New Cancelled Games & Their Lost Media Added to the Archive

Tattoo Assassins [Arcade – Cancelled]

Tattoo Assassins is an unreleased arcade fighting game that was developed by the pinball division of Data East in 1994 and 1995 with the intent of competing with the increasingly popular Mortal Kombat series. The game took inspiration from Mortal Kombat II in many ways, from its digitized-actor art style to its control scheme, sound design, and emphasis on violence. The general ethos of the game seemed to be “like Mortal Kombat cranked to 11,” and it advertised both in-game (via an attract mode screen) and to game publications of the time that it would feature2,196 finishing moves.

The project was led by Joe Kaminkow of Data East Pinball and featured a story written by Bob Gale, who was also the screenwriter behind Back to the Future. The general premise of the game involved a mystical ink that, when used in tattoos on certain individuals, would allow the bearer to manifest the illustrated tattoo into the physical world. An evil villain named Koldan (the game’s final boss) steals all of the ink with the goal of enslaving mankind, and the nine playable combatants in the game all possess the power to wield the ink’s magic in combat. These nine combatants fall under Koldan’s control, but a spiritual leader named Mullah Abba finds a way to grant you (the player) control over the fighter of your choosing in order to kill the others and stop Koldan from achieving his goals.

In-game story text from the attract mode:

‘And so it came to pass, that Mullah Abba, spiritual leader of the order of colours, discovered the ancient secret of the mystic Ink of Ghize. The Ink of Ghize is an amorphous fluid organism can form into real objects for brief moments when applied to human bodies as tattoos. However, the ink is only compatible with those of a certain unusual genetic makeup, those known as hosts. The ink can cause bizarre mutations in those who prove unsuitable… Among the color guard, only Koldan was a suitable host. Thus believing himself superior to all mankind, Koldan stole the secret of the ink. His goal is to create an army of mutants and enslave the human race. Mullah Abba commanded the nine remaining color guards to find new hosts for the Ink of Ghize, one of whom might be powerful enough to defeat Koldan. Nine hosts were found. Each received magnificent chest and arm tattoos, plus a magical morph tattoo on their palm. Yet Koldans power had grown stronger. His consciousness possessed the assassins. He would use them to find the remaining ink for himself! But all was not lost, for Mullah Abba discovered the strange power of the mysterious tattooed woman, Lyla Blue. By using Lyla as a channel, Mullah Abba has the power to allow you to possess any one assassin. Choose! Now, you must defeat each of the other assassins. Use your tattoos as weapons. Earn new tattoos. Destroy the mutants. Find Koldan and defeat the mutants — If you can!

At the time of Tattoo Assassins’ development, fighting games were proving to be incredibly popular in arcades. The likes of Street Fighter 2, Mortal Kombat II, Primal Rage, and Killer Instinct were all smash hits during this early-90’s arcade renaissance, and Data East Pinball was hoping to cash in on that momentum and stand out from the crowd by amplifying what they likely felt was the driving force behind Mortal Kombat II’s success: shock value.

The game features thousands of finishing moves, but not really. That number was most likely derived from the fact that every character shared the same pool of mostly nonsensical and often shoddily animated fatalities. Each character would have a small number of unique finishers that utilized their distinct tattoos to murder their opponents, but otherwise the rest were all shared among the cast and performed by inputting simple button combinations.

It wasn’t just fatalities that Tattoo Assassins prided itself on, however. It also featured moves that allowed the player to fart a stream of gaseous clouds at their opponent, a finishing move that involved ejecting a roast turkey on a plate from the character’s anus which would then bounce off of the opponent before multiplying into other turkeys on plates, and Nudalities that would magic away the opponent’s clothes and leave them naked and shivering while attempting to shield their genitals from view. Other crude moves involved vomiting on the opponent or assaulting them with flaming farts. The inclusion of Nudalities was a particularly direct nod to Mortal Kombat II since unfounded rumors persisted of their existence in that game throughout its run in arcades.

The game’s cancellation came sometime in 1995 before going into full production as a result of management issues, struggles among the development team to make deadlines, and poor feedback from play testers. It was to be Data East Pinball’s first foray into arcade game development, breaking from their pinball-only roots, but ultimately it didn’t come together as well as they’d hoped. While it never saw a full release, there were a handful of prototype PCB’s and arcade cabinets manufactured for use at trade shows and location tests. Unfortunately, many of those cabinets were either destroyed or lost to time, and only a few original cabinets are known to exist today. Two cabinets are currently housed at the Professional and Amateur Pinball Association (PAPA) in Scott Township, Pennsylvania. Additionally, the Galloping Ghost Arcade in Brookfield, Illinois acquired another one of these exceedingly rare cabinets in November of 2017 and is one of the only arcades where you can get your hands on the real deal.

