The PC-FXGA is a computer add-on card that can be plugged into a NEC PC-9800 or a computer with ISA slot. Along with the included software, the PC-FXGA acts as a development kit for the PC-FX.
Overview: Tomb Raider Legend is the first game developed by Crystal Dynamics. Crystal Dynamics worked along side with Toby Gard (the original Tomb Raider designer). They wanted to reboot the game after the failure of Tomb Raider Angel Of Darkness. Development of this game started in 2004 just after Eidos transferred the Tomb Raider development rights to Crystal Dynamics.
There are trailers from around the E3 2005 time which show various different levels which were not present or drastically changed for the final release. Around this stage of development it is confirmed that most of the areas were just for proof of concept and used for testing for example, Lara’s Beach House. There were weapons which were cut from the final release: Smoke Grenades, Rocket Launcher, Revolver.
Early Alpha Stage – Date, May 2005 Platform: PS2
This is the build which was shown at E3 2005.
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Alpha Stage – Date, August 2005 Platform: PS2
This is the build which was shown at GC 2005.
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Editors: 1. Gh0stblade
Change log: Gh0stblade – Added PSP info and cleanup with dates 14/01/2013 Gh0stblade – Updated basics of post, removed all old info and updated 20/03/2013
Dragonflight: Chronicles of Pern is an action adventure based on the Dragonriders of Pern book series by Anne McCaffrey, that was in development in 1998 / 1999 by Grolier Interactive for PC and Playstation. Initially the game was going to have a style similar to Diablo, but after a couple of years of development, Dragonflight became an action game with a 3rd person view camera. In june 2000, Grolier Interactive stopped releasing videogames when they were bought by Scholastic.
Grolier Interactive’s game could have been doomed, but it seems that Ubisoft bought their assets, cancelled the Playstation version and moved the Dragonflight to Dreamcast and PC. In 2001, they finally released this project as Dragon Riders: Chronicles of Pern.
An old interview with Grolier Interactive can still be read at RPG Vault:
Can you provide some details on development progress that has been made over this time?
Oliver Sykes: What people may remember from the previous incarnation of the game is a very isometric viewpoint, a bit like Diablo. One of the major changes in the game is the camera system. We can now script the camera to act very cinematically. It can track with the player, spin round him, drop from above to below. Any number of camera shots can linked to describe a location and the characters in it as well as adding a great deal of fluidity.
Could you explain the level of depth and interaction we can expect from NPCs? What kind of a conversation system is there?
Oliver Sykes: The conversation system is fairly linear in most places. This choice was employed as we have such a vast number of characters to converse with, the conversation choices would have gave our scripters headaches. However, at key moments during the game you can make choices and these choices will effect the outcome of events. One choice could give you bonuses and unlock new locations and characters, whereas another may lead you down an entirely different path with different consequences.
Sorcery was to be the first, ambitious project of game developer Starbreeze Studios, who have been responsible for such titles as the Chronicles of Riddick series, and Enclave. They have developed games that have been seen on all of the major consoles since the Xbox. Sorcery was conceived in 1997, long before either of these well-received titles.
Little information is available about Sorcery, and what we do know comes largely from interviews with the developers. Sorcery would have been a fast-paced RPG, with a “high fantasy” setting. The player would have taken the role of a young mage seeking to restore order in a war-torn continent.
The unique thing about Sorcery‘s gameplay is that it was being created with an almost exclusively magical combat system. Instead of using weapons, the protagonist would have used various spells to take down opponents. The creators described the gameplay of the concept as “a cross between Diablo and Quake, with a huge world to explore and lots of quests to solve”. Indeed, the game would have contained a number of different activities and tasks for the player outside of the main plot, giving the game a heightened sense of freedom. Despite its fast-paced nature, strategy and puzzles would have been important gameplay elements.
Another promising aspect of the game was its custom-made 3D engine. The engine, created by Starbreeze, included support for movable mirrors/portals, illuminated volumetric fog, skeleton animation/deformation, animatable multitexturing materials, dynamic lighting, day/night cycling and curved surfaces with variable tesselation degrees depending on a user’s computer’s capabilities. In 1998, when 3-dimensional gaming was still in its infancy, these technologies would no doubt have been a very impressive.
Sorcery would also have contained a multiplayer mode, although the developers have admitted that this part of the game was only going to be included after the single-player game was completely polished. We know that the multiplayer side would have included team play, action and “plenty of possibilities to develop your own playing styles”, according to one of the game’s developers.
Starbreeze Studios originally found a company called Gremlin Interactive to publish Sorcery. However, after Starbreeze merged with O3 games in 2001, the game was sadly deprioritised, and never reached completion. However, the company has gone on to make excellent games since the project’s demise.
As we can read on Wikipedia, Freelancer is a space simulation that was developed by Digital Anvil and published by Microsoft Game Studios in 2003. The game was initially announced by Chris Roberts in 1999, but it was only released 4 years later, with many cuts and changes from the original concept. In 1997, Chris Roberts began work on a vision he had since he first conceived Wing Commander. He wanted to realize a virtual galaxy, whose systems execute their own programs regardless of the players’ presence; cities would be bustling with transports and each world’s weather changes on its own time.
Roberts promised features such as automated flight maneuvers, dynamic economies, and a multiplayer mode that could host thousands of players, but diminished versions of these features were implemented in the final release. The game’s initial technical demos impressed reviewers, but after the Microsoft buyout and Roberts’ departure from Digital Anvil, critics had doubts about the game. Microsoft instructed Digital Anvil to scale down the ambitions of the project and focus on finishing the game based on what was possible and the team’s strengths.
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