The original Radikal Bikers was a pizza-delivery racing game for Arcades, developed by Gaelco in 1998 and later converted to PlayStation in 1999. A Game Boy Color port was also in development by Bit Managers, but it the end it was never released. Some years ago a prototype of the cancelled GBC port was leaked online, so you can play it on your favorite emulator.
Gameplay is similar to the original arcade version, but using a top-down, isometric view. Players race in different cities trying to avoid cars to delivery pizza to their clients as soon as possible. As we can read from the original press-release:
“Jump on your scooter and take up the challenge. Through the busiest streets in the world you’ve got to avoid trucks, cars, police, obstacles and people in a pizza fuelled dash for glory. Take the challenge and race your way across Paris, London, New York and the true home of Pizza – Italy!
Classic Arkade Mode.
2 player dash for glory.
Numerous Characters and Scooters to suit your personal taste.
GET OUTTA MY WAY!
No speed limit. No seat belt. No air bag. No rules!”
Ralphadia is a cancelled JRPG that was planned by Taito for the Nintendo Famicom / NES, around 1992. This is another forgotten NES game with not much information online: Akamid83 found a small preview for the game in an old promotional leaflet for in-development Famicom and shared a photo on Twitter.
Heimao, who notified us about the photo, wrote “It is said that it was a novel mechanism in which the enemy was placed 360 degrees around the player in the battle”. By looking at these tiny screenshots it seems Ralphadia had a strange overworld map, with a top-down perspective on the bottom of the screen and a side-scrolling scenario at the top.
There are also 2 screenshots showing cities, were the game kept its side-scrolling view. Combat was “first-person turn-based”, similar to Dragon Quest, but you may have been able to rotate the “first person” camera around to see more enemies all around your protagonists.
That’s it all for now: will we ever see something else from this lost Famicom RPG? As it often happens with these obscure, unreleased Japanese games from the ’90s, probably not. If you can read Japanese and see more interesting details written in the leaflet photo, let us know in the comments below!
Space Opera: Great Gods ( スペースオペラ 大いなる神々, Supesuopera Oinaru Kamigami) is a cancelled JRPG that was in development by Software Industrial (?) for the Famicom (NES). Only a few screenshots are available, showing off a classic RPG similar to Dragon Quest or Final Fantasy, but played in sci-fi settings (similar to Phantasy Star). Some details about this lost game were shared online by a japanese website:
“Space opera is a subgenre of science fiction movies, where the hero is usually on a high-speed spaceship. Around summer 1990, a certain magazine hosted a game creator contest by Software Industrial. The tournament was set in three categories: fantasy art, scenario, and software. For each category they offered a grand prize of 1 million yen! Their plan was probably to find new ideas to create a new successful Famicom game.
One of these new ideas was announced in 1991: Space Opera, a sci-fi RPG with an automatic combat system. Using artificial intelligence and by gaining experience during battles, players would be able to improve their character’s AI to improve their fighting abilities. It seems you could also befriend monsters after battle, turning them into cards to be carried around and used in battles, just like in Pokemon.”
We don’t know what happened to Space Opera, nor Software Industrial as we cannot find anything about them online. If you know more about this lost Famicom game, please let us know!
Metroid 1.5 was an undeveloped new game in the Metroid Prime series, internally pitched at Retro Studios between the development of Metroid Prime and Metroid Prime 2: Echoes. This lost project was found in 2011 thanks to online research by Mama Robotnik on the NeoGAF forum, who unveiled the Metroid 1.5 design document written by former Metroid Prime designer:
“This adventure would take place immediately after Samus takes off from the surface of Talon IV. Upon exiting the planets surface, Samus decides to take a long rest in her Cryo chamber as her ship autopilots home. However, something goes wrong and Samus’s ship computer hones in on a distress signal. The distress signal is coming from a huge alien vessel (huge, like the size of several Star Destroyers) that is drifting out in space. As Samus’s ship approaches the alien craft, a tractor beam activates and the Ship is pulled into one of the gigantic docking bays. As the ships doors close, the gigantic vessel folds and enters a parallel dimension, thus begins Samus’ new adventure
Upon awakening, the ship appears to be abandoned, there is no power except for auxiliary lights and telemetry from computers. It is up to Samus to unravel this mystery. The mystery being that the ships AI has gone mad and the ship is actually a war vessel that is on a collision course with a peaceful planet. Its goal? The entire enslavement of the race of beings on said planet as well as natural resource stripping as its (the planets) destruction. So in essence, the ship AI has split into several different personalities, and is playing a deadly game with Samus. The Alien inhabitants of the ship are also in a state of suspended animation because as the ship travels through the parallel dimension, the alien inhabitants are being created and refined for warfare until the ship arrives at its destination and assaults the planet . However, the robotic and automated entities are not, these will be the primary enemies that Samus must deal with. In addition, Samus must also deal with the ships cunning AI, who will all the while be taunting her and trying to trick her at every opportunity.”
