Playstation 3 (PS3)

Cult County (Renegade Kid) [Cancelled – 3DS, Wii U, PS3, PSVita, PC]

Cult County is a cancelled psychological horror game that was in development by Renegade Kid around 2013, originally announced for Nintendo 3DS at PAX 2013 and later also planned for PS4, PS3, PSVita, Wii U, PC, and Xbox One when they unsuccessfully tried to fund the game on Kickstarter. Their plan for the project was to create an episodic horror tale, something like “The Walking Dead meets Silent Hill 2 from a first-person perspective”.

The team is mostly known for cult-classic Nintendo DS horror titles such as Dementium: The Ward and Moon, plus fun platforming adventures such as Mutant Mudds and Xeodrifter. While they always showed skills and love for Nintendo consoles, their games never sold much unfortunately.

Some details about Cult County can still be read on their Kickstarter campaign page, which raised just  $ 46.736 of their $ 580.000 goal:

“Cult County is an all-new first-person survival horror game that blends the episodic story-telling of The Walking Dead with the classic tension-filled exploration and action of Silent Hill and Resident Evil, presenting an opportunity for fans to help a veteran team produce a new experience that is fresh, exciting, and scary!

Rebirth of the survival horror FPS genre, crafted with fan input.
Story-driven gameplay, featuring memorable character interactions.
Small West Texas town filled with tension, mystery, and scares.
Vulnerable and personalized melee and firearm combat.
Varied cast of creepy enemy encounters and devious boss battles.

You assume the role of Gavin Mellick, whose mother has fallen deathly ill. Unable to reach your older sister, Alissa, by phone you drive the 6 hours across Texas to visit her in person and share the sad news. You return to the small town where you spent your summers as a child with Alissa, at your late aunt’s house. There is a particularly savage dust storm rolling in when you arrive.

Unable to locate your sister, you ask some of the locals for help. You quickly learn about their suspicions of a cultish group that recently moved into town, and the unexpected suicide of Father Pearce. The locals offer very little help finding your sister, and it isn’t long before your search takes an unexpected dark turn, leading you down a road of no return.

You are alone. You are unarmed. You see strange “people” linger on the edge of the dust storm, who seem to be watching your every move. But, as soon as you turn your head to face them, they disappear. Who are they? Where do they go? What do they want?

As you explore deeper into the town, searching for any clues that might lead to your sister, you meet various town folk who offer their own anecdotes on what the “people” might be. Some claim they are just your imagination, and some say they are part of the new cultish group who recently moved into town. One person even goes as far to name them “Dust Devils“!”

With no support on Kickstarter, Renegade Kid possibly tried to find a publisher for Cult County, but without success. After releasing Moon Chronicles and Dementium Remastered on Nintendo 3DS, in August 2016 Renegade Kid announced that it was shutting down. It’s currently unknown if Cult County could be resurrected in the future, but if so we could see it from Infitizmo, the new team created by former Renegade Kid cofounder Gregg Hargrove.

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Spectac (Cauldron) [Xbox 360, PS3, PC – Cancelled]

Spectac was an ambitious cancelled project that was being developed in 2004/2005 by Slovakian studio Cauldron. It was planned to be a prequel to Cauldron’s 2003 game Chaser: a futuristic First Person Shooter similar to Red Faction in tone, set in a time when humanity has successfully colonized Mars. Spectac in turn was to be set before these events, dealing with the hunt for a terrorist group threatening to unleash a viral weapon on the world, and the team tasked with putting an end to their plans.

From what we can tell, Spectac was to be a stealth-action affair, very inspired by other espionage and military-science stealth series such as Metal Gear Solid and Splinter Cell, but played from a first-person perspective. And like in the latter franchise, the player was to make heavy use of sound and shadows for things such as masking their actions or distracting enemies, along with a strong emphasis on climbing, swimming, and other means of infiltration.

Players would have been helped by other team members, in a feature that would show some inspiration from the Rainbow Six or SWAT series. This would add a strategic element of choosing what individual skill sets would be useful in each mission and what paths they would open. This would in turn allow for greater replayability, as not only could a level play out differently depending on what team members are present, but one could also step in their shoes and play from their perspective. A sniper and a security expert/hacker, named Isis and Evac, respectively, would also be available to help the player at all times.

