Vanquish is a third-person shooter created by Platinum Games for the Ps3/Xbox 360 that was released in 2010. In his blog , Shinji Mikami made some posts with many info about the development of the game:
Vanquish was originally a more open-ended game: we had to search and destroy enemy bases.
In the beginning there was much more emphasis on hand-to-hand combat, because Mikami wanted to reproduce the fighting scenes of the anime Casshern.
Sam’s suit was supposed to be empty and alternately controlled from distance by three pilots. One of them had the ability to fly, while the other two were specialized respectively in shooting and melee combat.
The main character could have used a robot dog (see the video below).
Gun Loco is a cancelled third person shooter / action game that was in development by Square Enix for the Xbox 360. Players would have took the role of a series of crazy criminals in a prison-planet with no guards, in which they had to fight against each other to survive and take the power. In march 2011 Square Enix announced the cancellation of the project, but without an official reason for the decision. We can speculate that it was because of quality or economic problems.
Come Midnight was a game in development at People Can Fly from 2004 to 2006 for the Xbox 360 and PS3, with an intended release date of 2007. With a genre that is hard to define, according to the developer’s former leader Adrian Chmielarz, the game would have been a mixture of Adventure, Action and Survival Horror with heavy 1940’s noir and supernatural themes, something akin to a mixture of later games such as L.A. Noire and Uncharted.
The idea behind Come Midnight, a “dream project” for Chmielarz, was born right after development on the First Person Shooter Painkiller ended. Painkiller had been successful, but because of contractual details it had brought little money into People Can Fly. According to Chmielarz:
“Painkiller didn’t make us rich. It was made for a flat fee, an embarrassingly low one compared to what a production of this quality usually costs. We never saw any royalties, despite the game’s success and countless sequels and remakes. But we did manage to save some money. (…) So we moved to a new place, and started working on a new project.”
He goes on to reveal some details:
“An action-adventure pulp that mixed the worlds of Raymond Chandler and H.P. Lovecraft. A story about a private detective able to communicate with the dead. (…) After a few months, we thought we had enough material to start shopping the game around.”
The game would focus on a private investigator named Mike Elroy, who had temporarily died at some point and managed to come back – this time with the ability to see into the afterlife, with a major mechanic of the game being the ability to see the last few seconds of someone’s life by touching their corpse.
In 2004 People Can Fly put together a tech demo for Come Midnight, and invited all the major publishers to their studio in Poland to take a look at what they had been working on. Most of the reactions seemed to be positive at the time but after this showing, the studio waited in vain for a call from at least one of the publishers:
“Nobody was getting back to us. We were running out of money, and it was time to panic.”
“Through the grapevine we learned that even though people liked the game, they were scared of investing into an action-adventure, and, more importantly, they expected a shooter from us. Come Midnight was dead.”
Disillusioned, and to keep afloat, People Can Fly started work on a shooter called “Ravenwolf”, another title that would end up never seeing the light of day. It was somewhat of a spiritual successor to Painkiller and with a heavier emphasis on the storyline than its predecessor. The studio put together a demo for the game in a few short months, and sent it out to publishers. People Can Fly was back in business:
“We worked our asses off on a demo for a couple of months, and sent it out. The phones started ringing. Ravenwolf was about to happen, the studio was about to be saved.”
But during the development of Ravenwolf, something unexpected happened. While the guys from People Can Fly were at a convention, they were suddenly approached by a man who introduced himself as a representative from THQ and claimed he had been wanting to contact the studio. They asked if it had something to do with their current project, but the reply was about to fill the small Polish studio with hope for a better one: THQ wanted to make Come Midnight.
The studio was reinvigorated, and for the next two years worked harder than ever. By 2006, the game was well into production, with the whole game designed on paper, and a lot of the assets completed. Chmielarz claims that in about two years’ time, Come Midnight would have been finished.
However, THQ had other plans. In 2006, the publisher simply pulled the plug on the project, and apparently cut all contact with People Can Fly. Although an official reason has never been given, Adrian Chmielarz believes that it had something to do with the company pulling out of development in Europe and wanting only one project left for release from that territory.
