New Cancelled Games & Their Lost Media Added to the Archive

Contest: design the front cover for the Unseen64 book!

After 1 year and half of collective volunteer work during our (not much) spare time, sleepless nights researching, contacting developers and writing about lost games, 40+ authors that contributed with articles… our book is almost complete! Articles, related content and interviews are about 95% ready, all our (last) energies and efforts are focused to be able to publish the book this summer or early autumn. When the content will be 100% complete, we’ll have to insert these 300+ pages into the book layout, adding screenshots, photos, concept arts.. it will still take a while, but as this year is the 15° anniversary of Unseen64, the book will be the best way to celebrate together :)

Now it’s time to find a great front cover for the book… but we suck at drawing, so we’d like to ask to all our readers for help: are you an artist or do you just love to draw random stuff with Paint? Would you like to feature your artwork on the front cover of a book about cancelled games? Send us your artworks!

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The plan is to publish 2 versions of the book, one in full color and a cheaper one in black / white interior, so there will be 2 different covers, one for each version. We’d like to reward the authors of the winning covers with a copy of the book: the author of the cover chosen for the the full-color book will receive this version, while the author of the cover for the black / white book will receive the b/w version. Both covers will still be in full color but we will not rule out the possibility to use a black / white cover if there will be a great one.

Naturally as it will be a book about unseen games, we cannot left out all the unused covers: ALL PROPOSED COVERS will still be published in a “lost covers gallery” at the end of the book, with each author’s details, as their name, email and link to their online portfolio, so that readers will be able to admire everyone’s effort and talent.

Cover ideas:

There’s not a specific brief for the cover artwork, so feel free to drawn your own ideas. What would you put on the front cover of a book titled “Videogames you will never play”? There could be a group of characters from some of these lost games (here are some examples) drawn in your own style, a symbolic image with people that cannot play unreleased games or awesome pixel art to show games forgotten in a dusty warehouse, X-Files style. Whatever your imagination can cook up!

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Disruptor [Playstation – Beta]

Disruptor is FPS developed by now popular Insomniac Games for the original PlayStation and published in 1996 by Universal Interactive Studios. Disruptor was initially planned for the 3DO game console back in 1994 but due to the bad reception of the 3DO development of Disruptor was quickly shifted over to the PlayStation 1.

As we can read on 1UP:

“I think we were very lucky to get out of the Disruptor development process alive,” says Price. “None of us had ever been in the game business before. We were just guessing that it might be fairly easy to do, and man, were we wrong.”

It was 1994. The 3DO, a platform created by EA founder Trip Hawkins, was the cutting edge of game-console technology, a CD-based system retailing for an insane $700. Insomniac took advantage of the CD format‘s low price and dove into Disruptor. Within a year, the rug was pulled out from under the team. “3DO tanked, big time,” says Price.

They shopped a demo around to publishers up and down the West Coast, looking to move Disruptor over to Sony’s newly released PlayStation. It wasn’t going well. “Everybody had turned us down,” says Price. “We were down to no money in the bank, and this was really our last shot.” Their final meeting was with Mark Cerny, a veteran game designer/producer whose work spans 1984’s Marble Madness to the recent Jak and Daxter series. At that point, Cerny was scouting developer talent for Universal Studios Interactive in Los Angeles. He found it in Insomniac.

“Mark saw the engine that Al [Hastings] had programmed on the 3DO and said, ‘Wow, these guys have potential.’ We signed a three-game deal with Universal based on that meeting,” says Price. “It saved our asses.” Ted Price was 24. Al Hastings was 21.

Some more details can be found on IGN:

“We began on 3DO because when I started Insomniac, 3DO was the first really viable CD-based system out on the market,” Price explained. “They had dev kits available for very low prices. And Sony, at the time, wasn’t making dev kits available to everybody. So I was able to purchase a dev kit for about $8,000. We kind of set our path.”

Hastings told me more. “We started on 3DO, because… I guess when we were starting, it was before anybody like us could get our hands on a Sony dev kit. I don’t even know if they were out or not. But the 3DO, they were pushing it to anyone who wanted it. At the time, I think a lot of people thought it might succeed. I don’t think we were alone in our naiveté. But pretty soon, maybe halfway through [development], it became clear that 3DO was just never going to be viable. It was about that same time that Sony and SEGA were putting out the alternatives,” in the form of PlayStation and Saturn, respectively.

The gallery below includes some early beta screenshots from the PS1 version of the game, with some small differences from the final game.

These beta screenshots was found on the official interplay website for the game. They are pretty similar to the final game with the exception of the HUD, where the health bar is moved to the bottom corner and features a different design than the final game, the Psionics icon seems to be a little bit different than in the final game and the Ammo count has been moved to the opposite corner of the screen.

