Metal Gear Solid 4: Guns of the Patriots is a stealth action video game. Directed by Hideo Kojima, Shuyo Murata and Yoji Shinkawa, Guns of the Patriots was developed by Kojima Productions exclusively for the PlayStation 3 video game console. It is the seventh title in the Metal Gear series and the first in its fourth generation. The game, designed around the motto, “No Place to Hide!”, is the last Metal Gear game developed by Hideo Kojima, and the last game in the series starring the protagonist Solid Snake. [Info from Wikipedia]
Looking at some old screens from the game, it seems that there are some scenes that i don’t remember to be in the final version, or that are a little different. Also in some screenshots, Snake’s face looks weird. Thanks to Segagaga Domain we can also check an old tech demo that was presented at the Tokyo Game Show 2005, in which Konami shown various real time effects and details from its 3D engine.
An interesting beta-version comparison between new and old MGS4 trailers was already made by people at Kotaku some time ago, where we can see some little differences in the cutscenes of the game, like different colors for the 3d models.. As they said: “Kojima Productions went through and made various changes, alterations to assets that appeared in earlier trailers. But what kind of changes? Are they changes for the better? Or not? Below, is a comparison. On the left is footage from an older, yellowish MGS4 trailer, while on the right there’s brand new footage.”
Danny33 has wrote a topic in our forum where he makes us notice that in the first build of Rock Band we can see some interesting changes from the final version:
Different looking drums and microphone
Energy notes look very different
Guitar model not made yet
Notes look very different
During drum fills, sections do not flash.
Microphone notes are now blue.
Playing notes during the Big Rock Ending do not flash.
Welcome to the Jungle was set to be playable, but was removed. (This song later ended up in Guitar Hero 3.)
Different looking HUD/s
Also, ForWhomTheBellTolls noticed:
Great was replaced with Awesome when getting a streak singing.
There is no “You Win” after you beat a song in the final product.
The guitarist highway wasn’t blue during the solo like in the finished game, as well as the solo percentage HUD (You put that, but I wanted to add the blue highway portion.
Even in the e3 2007 build we can find some minor differences:
Different looking notes
It appears that the Stratocaster was smaller.
Thanks to Danny33 for these infos!
In the PAX 2007 version, the notes that filled your overdrive meter were bland and gray instead of glowing. Also, when you engaged your overdrive, the “highway” the notes appeared on would catch on fire and every note you hit would send plumes of smoke and debris off of the sides.
Portal is Valve’s professionally developed spiritual successor to the freeware game Narbacular Drop, the 2005 independent game released by students of the DigiPen Institute of Technology; the original Narbacular Drop team are now all employed at Valve. Certain elements have been retained from Narbacular Drop, such as the system of identifying the two unique portal endpoints with the colors orange and blue.
A key difference in the signature portal mechanic between the two games however is that Portal’s “portal gun” cannot create a portal through an existing portal unlike in Narbacular Drop. Portal took approximately two years and four months to complete after the DigiPen team was brought into Valve, and no more than ten people were involved with its development.
Portal writer Erik Wolpaw, who along with fellow writer Chet Faliszek of the classic gaming commentary/comedy website Old Man Murray were hired by Valve for the game, noted that “Without the constraints, Portal would not be as good a game.”
Portal Gun [Concept Art / Proto]:
Images still at Portal on Steam Store, Notice that some differences are:
The Colors of Portal gun was still in beta, but Portal Gun was changed.
Graphics looks a little better.
The Portals graphics was a lot of different.
When the portal gun shoots and open the gate, the graphic was a lot of different, there was more effects
The Portal team worked with Half-Life series writer Marc Laidlaw on fitting the game into the series’ plot. Wolpaw and Faliszek were put to work on the dialogue for Portal. GLaDOS was central to the plot, as Wolpaw notes “We designed the game to have a very clear beginning, middle, and end, and we wanted GLaDOS to go through a personality shift at each of these points.” Wolpaw further describes the idea of using cake as the reward came about as “at the beginning of the Portal development process, we sat down as a group to decide what philosopher or school of philosophy our game would be based on. That was followed by about 15 minutes of silence and then someone mentioned that a lot of people like cake.” According to Kim Swift, the cake is a Black Forest cake which she “thought looked the best” at a nearby bakery.
The austere settings in the game were a result of finding that testers spent too much time trying to complete the puzzles using decorative but non-functional elements; as a result, they minimized the setting to make the usable aspects of the puzzle easier to spot, using the clinical feel of the setting in the film The Island as reference. While there were plans for a third area, an office space, to be included after the test chambers and the maintenance areas, the team ran out of time to include it. They also dropped the introduction of the “Rat Man”, the character that left the messages in the maintenance areas to avoid creating too much narrative for the game.