The engine that had powered Chaser (CloakNT) had been upgraded, and its 2.0 version allowed for many innovative features. The Havok physics engine had been integrated as well, and Cauldron was ready to take full advantage of their new technology by allowing for extensive interaction with the environment in Spectac. For example, to use a simple numeric keypad or keyboard, the player would have to physically move the character’s hand in order to press the individual buttons. The same approach would be used if they needed to swipe a keycard to open a door, or use a mouse at a computer terminal, and so on.

The hand-to-hand combat would apparently also use this system to some degree, with different techniques such as neutralizing an enemy by choking or pistol-whipping requiring active player interaction.

Graphically, the game was to take visuals to the next level as well. The geometry was now much more complex, allowing for more detailed models. In conjunction with the aforementioned first person interaction, the lighting would have offered a great deal of immersion as well, filling the levels with dynamic shadows. Spectac looked a bit like F.E.A.R. another game that became known for its rich lighting and physics interaction, developed by Monolith and released in 2005. In addition, missions in Spectact were to take place in locations heavily inspired by real-life landmarks, such as the Hoover Dam.

All of this, however, seemed to be just a little too much for Cauldron. Spectac was conceived as a possible next-gen title to be released on PC and the then-upcoming PS3 and Xbox 360 platforms, but apparently even the most powerful computers of the time were struggling to run it in 2004. Possibly for this reason, the project was eventually abandoned some time around 2005, after being deemed too ambitious, and never entering full production.

Cauldron themselves would infamously continue on to create lower budget games in a partnership with the Activision Value publishing brand, such as Soldier Of Fortune: Payback and a string of hunting-themed and war-themed First Person Shooters for the Cabela’s and History Channel brands, respectively. We know the team also worked on the cancelled Project Revolution and Seven Days, before being acquired by Bohemia Interactive in 2014 and renamed to Bohemia Interactive Slovakia.

Article by thecursebearer

Thanks to Chris and Piotr for the contribution!

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Prince of Persia Redemption [Cancelled – Xbox 360, PS3, PC]

Prince of Persia: Redemption is a cancelled reboot of the classic series, that was internally pitched at Ubisoft Montreal (FoxTeam) around 2010 – 2011, just after the release of The Forgotten Sands. The project was mostly unknown until May 2020, when fans finally noticed a video uploaded on Youtube in 2012 by an anonymous user. By looking at this footage, the game looked like a mix between 3D Prince of Persia, God of War, Uncharted and Assassin’s Creed: a cinematic adventure game with huge monsters and time-rewind mechanics.

As wrote by former Ubisoft animator Jonathan Cooper on Twitter:

“Wow – haven’t seen this in ages. Amazing work from animation director Khai Nguyen (For Honor) and team. This target game footage (pre-rendered game pitch) inspired our own pitch for Assassin’s Creed 3 as they did such a great job making it look like real gameplay.

Sadly Ubisoft are generally quicker to cancel Prince of Persia games than others IPs because AFAIK original creator Jordan Mechner still holds license rights so the profit margins are lower. Would love to see a new one though. I’ve always wanted a PoP set in contemporary Iran.”

We can assume The Forgotten Sands did not sell enough for Ubisoft to invest more resources on another title, preferring to focus on the more profitable Assassin’s Creed series.

Thanks to Jason for the contribution!

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Aero-Cross (Metro-Cross 2) [Cancelled – Xbox 360, PS3]

Aero-Cross is a cancelled sequel to Namco’s classic Metro-Cross, a racing-platform game that was released in arcades in 1985. This new chapter planned PlayStation 3 Network and Xbox 360 Live Arcade was announced in 2011 and it would have been released for the “Namco Generations” series, conceived to modernize some of their classic titles, such as  Pac-Man Championship Edition DX and Galaga Legions DX.

Aero-Cross would have followed the same gameplay as the original, with players running in linear levels trying to avoid obstacles and collecting items (but this time in a sci-fi setting). In the end the project was officially cancelled in 2012 along with the other missing Namco Generations title: Dancing Eye HD. Luckily in this case a playable demo for Aero-Cross was found by Ganonthegreat on an old PS3 demo-disc, and shared online on Archive.org

Thanks to Ganonthegreat for the contribution!

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They (Metropolis Software) [Cancelled – PC, PS3, Xbox 360]

They is a cancelled survival mystery-horror FPS that was in development for PC, Playstation 3 and Xbox 360 by polish videogame developer Metropolis Software, founded in 1992 by Adrian Chmielarz and Grzegorz Miechowski. In 1997 the studio acquired the license of “The Witcher” from Andrzej Sapkowski, however, they ceded it around 2000 to CD Project as they were already worked on 3 games at the same time (one of them being the cult-following turn-based rpg game “Gorky 17“).