These beta screenshots were found in a small article in the French PlayStation Magazine (issue 4). It’s much of the same from the other ones.  The last one is the most interesting one, as the enemies appear to be actual 3D models, however in the final game all the enemies are pre-rendered 3D-looking sprites in a 3D environment. The psionics icon had red eyes which is not present in the final game. And the weapon shown does not directly match any weapons from the final game.

Article by Hennamann

The Lord of the Creatures [Cancelled – PC, Xbox 360, PS3]

The Lord of the Creatures is a cancelled fantasy strategy / adventure game that was in development by Spanish studio Arvirago Entertainment (a team composed of former Pyro Studios devs, creators of the Commandos RTS series) for PC, Xbox 360 and PS3. The main feature of the game was to capture and use monsters in combat, somehow similar to a real-time Pokèmon action adventure mixed with Kameo, in a classic fantasy setting with orcs, elves and other strange creatures. The game was originally announced in 2003 but after a few years of development it was quietly canned and not much more info was ever released.

Players would be able to collect over one hundred different creatures, each one with exclusive abilities to use directly by impersonating one of them or by giving orders like in a real time strategy game. Enemies would attack in groups and we had to think about the best creatures for the fight, depending on their characteristics, weapons and items. Five different main characters were available, each one with a different play-style. Online cooperative and competitive modes were also planned, to test your tactical abilities and creatures along or against other players.

We don’t know what happened to Arvirago, but it seems that the studio does not exist anymore and they never released any game before to vanish forever.

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Strelka Stories [PS3 – Cancelled]

Strelka Stories is a cancelled action adventure game planned for Playstation 3 that was in development by CyberConnect2 (Tokyo Studio and Fukuoka office), as a new chapter in their “Little Tail Bronx” series of anthropomorphic animal characters and fantasy floating world, composed of three main chapters: Tail Concerto (1998, Playstation), Solatorobo: Red the Hunter (2010, Nintendo DS) and Little Tail Story (2014, Android and iOS). The series is not widely known to the main public and sales were not great, but thanks to its fun gameplay, light hearted animal characters and interesting world-lore (mixing Jules Verne-steampunk style technology, mechs, magic, Laputa style floating islands and airships) it grown a cult following of fans in the last 18 years.

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Strelka Stories was originally announced in July 2010 when CyberConnect2 were celebrating their 15th anniversary and opened a teaser site for this new PS3 game, showing artworks featuring their usual anthropomorphic animal characters, a 19th-century fantasy town (feeling like something out of a Studio Ghibli movie, especially if you think about Sherlock Hound) and a space-conquering theme.

Over those artworks there are a series of sentences in Japanese, that can be roughly translated as ““I will surely go to space, surely”, “To the children who depart someday”, “The world’s first man-made crystal power plant, it was built against the press-cutting international public opinion”, “This country was always engulfed in restless shadows” and “The road was collapsing, they gathered Strelka, a rocket engineer…”. By reading these, we can speculate that Strelka Stories could have told the story of how the world of Little Tail Bronx became a series of floating islands and the efforts of its inhabitants to escape from the collapsing of their planet.

The title “Strelka Stories” is also inspired by the name of one of the Soviet dogs used for sub-orbital and orbital space flight tests in the ‘60:

“Belka (Белка, literally, “Squirrel” or, alternately, “Whitey”) and Strelka (Стрелка, “Little Arrow”) spent a day in space aboard Korabl-Sputnik 2 (Sputnik 5) on 19 August 1960 before safely returning to Earth. […] Strelka went on to have six puppies with a male dog named Pushok who participated in many ground-based space experiments, but never made it into space.”

In November 2010 Impress Watch published an interview with CyberConnect2’s president and CEO Hiroshi Matsuyama where he shared a few more details on Strelka Stories:

“Solatorobo was set in an imaginary scientific world, which targets the current generation of boys and girls. The content for this one [Strelka] will target ‘Adults who were once youths’. I believe those who like Gurren Lagann and Evangelion will enjoy it. We actually didn’t get approval of the project from a client or publisher. It’s a title that we started because we wanted to make it.”

In December 2012 during a fan event for the 2nd anniversary of Solatorobo, Matsuyama said that they were still working on a new game in the Little Tail Bronx series, but he could have been talking about Little Tail Story and not Strelka Stories.

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The lack of a publisher for Strelka Stories is probably the reason why the game was never completed, with CyberConnect2 busy to work on other projects for which they were hired. In fact the studio released many games for Playstation 3 and Xbox 360 (such as Asura’s Wrath, .hack//Versus and the Naruto Shippuden: Ultimate Ninja Storm series), but unfortunately it seems that Strelka Stories never found support and had to be quietly cancelled. CC2 also planned a Tail Concerto sequel in late ‘90 / early ‘00, but it had to wait 12 years to be finally released (as the spiritual sequel Solatorobo), so we can assume that one day we could still see the ideas conceived for Strelka Stories in a new chapter of the “Little Tail Bronx” series.

CyberConnect2 are a big company today, they are currently working on the Final Fantasy VII Remake for Square-Enix and opened a new studio in Montreal (Canada). In April 2016 Famitsu magazine published another interview with Hiroshi Matsuyama, in which he teased a new game codenamed “Project Venom” or “CyberConnect Creative (CCC)” (it’s not clear if the two titles are for the same game or for two different projects) a self-published digital shooter planned to be released the next year for PlayStation 4, Xbox One and PC. The artworks revealed in the magazine show a fantasy setting with characters similar to the ones seen in “Nausicaa of the Valley of the Wind” and no space rockets, so we can assume that this will not be directly connected to the Strelka Stories concept.

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Kanaan (Argonaut) [PC – Cancelled]

Kanaan (AKA Chaos when it was conceived on Playstation 1) is a cancelled first / third person open world shooter that was in development by Argonaut Games in late ‘90, planned to be published in 1998 / 1999 by Ubisoft on PC. While many other lost games from Argonaut were widely known, this one seems to have been forgotten for many years, until in January 2016 Werta Oldgamesru noticed this title and posted about it in our Unseen64 FB Forum. The project was quite an interesting twist on the classic shooter genre, because of its open world environments and anthropomorphic animal enemies. As noticed by Ross Sillifant, a two-pages preview of the game was featured in Edge magazine September 1998 issue, where we can read a lot of details about its gameplay:

“Think dark tunnels, think robot enemies, think bleak future worlds. The stereotype defined by ID’s seminal Doom has been adhered to with a near-religious reverence by developers worldwide. So perhaps, it’s salient that Argonaut, a traditional console game company once strongly linked to Nintendo, should be chipping away at the genre’s mould. Argonaut first person foray is currently dubbed Kanaan, although the search for a name to replace the development tag of “Chaos” has been a protracted wrangle. While the game’s futuristic setting is nothing new, its dog-themed alien enemies are refreshingly different. Guiding lone human Gabriel Cain, the player must stop the invaders from capturing his home planet of Camrose. Cain is one of two surviving members of Camrose’s crack Chaos Squad, the other being the group’s traitorous captain deSoto. As the game progress, new plot elements are introduced, including Cain joining the underground resistance. New weapons, locations and environments will gradually be uncovered as Cain struggles to defeat the alien foe. His eventual target is the alien leader Commander Kray, who must be brought down for Cain’s final victory.

Through the careful use of tessellation techniques, Kanaan has been gifted with vast environments. […] However, the game also contains a large number of structures which can be entered, the action blending smoothly from interior to exterior. Using Kanaan’s powerful 3D engine fully, certain buildings will feature balconies, giving the player the ability to look across an area and attack enemies from a distance.

In order to move swiftly around these incredibly open areas, the player can capture and utilize a variety of vehicles. These includes jeeps, cars, trucks, speedboats, helicopters and bombers, each with their own armoury available at Cain’s disposal. […]

While Kanaan’s standard viewpoint is first person, Argonaut has strong opinions regarding character depiction, and to that end an additional third person camera is selectable. […]

Cain also has access to a sniper weapon (as seen in Goldeneye) so he can pick-off foes from a great distance by zooming in through the weapon’s sights. Traditional first person puzzle elements also emerge, along with console systems which reveal conundrums that block progress.”

A few more memories about Kanaan’s development can be found in websites of people that worked on it. Simon Grell recalls:

“Kanaan was the first game I worked on at Argonaut. I did most of the character and vehicle designs but unfortunately it was canned shortly before it was due to be released”

In an interview with Julian Alden-Salter posted in the GameOn Forum, we can read:

“I spent 5 years at Argonaut working on Hot Ice (unpublished), Alien Odyssey (unpublished), Croc, FX Fighter Turbo and Kanaan but was made redundant when the project I was producing (Kanaan) was canned.”

As the game was almost complete when cancelled and even Edge was able to try a playable demo, we hope that in the future someone could find a video or even a prototype of Kanaan that could be saved.

Thanks to Werta Oldgamesru, Maik Thiele and Ross Sillifant for the contributions! Screenshots saved from AVOC by Fabio Cristi

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