Playstation 2 (PS2)

City of the Dead (Kuju Entertainment) [PC, Xbox, PS2 – Cancelled]

City of the Dead, also known as The Living Dead : City of the Dead and George A. Romero’s City of the Dead, is a canceled horror first-person shooter developed by Kuju Entertainment and published by Hip Interactive for PC, Xbox and Playsation 2 platforms in 2005.

Presented as “the goriest game ever made”, City of the Dead was first revealed in August 2004 by none other than American McGee as his next game, wanting to sign a deal with Living Dead Productions, the company of the father of the Zombie film, George A. Romero:

“Recently, my company TMIEC partnered with Asylum Entertainment to bring to life a new Romero concept called “City of the Dead”. We’re now in the process of shopping the interactive rights to games publishers. The tagline for the product is “the goriest game ever made”.

Only a few days after that, American McGee announced that it could finally be MercurySteam Entertainment instead of Asylum developing City of the Dead:

“The guys at MercurySteam sent over a couple of cool zombie concept images. Based on what an amazing job they’ve done on Scrapland we’re really excited to have them attached to develop the Romero “City of the Dead” game.”

In December of the same year, Hip Interactive revealed to have signed a deal with Living Dead Productions about a game named City of the Dead, without saying if it was the same concept initially pitched by American McGee, or a brand new one as some media would later said that it was a different game:

“Horror fans have been searching for the ultimate experience in gaming, and we intend to deliver it to them with the tremendous creative input of legendary director, George A. Romero, and Living Dead Productions,” said Arindra Singh, President and CEO of Hip Interactive.

“This is a fantastic opportunity to share George’s work and ideas with the game buying public,” said Simon Bailey, Managing Director of Living Dead Productions. “We are very impressed with the quality of work that Hip will bring to the games. George’s fans and gamers alike will not be disappointed!”

Shortly after this announcement, media revealed that it was ultimately Kuju Entertainment that would develop it, replacing MercurySteam, which was slated for release in March 2006:

“Back in December, Hip Interactive announced it will produce games based on the work of horror director George A. Romero, creator of classic zombie-fests like Night of the Living Dead and Dawn of the Dead.

Hip Interactive has recruited developer Kuju Entertainment to produce the first of the Romero games, which is expected to appear by March of 2006.”

The game was officially announced shortly before E3 2005 in a statement from Hip Interactive:

“City of the Dead” begins as four desperate survivors escape a ravaged zombie infested city by helicopter. After making it to the remote island of Isla Mortal (N.B. : some media wrote that the name of the setting was Island of Ningun Futuro instead), an accident destroys their only means of escape. Unbeknown to them the island is home to a top secret military installation, overrun by the walking dead. Armed with an arsenal of traditional and futuristic weaponry, players must battle the living dead from dusk ’till dawn in series of abandoned locales. With split-screen co-op missions, party mode, and four-player online feature, “City of the Dead” also promises a range of multiplayer features that allow gamers to play as human or zombie.”

We also learned that Tom Savini lent his voice to one of the main characters:

“The company also revealed today that Tom Savini, star of From Dusk till Dawn and known  horror makeup artist, will lend his voice and likeness to City of the Dead. Savini will play William “Red” McLean, a battle-worn ex-cop who initially lends support to the player, but will eventually be a playable character himself.”

Presented at E3 2005, the game received various previews from IGN, Gamespy and Gamespot. Thus, IGN wrote:

“Hip Games’ City of the Dead is a first-person shooter that’s “Trying to become Burnout for the shooting genre.” That’s at least according to company representatives, anyway. Judging by the short presentation we saw, it seems that City of the Dead can more accurately be described as, “a totally vicious FPS that features buckets of blood interspersed with the occasional cubic ton of tenderized brain matter.” City of the Dead does still feature some cool Burnout-like gameplay elements, though.

One of the modes within City of the Dead mimics Burnout 3’s infamous Crash Mode and tasks players with killing as many zombies as possible with a single shot from a specific weapon. To do this, players will want to wait for the most opportune moment to fire their weapon at one of a number of preset environmental hazards, be they massive crates suspended from cranes or conveniently placed combustible barrels. Once you shoot, the widely used Havok physics systems will take care of the rest. This way the results of the action are always different.

In terms of an actual story mode, City of the Dead features one city, some animated dead people who are terribly reluctant to stop moving, and a few dudes who’d really like to not become one of them.