“Rumour was that THQ was getting out of the development in Europe and they were killing European projects left and right. Supposedly, it was between us and S.T.A.L.K.E.R. They chose the latter, and, to be fair, that was probably the right choice. Still, they acted awful throughout the whole ordeal.”
S.T.A.L.K.E.R.: Shadow Of Chernobyl, developed by the Ukranian company GSC Game World, was almost completed, while Come Midnight was only a third of the way in development, and eventually saw a release in 2007 after being in development hell for over half a decade.
The cancelation of Come Midnight left People Can Fly in a bad financial situation. Now with no game left to work on and with little money left, they acquired a license to the Unreal Engine hoping to recapture their Painkiller magic with a new shooter. The prototype that followed impressed Epic Games themselves, who bought a majority share of the company in 2007 and eventually fully acquired it in 2012, and the prototype would go on to evolve into 2013’s Bulletstorm.
Adrian Chmielarz had left Polish developer he co-founded by the time Bulletstorm was released. He formed his own studio, The Astronauts, with some of the former developers on Come Midnight and still hopes to revisit the noir stylings of their cancelled project one day.
However, the rights to the game are now owned by THQ Nordic, the new name Nordic Games adopted when they acquired most of THQ’s properties after the company’s bankrupcy, and getting the Come Midnight name back at this point in time seems unlikely.
“Realistically, it’s never gonna happen. I still want to go back to pulp noir in the future, though, but that’s a whole different story for another time.”
Perfect Dark Core was a project in development between 2006-2007, intended as a sequel to the critically acclaimed Nintendo 64 shooter, Perfect Dark. While Microsoft had previously released another instalment in the PD franchise on Xbox 360, Perfect Dark Zero, its reception among fans was fairly tepid by comparison. Rare, looking to shake things up, intended to bring some drastic changes with their next game.
Perfect Dark Zero was developed by what remained of the original Perfect Dark team at Rare, which was led by Chris Tilston. However, after PDZ was finished in late 2005, the team was split into smaller teams that started work on different prototypes. One of these was The Fast & the Furriest, headed by PDZ’s story and script writer Dale Murchie. Another prototype team was spearheaded by Mark Edmonds and Chris Tilston, both worked on an MMO called Cascade, which was cancelled during the company restructure in early 2009. As the leads of the PD series were either bound to other (later to be cancelled) projects or had already left the company (with one being graphics director Kevin Bayliss), Rare’s management decided to hand the PD franchise to the developers of Conker’s Bad Fur Day; a team led by Chris Seavor. Some of the Conker team had already helped during the final stages of Perfect Dark Zero when it was ported to Xbox 360, others had worked on Urchin, a gothic/horror prototype cancelled in 2006.
As lead on the project, Chris Seavor and his team envisioned a very different approach towards the series’ titlular character, Joanna Dark. She was still to some extent the wise-cracking spy seen in the first game, albeit with some major changes. This Joanna was a colder, tougher warrior, whose very sanity has been, to some extent, worn down by years of field work.
Throughout the story, she would have been joined by a growing team of allies. These were almost all original characters named Sable, Milton, Pennington and Jo’s close friend, Mia. Later in the plot, they would have been accompanied by Elvis, the maian alien whom Joanna rescued in the original game.
Theseis (AKA Thesis) is an action adventure that was in development by greek team Track7 Games, to be published by Ubisoft (?) for the Xbox 360, Playstation 3 and PC. The project was started in early 2005, but after a couple of years of active promotion, Theseis vanished without traces and we can assume that it will never be released. It’s possible that they did not find a publisher interested in their project.
In the original press release we can read more about the game’s unseen features:
-A gripping storyline that places you in a Greece full of marvel, danger and back-stage scheming, just beneath the surface of everyday life.
– Play with both Andronicos and Pheve as they race against men and monsters to uncover the secret of Theseis.
– Frantic action and intriguing puzzles. Challenge both speed and wit in every corner of this dark fantasy world.
– Colorful characters and localities, ranging from neo-classical buildings to the grim depths of Hades.
– Innovative customized new power graphic engine, built specially to portray the full glory of Theseis’ stunning environments.
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