“The Main reason Samus and possibly other Bounty Hunters are being pulled into this ship is to assimilate their best and most deadly abilities into the personality construct of not only the ships AI, but also into the actual Alien Inhabitants in order to further their quest for perfection. As the ship reaches its target, it will unfold into this dimension and begin its attack. This has what the ship and Alien race who created it has have been doing for past thousand or so years, going from planet to planet, assimilating the most violent parts of a culture and asserting it into its own being.
The main goal for Samus is to disable the engines of the ship, destroy the AI, and eradicate all life forms on the ship. The catch is that even though Samus is all powerful from her previous item acquisition on Talon IV, she will be limited to use them in certain areas of the ship due to the containment matrix that the Rogue AI has set up all over the ship. This will force the player to handle situations differently than expected, and once the containment matrix is disabled, Samus will be free to use all of her abilities. Due to being in a parallel dimension, there are areas within the ship where floors may become ceiling due to gravity being reversed, Time may run backwards, (illustrated by creatures and machines moving in reverse, water moving up into a faucet) and other sorts of environmental weirdness, that Samus as well as other Bounty hunters will have to learn to adjust to in order to survive.”
“Mad AI, the central computer of the ship has gone crazy, it sees inviting Samus onto the ship as a game for its amusement. Will taunt and try to trip Samus up at every move. The Mad AI has four distinct personalities : The Child, The Killer, the Martyr, and the Fool each one is deadly and utilizes different tactics and techniques.”
This cancelled project was meant to have a short development time, to release it shortly after the first Metroid Prime while the main team would take their time to develop the true sequel:
“So this is pretty much what I think we could crank out in a year, A Smaller Adventure with expanded mechanics and a few new ones thrown in. The beauty of spaceship design is that a lot of corridors and hub rooms can be reused over and over again, with minor variation; it also lends itself well to our room/door/hall layout. Plus, we can make the world denser by exploiting the super structure of the ship using morphball mechanics. Even though the idea of an AI gone mad has been used before in games as well as films, I feel that we could put a unique twist on it. And by allowing Samus to use only certain abilities in certain parts of the game, we can get a fair amount of replay value by offering the player different solutions to a single problem. This I feel would satisfy gamers who completed Prime and are hungry for something more with a few new mechanics and ideas thrown in.
With the addition of the co-op multiplayer components I have noted in the previous paragraphs, I feel that we would still have a game that feels like Metroid, albeit the feeling of Isolation would no longer be there, at the expense of the multi-player experience. However, I think the by unlocking the additional multi-player modes, after the actual game is completed, it won’t detract from the experience. Unlike TimeSplitters 1 and 2, we can keep the player focused on the main portion or adventure of the game which is what Metroid is all about.”
Sea Dog (シードッグ) also known as Mariner’s Run is a cancelled RPG / submarine simulation / Shoot ‘em up game planned to be published for NES / Famicom by Vic Tokai. A couple of screenshots were found in old gaming magazines by japanes fans and shared on Twitter, while some details were published online in a japanese website:
“Although gameplay is not clear on screenshots, it seems Sea Dog was going to be a vertical-scrolling submarine shoot ‘em up with some RPG elements. Between deep-sea exploration and combats you would be able to rise to the sea level and stop at nearby ports. You probably could repair your damaged submarine and buy new weapons.”
We could imagine Sea Dog somehow similar to cult-classic Metal Max, but with real-time underwater shoot ‘em up combat instead than post-apocalypse turn-based combat around desert cities. By looking at the few screenshots available we can assume you would have been able to freely explore the ocean underwater, while fighting enemy submarines and hunting down bosses, then reaching nearby islands to help NPCs and upgrade your submarine. The title of the game was probably inspired by the USS Sea Dog, a Balao-class submarine in the United States Navy.