In a way, City of the Dead sort of resembles a cross between Resident Evil and Soldier of Fortune. That is, the game features an excessive amount of dismemberment and gore, which it is not at all afraid to highlight with a number of cinematic, slow-mo camera swoops, zooms and pans. But unlike Soldier of Fortune, the enemies just keep on coming.

Before we go, check out this cool thing we noticed that most people might overlook… When you shoot an enemy, he is entirely governed by physics, meaning he’ll flop around like any good rag doll should. But, totally unlike just about every other game under the sun, enemies in City of the Dead can actually get up and begin animating after the physics routine has initiated and played out. This is, as far as we know, a technical problem no other developer has yet been able to resolve well (at least we haven’t seen it implemented in any other game).”

Gamespot, for its part, told us:

“City of the Dead isn’t based on any specific Romero films, but it is based within the larger Dead universe. In it, you play as one of five different characters, all of which are just trying to survive in a city that has been overrun with the walking dead.

The game itself is a first-person shooter, and it really doesn’t aspire to be anything more than a fast-paced arcade shooter. You’ll find a number of different weapon types, including pistols, machine guns, grenades, and shotguns. There were a couple of unique aspects of the weapons we saw. For instance, the shotgun is fully pump-action, meaning each time you fire, you’ll have to manually reload it using the left trigger button. While that might seem a little cumbersome at first, it actually wasn’t, and it seemed to add to the intensity of the action. Another cool thing is the way you can kind of jury-rig other things onto your weapons to make them more effective in melee combat. For example, you can tie a shovel to the butt of the shotgun, making it much easier to explode a zombie’s head. The same can be done to your pistols, by taping brass knuckles to them.

Zombies tend to travel in groups, and they come in different varieties. Obviously, there’s the usual lumbering, biting, angry zombie, but we also saw a cop zombie, who continually fired a shotgun at us at random intervals and a leaper zombie, a creepy little guy who crawls around on the ground and then jumps at you. Zombies cannot be killed unless you destroy the brain, but you can knock them backward or even blow off body parts if you hit them elsewhere.

There will be 14 to 16 story missions in the game, though the story here is barely the focus. The developers used Burnout as an example of how they are really looking to make a super-arcadey, over-the-top kind of game. So a lot of the mission objectives will be appropriately focused on killing as many zombies as you can, without much worry about anything else. Once you complete the story mode, you’ll also have arcade and multiplayer modes to check out. The arcade mode works similarly to Soul Calibur’s weapon master mode. You’ll be given a series of available challenges, each with semi-arbitrary rules, like you can only use melee combat, or you have to kill a certain number of a specific type of zombie. The multiplayer will be online for up to four players and features competitive and cooperative play. The cooperative mode sounds especially cool, as during the mode, your friends can be infected. Here, you can opt to just kill your partner immediately, sparing him the change of death, or you can keep him alive long enough to help you kill some more zombies. You’ll have to be careful, however, because once they turn, they’ll come after you.”

Finally, the Gamespy preview said:

“The game’s big visual attraction is the physics engine which flings zombies realistically around based on point of impact. Naturally, this means that there will be a variety of classic weapons such as pistols, shotguns and rocket launchers to turn the zombies into so much zombie goulash. Since it takes a headshot to kill these things, the game also rewards good shots with a beautiful images of exploding heads using a slow motion “bullet-time” effect. Given how tough the zombies are, though, it’ll take more than just a steady hand to take them out, though. That’s why the environment is full of exploding things such as gas canisters, fuel drums and crates of explosives that can set off awesome chain reactions. Judicious use of these items will be vital in clearing out levels in story mode.

As much fun as story mode looks, though, it doesn’t really hold a candle to the “One-shot” levels. These are bonus levels that are unlocked as the player goes through story mode. Undoubtedly inspired by Burnout 3’s crash challenges, the “One-shot” levels puts you in an enclosed space with a bunch of zombies wandering around and a gun with only one bullet. The challenge is to pick out the correct exploding device to shoot to set off a chain reaction that will kill as many zombies as possible in as entertaining a manner as possible.

City of the Dead will sport a multiplayer mode, but rather than just offer up a vanilla deathmatch capability, the game will instead sport a four-player co-op mode that works off the strengths of the setting. If a player gets bitten once during the game (as opposed to shot or hit), that’s it, a countdown timer starts, the player dies, and turns into a zombie. That means that even though four players start the game together, eventually someone’s going to end up a zombie — and that’s where the real fun starts. Players who become zombies will respawn as new zombies when they die and start hunting those who are still alive. They get all the strengths and weakness of the undead (slow speed and incredible resilience), so the game for the zombies becomes using their brains to set up ambushes for the human players.”