Metropolis started working on They between 2005 and 2006 and officially announced it at the Game Convention 2007, but CD Projekt acquired the studio in 2008. The majority of the team was then taken over to work on “The Witcher” series and in the end Metropolis were subsequently closed in 2009.

One of the most interesting mechanics conceived for They was its weapons customization system: you only had a single weapon, which could have been modified, upgraded and designed with hundreds of different items. The PC Action magazine mentioned “a large amount of over 250 upgrades and design parts“, including stickers and logos. As we can read on Destructoid:

“Throughout the game, weapon body-parts and plug-ins will frequently crop up for the collecting. Maybe they’ll be part of a boss’ arsenal, dropped when you kill it, or you might just find them lying around in the aftermath of a battle. However you get hold of them, they can be put together, Lego-style, and tweaked and tuned to make a gun to do whatever the player can think up.”

“Every variety of gunfire, from single-shot, to machine gun, to explosive, to laser, to pretty much anything else you can think of can be blended and combined with however many others you want, along with all kinds of special properties such as fire, ice, lighting, and God knows what else. On top of that, there are loads of little adaptations to be had in the way of reload speed, shot frequency, blast damage etc. You want a rapid-fire electro-shotgun with exploding shells? You’ve got it. Grenade launcher with freezing ammo and your choice of blast radius and trajectory? Why not?”

We also know from IGN’s preview, levels in They would have been partially destructible, to let players create new ways of moving around:

“Of course, this being the next generation and all, it’s possible to destroy some buildings with a well placed grenade or two which, interestingly, is more than a simple aesthetic gimmick – laying waste to buildings uncovers shortcuts through levels and even secret power-ups. However, it’s worth remembering that being hit by falling debris is seriously bad for your health so take precautions. “

Metropolis Software’s philosophy with the weapon customization system was detailed in an interview on GGMania:

Q: You announced a unique weapon feature, where you are able to upgrade a flexible weapon to your individual needs. Can you tell us a bit more about that?

A: Without naming so many things of the weapon yet, you might think of a soldier in every war. He only wears some few weapons – mostly knife, gun and maybe pistol. Common FPS games are really unrealistic in that point of view, that a soldier is really able to wear 10 more or less heavy guns at the same time (or he must be HULK to carry them all). In THEY you will have this one weapon, where you identify yourself with, which you can customize and enhance it based on YOUR needs and preferences! You will be able to store setups, so you have the expected control system with keys 1-0 to have access to different types of weapon setups – but it still will be YOUR buddy, YOUR best friend, YOUR WEAPON. The appearance will change dramatically, but you are still able to identify yourself with the weapon. So what we will bring to the genre is some more realistic and believable approach in sort of weapon handling. The fear of players, to have only one gun can be easily refuted, as you have hundreds of combinations which you can store and customize at your own discretion – to create YOUR perfect weapon setup, store it to the expected keys 1-0 and have access to them at all time! So each player will have the weapons of HIS choice, a large variation to be used based on needed functions (gameplay relevant decision!) and need not to get along with standard weapons – this is something unique and new to the genre and will grant more freedom for each player! On the other hand, if someone WANTS’ his standard “pumpgun/rifle/Ak47” feeling, he is able to create that…but when he will figure out the fun and possibilities from our new weapon system he will get used to it soon.”

Weapon customization was essential, because you would fight against some weird and stealthy alien / robot creatures in a “not so distant future”. The setting was a destroyed English city and the main plot was told by a little, mysterious boy.

“Set in near-future London in a world crippled by increasingly severe terrorist attacks, THEY follows the story of a British soldier during the emergence of a new global threat. An army of robots has appeared and begun laying waste to everything around it, and while everyone has assumed that a new terrorist faction is behind it all, it will eventually turn out that things are a lot more complicated than that. The robots are far more intelligent in their combat tactics than anyone can believe possible, and seem to be able to work together without any visible signs of communication. Needless to say, humanity is taking a serious kicking to the face, and it’s during one of these kickings that the player’s story starts.”

“The game will take in around twelve levels, and IMC/Metropolis were keen to point out that they’re taking an episodic structure to the game’s story. Taking their model from shows like Heroes and The X-Files, they’ll be making each level work as an individual episode, but will be building a bigger overall story arc as the game progresses.”

We can only hope one day someone could find a playable version of They, so it could be preserved online.

Thanks to Sam and Daniel Nicaise and for the contributions!

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