチェイン) theme song
  • Composed by: Akino Arai
  • Arranged by: Akino Arai & Hisaaki Hogari
  • Vocal by: Akino Arai
  • Background Vocal: Akino Arai
  • Piano: Akino Arai
  • Strings: Hijiri Kuwano Strings
  • Synthesizer Manipulating: Shunsuke Sakamoto
  • Programming & Manipulating: Hisaaki Hogari
  • Lyrics by: Akino Arai

In 2003 Victor Interactive Software was acquired by Marvelous Entertainment and officially became Marvelous Interactive.

Thanks to Youlute and Vox for the contribution!

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