Unfortunately, only 2 months after City of the Dead was revealed, Hip Interactive filed for bankruptcy:

“After failing to strike a last-minute deal to bolster its shaky finances, Hip Interactive said it has ceased operations and would close its doors completely in short order. The company said this morning that “discussions with a third party to provide interim relief in respect of the Company’s immediate financing needs were not successful.”

“The publisher had a number of high-profile games on its upcoming slate including Call of Cthulhu: Destiny’s End, George Romero’s City of the Dead, and Jackie Chan Adventures. There has been no word on which publishers are in line to pick up those and other games due from Hip.”

Only a month after the publisher’s demise, Kuju Entertainment was trying to find a new one for the game, but alas, no deal will materialize and City of the Dead vanished after this news. It was once suggested that Freeze Interactive, a Franco-Swiss publisher founded by former staffs of the European branch of Hip Interactive, had taken over the game, now titled World of the Dead, but nothing was officially confirmed, and World of the Dead disappeared very quickly without any information, just like Freeze Interactive. This rumor followed the fact that Ghost Wars, another game initially canceled with the closure of Hip Interactive, was taken over by Freeze shortly after.

Article by Daniel Nicaise

Images:

Video:

 

Sabotage 1943/Sabotage (Velvet Assassin) [PC, PS2, XBOX – Cancelled/Prototype]

Velvet Assassin is a stealth game released in 2009 for PC and Xbox 360, developed by Replay Studios (formerly Team Toro) and published by SouthPeak Games. The title takes place during the Second World War, where player take control of Violette Summer, a British spy in the service of MI6, attempting to thwart the Nazi war effort, operating behind enemy lines. The game’s story was inspired by the real-life secret agent/saboteur Violette Szabo.

But before being released in this form, the game had two other versions, during a hectic development spanning approximately from 2002 until its release in 2009.

Sabotage 1943

In February 2003, German studio Team Toro revealed its very first game, Sabotage 1943, a First-Person Shooter whose scenario and background were identical to Velvet Assassin. It is then planned for a release during the Winter of 2003/2004 on PC, Playstation 2 and Xbox, and the press release revealed some information:

“France 1943. Behind the façade of stability a secret, desperate, and cruel war of liberation has already begun. As a spy, saboteur, and partisan of the French resistance movement, the Résistance, you will also get involved in this fight.

The omnipresent enemy keeps everything under control and reacts on every kind of resistance in a barbarous and brutal way. An open military confrontation would be a lost cause.

Therefore, another way has to be found to fight the enemy. You conspire against the Nazis, operate underground, and pretend to be a harmless civilian. This way you can deceive and infiltrate the Nazis to strike secretly. But don’t fall in the hands of the Gestapo that even plants spies in the resistance groups…”

Engine Specs

3D tactical first-person shooter with the newest technologies offers extremely realistic game visuals. Dynamic real-time light and shadow effects perfectly reflect the sinister atmosphere of the background story.

Particle system makes the explosions look extremely realistic. Environmental effects, such as dust, rain and leaves, create a dark and gloomy atmosphere.

Flexible camera control and exact details of the game world even allow the player to peek through keyholes.

Game Features

22 levels will lead you through the cruel story, which is based on true historical facts.

Scenarios in authentic French theaters of war in 1943/44, such as Paris occupied by German forces.

Seven different characters with various specific attributes

Complex enemy AI with numerous surprising behavior patterns

Various clothing and uniforms allow the player to operate secretly in military areas behind the enemy lines.

Player’s behavior has a direct effect on the relationship between the population and the Résistance (betrayal, assistance, etc.)

By skillfully sneaking up on the enemy, soldiers can be overwhelmed and forced at gunpoint to open doors and reveal vital information

When under fire, the player can fake death by using the “Playing Dead Mode” to deceive the enemy

Shortly after, the developer showed a first trailer, then, later, it was a video preview from Gamestar in April of the same year that was published.

Sabotage

However, after these revelations, the game felt into total obscurity and was not mentionned by its developer until May 2006, just after completing Crashday for Moon Byte Studios. Unsurprisingly, after almost 2 and a half years of absence, the project had undergone a complete overhaul. Simply renamed Sabotage, the title did not change context nor main character, but took the form of a Third-Person Shooter, planned exclusively on PC for 2007 and published by Anaconda, the label of DTP Entertainment. It was presented at the E3 and Game Convention 2006 shows, and it was again Gamestar that released a video preview in November of the same year, notably showing several phases of gunfights.