The textures of the Old Portal Gun are still found in game files, however, the Purple and Blue color was changed to the original (orange and Blue): *Click to Enlarge*
GLaDOS [Concept Art]:
The player’s model was at the beginning a male character, but then it was changed for the actual female character known as Chell. Chell’s face and body are modeled after Alésia Glidewell, an American freelance actor and voice over artist, selected by Valve from a local modeling agency for her face and body structure. Ellen McLain provided the voice of the antagonist GLaDOS.
Erik Wolpaw noted that “When we were still fishing around for the turret voice, Ellen did a ‘sultry’ version. It didn’t work for the turrets, but we liked it a lot, and so a slightly modified version of that became the model for GLaDOS’s final incarnation.”
Mike Patton’s voice also appears in the game performing the growling and snarling of the final core-chip of GLaDOS. The Weighted Companion Cube inspiration was from project lead Kim Swift with additional input from Wolpaw from reading some “declassified government interrogation thing” whereby “isolation leads subjects to begin to attach to inanimate objects”;
Swift commented that “We had a long level called Box Marathon; we wanted players to bring this box with them from the beginning to the end. But people would forget about the box, so we added dialogue, applied the heart to the cube, and continued to up the ante until people became attached to the box. Later on, we added the incineration idea.”
GLaDOS Protos: [Gallery=896]
According to Swift, the final battle with GLaDOS went through many iterations, including having the player chased by “James Bond lasers”, which was partially applied to the turrets, “Portal Kombat” where the player would have needed to redirect rockets while avoiding turret fire, and a chase sequence following a fleeing GLaDOS. Eventually, they found that playtesters enjoyed a rather simple puzzle with a countdown timer near the end; Swift noted that “Time pressure makes people think something is a lot more complicated than it really is”, and Wolpaw admitted that “it was really cheap to make [the neurotoxin gas]” in order to simplify the dialogue during the battle. [Infos from Wikipedia]
In the beta trailer below, you can notice many rooms that were removed or heavily changed from the final game (also, the portals look different). The game seemed to originally have a more dark color scheme.
Video [Beta Trailer / Gameplay]:
This game contains some beta unused stuff, some of those images appeared in trailers, such as Red Portal, and the Effect of the Red Portal: There was one unused sign that was never saw in any trailers, a sign with a Joke of the 300 Movie. It might be rejected due to copyright issues:
There is also a Unused GLaDOS voice in the game files, would might be used at the end of the game:
Thanks to FullMetalMC and Gabrielwoj for some of the images! Also Thanks again to Gabrielwoj for the unused Stuff!
As we can read on Wikipedia, a Getaway 3 tech demo featuring Piccadilly Circus was demonstrated in May 2005 at E3, but this was not directly from the game. It was confirmed that the game would again be set in London but rumours had been circulating that the game could also feature Amsterdam, which was later confirmed by a video shown at the E3 convention in 2006. Information regarding The Getaway was released on 7 March 2008 by screenplay writer Katie Ellwood, who affirmed the action title was
Eight Days (codenamed HEIST) was to be a PlayStation 3 game from Sony’s London Studio. It was shown for the first time at Sony’s E3 2006 press conference. It was a hybrid of a third-person shooter and driving action that shared similarities with the PlayStation Portable game, Pursuit Force. The title was cancelled on 4 June 2008.
Certain parts of the sequence shown at E3 included a full heads up display, and crosshair, implying true interactive in-game footage. However, opinions were divided about the sequence, some suspected it to be pre-rendered, while others believed it was non-interactive using the game engine which would mean while it was indeed the PlayStation 3 hardware doing the rendering, it may or may not have been indicative of the final gameplay experience. [Info from Wikipedia]
Eight Days was to be set in eight days over eight states across the United States of America, the largest game map to date, with a real internal clock that would change from day to night as the game progressed. In the game you could choose between two players one that was “good” and the other “bad”. The “bad” character story line would have him/her get revenge on a mob syndicate, the other story line would follow the “good” character who was a detective who was coincidentally looking for the same mob syndicate who had kidnapped his son. The two characters would eventually cross paths and work together.
On June 4, 2008 Sony Computer Entertainment released a statement on the cancellation: “This decision was made following an internal review of all games and it was deemed that with the incredibly strong list of exclusive First Party titles coming up both this year and in the near future, resource should be reallocated to enhance those projects closer to completion”. Two weeks after the cancellation of Eight Days, President of Sony Computer Entertainment Shuhei Yoshida stated that the lack of an Online mode in Eight Days was “part of the consideration” to cancel the game. He also stated that the cancellation of Eight Days was not because it was not failing in production, but becauseSony is increasingly moving towards online-supported games and Eight Days did not fit that overall strategy. A weird explanation for sure.
Thanks to Max Max, Iven and Yoshida for their contributions!
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