The game did enjoy a good amount of coverage prior to its cancellation in the media, however. It was featured in a four-page preview in the April 1995 issue of EGM2 and reportedly even received a full review in Next Generation Magazine.

The ROM for the game’s unfinished state was eventually dumped and circulated online, and it can be played via arcade emulators such as MAME today. One version of the game that you may come across matches that found in the few remaining official cabinets, and it was near-complete despite suffering from unfinished sound design and some minor glitches throughout.

Article by Nolan Snoap

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Robosaurus (thq) [SNES – Cancelled]

Robosaurus is a cancelled action game that was in development around 1992 by Adrenalin Entertainment and THQ (at the time known as “Toy Headquarters”) for Super Nintendo. Players would take the role of a mechanical T-Rex to destroy cities and fight against aliens, tanks, helicopters and other military enemies. While there are not many more details about this lost game, it was mentioned in Nintendo Power Magazine issue 36, from May 1992:

“Speaking of HQs, thq (Toy Headquarters) has a line-up that  includes Swamp Thing (for all three Nintendo systems). Where’s Waldo?, Family  Dog, Robosaurus, James Bond Jr. and this Pak Watchers favorite moose, Bullwinkle,  all for the Super NES. One-time Power editor and game guru, Howard Phillips, now  directs the creative projects for T.HQ. Will Waldo be wearing a bow tie? NOT!”

As noticed by Nintendo Metro and GDRI on Twitter, a single screenshot from Robosaurus was published in japanese magazine MicomBASIC, in August 1992:

“ROBOSAURUS: 巨大なロボットほがが,巧が軍め戦車  やお關おをけちらしていく巧快なダー  ム。 巧がの動きはノロイ〇”

Two more screenshots were found by Gavin in another gaming magazine:

We can assume the game was based off the real-life Robosaurus, a transforming dinosaur robot created by inventor Doug Malewicki in 1989. As written by SNES Central, the game was possibly shown at the Winter and Summer 1992 CES shows:

“Aliens want to take over the world, and they’re starting with Los Angeles. The one thing they didn’t count on was Robosaur! Use Robo’s giant metal jaws to munch enemies and fry the outposts with Robo’s flame breath.”

American Pool Deluxe (Blade Interactive) [Wii – Cancelled]

American Pool Deluxe is a cancelled pool simulation game that was in development by Blade Interactive in 2008 and would have been published by Gamecock Media / Navarre / Upshot Games on Nintendo Wii. The game was planned during the “casual games” Wii craze, but possibly canned when even publishers understood it was not going to sell enough on the market.

Some details on the game can still be found on Amazon even if it was never released:

  • Authentic Billiard Games-Variety of game modes including 8 Ball, 9 Ball, Rotation, 3 Ball, Billiards and even Bar Billiards. Polish your skills and impress opponents with Trickshot Challenge mode
  • Precision Motion Controls – Use the precise motion controls to line up the perfect shot every time. Tap in a bank shot with a gentle push or scatter the break with a powerful move
  • Career Mode – Create your own pro and work your way up from humble beginnings in local pool halls and become a global billiards icon
  • Tournament Style Presentation – Experience a life-like pool tournament setting, including professional commentators and audience interaction
  • Multiplayer 1 – 4 players

Also on IGN we can find the original press release hyping up the game:

“With superior graphics and incomparable gameplay, American Pool Deluxe is as authentic as they come,” said Eric ‘The Preacher’ Yow, World Pool-Billiard Association Masse World Champion. “For years the gaming industry has attempted to duplicate the complex physics and geometry of cue sports into a lifelike rendition for families to enjoy. Finally, a game captures the beauty of the sport and allows you to perfect your skills! Run a rack without ever leaving your chair!”

American Pool Deluxe is the first game to come out of Upshot Games, the casual games division of Gone Off Deep Inc., whose other brands include video game publishing company Gamecock Media Group. “

Upshot Games even announced a “professional cue peripheral” that would have been launch with the game, as we can read on IGN:

“Upshot Games announced today an elegant, yet ruggedly built, “RealMotion Pool Cue” companion accessory for their upcoming professional pool game for Wii, American Pool Deluxe. This is not your average controller peripheral – it is a meticulously crafted cue built specifically to take advantage of the Wii remote’s accelerometer technology for real precision and fun.

“It is the dedication to realism that led to the development of the RealMotion Pool Cue for American Pool Deluxe,” said Eric ‘The Preacher’ Yow, World Pool-Billiard Association Masse World Champion. “Tested extensively by real billiards pros like me, you can be assured this is the only real pool game for Wii.”

A prototype of American Pool Deluxe is in the hands of game collectors.

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Blood Tactics (Artefacts Studios) [PC – Cancelled]

Blood Tactics is a cancelled fantasy RTS that was in development by Artefacts Studios in the mid – late ‘00s. The team is mostly known for their work on such titles as Agatha Christie: The ABC Murders and Space Hulk Tactics, but it seems they were also planning this obscure project. Unfortunately Artefacts never officially announced Blood Tactics so the only proofs of its existence are a few images from an alpha demo, probably developed to pitch the project to various publishers.

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PoPoLoCrois [SNES, Super Famicom CD – Cancelled]

PoPoLoCrois is a cult-following series of RPGs based on a ‘70s manga by Tamori Yohsuke, of which just a few games were translated and published outside of Japan. The first game was developed by Epics (G-Artists) in collaboration with Sugar & Rockets and released in 1996 in Japan for the original Playstation, but it was initially conceived as a SNES / Super Famicom CD System project. This 16-bit PoPoLoCrois game was cancelled when the console add-on was canned by Sony and Nintendo.

A few photos from the design document for this SNES version were found and shared online by fans of the series and former developers, so we can preserve some proof of the existence of this lost RPG. As far as we know only this design doc was completed for the SNES CD version of PoPoLoCrois before being cancelled, but it would be nice to know if a 16-bit prototype was already in the works. Afterall, even the released Playstation game had a graphic style very reminiscent of old-school SNES RPGs, more than its 32-bit contemporaries.

Some details and theories about this unreleased 16-bit PoPoLoCrois were shared by Japanese website popolo-crois.com, “translated” by Google translate:

“The plan for the Super Nintendo Popolo shown on the left side of this photo is drawn by Mr. Fukushima in 1989 for Popolo’s animation project, so naturally this plan was created. It was after that. And the notation “EPIC/SONY RECORDS” (all caps) in the lower right of the proposal came to be used after its predecessor EPIC/Sony was absorbed and merged with CBS/Sony in March 1988. However, since CBS Sony changed its trademark to Sony Music Entertainment (SME) in April 1991, it has been mixed with lower case letters such as “Epic/Sony Records”. Therefore, the use of all capital letters in this plan suggests that the plan was created before April 1991 when the notation changed, so that period from 1989 to 1991 I’m guessing it will be until the end of March.

*As far as the date drawn on the setting data of 2 is concerned, it is from September to November 1992. The date of the monster design drawn by Mr. Tamori was also in October 1992, so I wonder if it was probably in the process of becoming a game by this time. In this material, not only Popolo 1’s enemies such as the Ice Demon King and Shitenno, but also Barbara, Myra (also transformed into Sanya!), Zilva, Leona, and other characters that appear in Popolo 2 as well as pilot films will appear. The tango and the figure of Paul the Lion are very widespread, so I have no idea how much story was planned at this stage. However, in July 1992, Sony decided to enter the home-use game console, and since the production of the Playstation version Popolo started in January 1993, as described below, all of this material is for the Super Famicom version. It is unknown whether or not the PS version was also in view (some people say that Pietro’s hairstyle is shaved due to the memory of Super Famicom).

*3 The reason why the PS version of Popolo started to be produced around January 1993 was that Tetsuji Yamamoto said in a magazine interview (CONTINUE Vol.52) that it was three years from the start of Popolo’s production until release. It is said that it took a month, so I calculated backwards from the release date of Popolo. Also, Mr. Yamamoto seems to have been in charge of the PS business preparation room 10 months before the establishment of SCE, so it means that the production of PS version Popolo started at about the same time when the project of this PlayStation unit started. Right. If so, it is considered that Popolo’s production platform moved from Super NES to PlayStation between July 1992 and January 1993.

As I arranged the flow of production of the PS version of Popolo as described above, it is a question about “the circumstances have changed considerably since the pilot film and the design of the scenario and characters have changed”, but the circumstances have changed significantly Rather, it was before the pilot film was produced, and since then, I have not seen so much movement, including changes in the character design. As for the scenario, the essence of PS version Popolo is concentrated in the pilot film. By the way, what is the story behind the pilot film? At the stage of the pilot film, there was already a design image of the Ice Demon King, so was there any reason why I dared to bring in a Skinnag?”

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