Early 2007 should have been the release window for Sabotage, but it wasn’t. The title would reappear briefly during the Game Convention 2007 for a release now planned in Autumn 2008, where we learned that Gamecock Media Group took over the publishing rights.

Finally, in March 2008, new changes occured for this project, now named Velvet Assassin with an Xbox 360 version in addition, it would see its main character partially redesigned, as well as its HUD. The gunfights phases that we could see in Gamestar’s preview seem to have been mostly dropped in favor of a more tactical and stealth-oriented gameplay.

Velvet Assassin would finally see the light in Spring 2009, after experiencing an additional delay and a final change of publisher with SouthPeak Games, following the acquisition of Gamecock Media Group. The game received mixed to average critical reviews and Replay Studios filed for bankruptcy in August 2009, only 3 months after its release.

During these 7 years of existence, Replay Studios seemed to have a lot of difficulty in the development of its titles. In addition to the chaotic one for Sabotage 1943, the company also had Survivor in production, a title announced in October 2004. Crashday, only available on PC since 2006, should have been released in 2005, also on Playstation 2 and Xbox. At some point, we could even read on the now-defunct Replay Studios website this:

“Sabotage 1943 is a tactical shooter game in WWII. As allied elite agent Jason Turner you perform dangerous, top-secret guerilla and sabotaging activities which officially don’t exist behind enemy lines.”

Sabotage 1943 video:

Sabotage 1943 images:

Sabotage images

Amon Ra (Widescreen Games) [PS2 – Prototype]

Amon Ra is a cancelled adventure game developed by Widescreen Games around 2003, exclusively for the Playstation 2.

As we can read on the personal website of Franck Sauer, Widescreen Games had decided to mandate him and Yann Robert to work on this demo, just after the closure of their own company, Appeal Studios, following the cancellation of Outcast 2: The Lost Paradise and Tintin, using assets and technology previously created for those projects:

“After Appeal (our previous studio) went bankrupt (see Outcast II and Tintin stories) Yann and I kept working together on some work for hire while thinking about exactly what to do next.

During that time, Olivier Masclef who had been producer on Outcast came to us with an adventure game concept called Amon Ra. His studio (Widescreen Games) was busy on another production and he asked us to build an early prototype on Playstation 2 based on this concept.

As we had acquired the technology from Outcast II we had something to start with to quickly build the prototype. Yann started cleaning and enhancing the various unfinished technologies that would later serve as the basis for our FreshEngine.

To help me quickly edit the map, I used some refurbished assets from the defunct Outcast II and built some new stuff on top of it. My friend Francois-Xavier Melard worked on the character.

This was a short work of a couple weeks and after this prototype, the project never went further into development.”

Technology

“Some very advanced technologies for the time can be seen in action here (some of which were already implemented in the Outcast II prototype), such as realtime tesselation and vector displacement (water), radiosity and light probes (lighting of the character dependant on the environment, with light bouncing), soft shadows, dynamically rendered billboard (small vegetation), and pixel-occluded lens flares.

One of the amazing thing was the incredible amount of triangles the Playstation 2 was capable of pumping. Around 300k in a single frame, with the prototype running at 60 frames per seconds (…)”

Strangely enough, according to the now-defunct website of Widescreen Games, the game was planned for the PC, Xbox 360 and Playstation 3. Here was what we could read about the storyline and its features:

The 10 commandments meets Stargate

Amon Ra is a 3rd person action adventure game mixing action phases, social interactions and puzzles solving in the totally new and lifelike world, mainly inspired by the ancient Egypt period.

As the hero, you will interact with hundreds of locals, engage in plenty of combat against aliens and go on numerous adventure game quests.

Storyline:

The player is named Shail, a young slave who will meet his fate; he is the one chosen by the Ankh entity to perform the Prophecy : free the human race from the Seth’s domination. This extra-terrestrial race has dominated his folks over centuries due to its superior knowledge and advanced technology.

Throughout the game, the player will interact with human guilds as the merchants, priests, rebels and an ancient civilization. Obviously, each of them carries out different goals and interests.

Conspiracies, romance, twists and turns will drive the story.

Will Shail be able to achieve his own objective to overthrow the Seths?

Unique Selling Points

  • A cutting-edge in-house engine to serve the game.
  • The original universe of the ancient Egypt mixed with some sci-fi components.
  • Numerous “organic” and huge locations : from mysterious temples, overcrowded bazaars, resting oasis, frightening caves to gigantic spacecrafts!
  • Hundreds of hi-detailed character models suiting the period as well as fantasy ones.
  • A brand new system of quests layers which will confer to the player the feeling to manage his own and original quest in a live universe.
  • Breath-taking actions due to the use of ancient magic and high-tech weapons.
  • Enhanced AI system for the NPCs who manage their life according their own interests. Any action you take has ripple effects on the whole community.

During their 10 years of existence, Widescreen Games had a lot of numerous other canceled titles.

Images:

Videos:

 

Surface Tension (Krome Studios) [PS2 – Cancelled]

Surface Tension is a cancelled Playstation 2 strategy / adventure game that was in early development by Krome Studios around 2008. Gameplay would have been similar to a mix between Pikmin and Populous, with players exploring an alien “non-Newtonian fluid” world commanding creatures to resolve puzzles and fight enemies. Krome worked on this prototype to try some new ideas but it was soon pushed aside to work on new projects for Xbox 360 and Playstation 3.

As we can read in an old article by GamesOn (now closed):

“[Surface Tension] was sort of a cross between Pikmin and Populous,” says Steve. “The surface of the world was this sort of non-Newtonian fluid, and you had to guide your creatures from island to island, but if you had too many in one spot, they’d sink.” The team worked on the game’s development for six weeks, creating a demo which allowed you to order your creatures around, drop markers to attract and repel enemies, and so on. The objective was to send your creatures to the end of the level, directing them to solve problems along the way – chopping down trees to serve as bridges across the water, and generally being completely adorable.

“It was never really meant to get shown,” says Steve. “It was more a test to see if we could do something different.” Developed on Krome’s PS2 engine, the game was abandoned when they began to migrate to the next-gen engines built for the Xbox 360 and the PS3, although they did discuss returning to it after the first episode of Blade Kitten was published – a dream that, sadly, may never be realised.

Only a few tiny screenshots for Surface Tension were published on GameOn, if you know someone who worked on this lost game who may help us preserve more images, please let us know!

Thanks to Maik for the contribution!

Images: 

Hateful Chris: Shoot the Moon [PS2 – Cancelled]

Hateful Chris: Shoot the Moon is a cancelled action game that was in development by Furious Entertainment and Ubisoft, planned to be published on Playstation 2. As described on its old official website the game was meant to be “a unique blend of cultural satire, outrageous violence and toilet humor that bridges the gap between interactive platform-based action and arena fighting intensity”.

“Hateful Chris will soon be making his 3d debut! Armed with an extensive arsenal garnered from his interactive environments, HC must fight to prevent Dollar Bill from using the moon as a giant, 24-hour billboard! This proposed game from Furious Entertainment is in the design stage ­ check out the site for a detailed story overview, gameplay description and loads of cool concept art!”

Shoot the Moon was actually a 3D sequel to Hateful Chris: Never Say Buy, an anti-capitalism parody PC title conceived by Chris Bourassa and Dana Fortier in 2000:

“Sworn to destroy advertising and consumer culture in all its incarnations, Hateful Chris is the icon of brand resistance! He trashes malls, he burns billboards, he berates boy bands AND he flosses regularly! What more could you want in a protagonist? Using everything from fire hoses to chainguns, Hateful Chris works to change the world into an unbranded paradise – albeit through ridiculously violent and exaggerated means! […] With over 200,000 downloads and steady cult support, Hateful Chris is easily the world’s favourite little cartoon anarchist!”

When released Hateful Chris became a hit and noticing this success Ubisoft approached Chris and Dana to propose a collaboration for a 3D version of the game. As we can read on Ookpixels:

“Released in June of 2001 as Hateful Chris: Never Say Buy, the game developed a loyal cult following and piqued the interest of Ubisoft, who hired both Bourassa and Fortier right after graduation. Furnishing them with a full team, the massive publisher gave them the freedom to expand on their original game and take it to epic new heights.

Their follow-up – slated for release on Sony’s PlayStation 2 – would feature a total 3D graphical overhaul, and centre around Dollar Bill’s plan to extend his commercial grasp to outer space. Dubbed Hateful Chris: Shoot the Moon, it was set to be Bourassa’s big debut in the industry. Then, in a move his own character could have seen coming from a mile away, Ubisoft canceled the game.”

We don’t know how much of the game was completed before its cancellation, but some pre-rendered videos created for the project are still available online. Even if Shoot the Moon was never released, Many years later Chris Bourassa and Dana Fortier worked together on another idea that later became the indie-hit Darkest Dungeon.

Videos: