Playstation 2 (PS2)

X10 (Warthog Games) [Cancelled – Xbox, PS2, GameCube]

X10 is a cancelled first-person shooter for the Playstation 2, Gamecube, and Xbox developed by the defunct Warthog Games. Known mostly for licensed games, Warthog Games was founded in 1997 and worked with such properties as Harry Potter, Looney Toons, Star Trek, and Animaniacs. Like many licensed video games, the British developers’ output was rarely met with critical praise as their work achieved an average of 59 on Metacritic. X10 was to be a deviation to this formula, as it was not based on any previous IPs.

X10 was announced on July 9th, 2002 on the website IGN along with the publisher, Conspiracy Entertainment. This article also gave a brief summary of what the game was intended to be like:

“X10 situates players in the role of a soldier who, following strict orders, must explore a world of the same name. The planet presents gamers with many challenges, including environmental difficulties, political problems, military factions and of course dangerous enemies and predators.”

Conspiracy Entertainment senior vice president Peter Bergstrom also noted the lack of new Intellectual Properties in the video game industry, and their excitement for the project:

“We are very pleased to team up with an outstanding partner like Warthog to develop a new game and a new game IP for today’s increasingly discerning consumers.”

Little was shown off of the game during its reveal, besides concept art, a screenshot, and an Easter 2004 release date. More information about the game was revealed during an interview with Worth Playing.com. The Project leader on X10, Hal Sandbach, discussed many details about the game, including an explanation of the games’ title:

“Without giving too much away, the player and the rest of their squad are sent to investigate why there is a lack of communications from a particular research station. Twelve such research stations exist, although the player only gets to see one. The one the player is sent to is the tenth, hence x10.”

As for gameplay, X10 would have featured open-ended levels set on an alien planet and facing off against space marines, settlers, X10’s indigenous population, and the mysterious Hollow (which despite being important enough to be named dropped in the Worth Playing interview, the Hollow were not mentioned in any other pre-release materials). The game also would’ve mainly been set in varied environments on the planet, with Hal Sandbach specifically stating how  “we want to get away from the corridor-based games as much as we can.”

To traverse these large environments, the game would’ve featured several different vehicles. Sandbach even teased that the games’ opening was to be set inside a vehicle. X10 would have also implemented a complex physics system for each of the in-game vehicles that was being developed using the teams’ previous work with physics-modules. The Worth Playing interview teases that the game planned on using boats, buggies, air vehicles, and even trains.

The game was also to feature light survival mechanics, with players’ carrying capacity would be limited so they would have to choose what items to take with them throughout the levels. This goes in tandem with the weapon selection for X10 and while not much is known about the full loadout, Hal Sandbach did divulge some details. The game was intended to have a mix of traditional FPS weapons like sniper rifles, and more unique weapons, although nothing in particular was revealed.

After the Worth Playing interview, X10 was not discussed much by either Warthog or Conspiracy. A November 2002 interview with website NoFrag.com took place but no substantial new information was revealed, and the game was not heard from again after 2002. In 2004, Warthog was acquired by Tiger Telematics to develop games for the then upcoming Gizmondo handheld. Now under the umbrella of Gizmondo Europe, they were developing several games for the Gizmondo including Momma Can I Mow the Lawn?.

After the failure and bankruptcy of Gizmondo, many staff members from Warthog came together to form Embryonic Studios, which was purchased by TT Games to become TT Fusion. The team still exists and are working on the LEGO Franchise and their handheld counterparts to this day.

Article by Alex Cutler
Thanks to Daniel Nicaise for the contribution!

Images: 

Symbiosis (elseWhere Entertainment) [PC/XBOX/PS2 – Tech Demo/Cancelled]

Symbiosis (formerly known as Project Alpha and The Incident) is a canceled futuristic stealth action/adventure game developed by elseWhere Entertainment in 2002 for PC, alongside potential Xbox and Playstation 2 versions.

Information about this project is pretty scarce. The game was designed by former developers of Appeal Studios, known for developing the 1999 PC game Outcast. The title was first mentioned in 2002 by Gamekult:

“(…) elseWhere Entertainment, a two-year-old company is currently working on Project Alpha, a working title which, admittedly -even from its founder, will be the conceptual continuation of the first Outcast.”

It was then Jeuxvideo.com which, in 2003, revealed the first images of the game alongside new information:

“elseWhere Entertainment is currently developing Symbiosis, an adventure/action game planned for PC and consoles. If the developers maintain still some mystery concerning the scenario of the game, we know that the action will take place in a futuristic universe with a crucial part of interactions between the characters. The team wishes to go beyond their previous project, Outcast, in terms of A.I. and storytelling, leveraging their NeoReality technology.”

After that, elseWhere Entertainment decided to cancel Symbiosis in order to focus on Totems instead, also canceled a few years later. Michaël Defroyennes shared in 2013, on his personal blog, some additional information on the concept of the game:

“Some concepts I did for a game prototype called Symbiosis, started in September 2002 : The game concept was about action/stealth combats in a space station on an unfriendly planet, unfortunately it was stopped to focus on other prototypes.”

Oddly enough, Gamestar also shared information regarding the concept of Symbiosis, slightly different than what was revealed until now. According to them, Symbiosis was going to be:

“(…) A squad based tactic shooter with a 4 player coop mode set in an futuristic environment. Before it was announced as Symbiosis it had the code names Project Alpha and The Incident.”

After the cancellation of Symbiosis, elseWhere Entertainment was acquired by 10Tacle Studios and released their only game in 2006, a sport title named David Douillet Judo, before shutting down in 2008.

Article by Daniel Nicaise

Images:

Videos:
 

Outcast 2: The Lost Paradise [PC, PS2 – Cancelled]

Outcast 2: The Lost Paradise is a canceled action-adventure game that was developed from 1999 to 2001 by Appeal Studios and published by Infogrames for the PC and the Playstation 2. It was the sequel to the game Outcast, released in 1999 exclusively on PC and also developed by Appeal.

Franck Sauer, co-founder of Appeal, shared the full experience of the development of Outcast 2 on his personal website:

HOW IT ALL STARTED

PRE-PRODUCTION

In mid-1999, right after the release of Outcast, we started pitching new ideas about a sequel and tried to convince Infogrames (our publisher) to fund a pre-production, quickly.

Infogrames had stock in our studio Appeal, and as partners they were more inclined to help us proceed with the sequel. They were cautious though. The sales reports from Outcast were underwhelming, way below their one million initial target (we ended up selling slightly over 400k boxed units).

At first we managed to sign a pre-production deal and we proceed with R&D and graphics design. As sales were disapointing on the PC, Infogrames insisted that we should make the game for consoles first. They also insisted to have more action and less adventure, because that’s what console gamers want they said, something Yves Grolet in particular was not very happy with.

FROM PC TO PLAYSTATION 2

Another difficulty started when it became evident the Playstation 2 would be the best selling console of the generation. Yves wanted to work on the Xbox, which was the superior console in term of rendering capabilities, and easier to work with, but from the publisher’s point of view it made no sense to work for the smaller installed base. We all liked the idea of working on consoles in general, as close systems have their sets of challenges but are very interesting to work on, and we had this arcade background that made us probably overconfident, especially considering the Playstation 2.

The Playstation 2 was a very difficult console to work with, especially for a studio with most of its engineers only experienced on PC, and it took some times to get the dev kits and actually realise what a PS2 was (there was a lot of speculation at the time). With the dev kits finally available, we were progressing slowly and initially had a lot of performances and stability issues. At some point, Yves would decide to quit and start his own company (elseWhere Entertainment) to work on the Xbox.

We finally signed a production agreement. At first it was a 7 million contract, but got reduced to 5 million as Infogrames was starting to feel pressure from the market. We managed to develop a working demo with a lot more work also done behind the scene on the game’s universe and environments, but we were far from being ready to ship an actual product. Internal difficulties also raised when we hired a designer to replace Yves, only to find out a bit late that the guy was heading the design in the wrong direction. That didn’t help either as we had to rethink the whole design again in the middle of the production.

The project was killed after spending about 3 millions as Infogrames stocks were hitting a new low in 2001 after the internet bubble (and all IT companies as a side effects) exploded. They pretty much killed all their 3rd party projects, focussing all remaining funds to their internal studio, Eden Games.

THE START OF THE END

However, as Infogrames were shareholders in our company, they couldn’t kill us so easily (they would have to clear-up the debts). Instead they sold us back their stocks in exchange of a new pre-production contract around a Tintin game. We didn’t have much choice if we wanted to keep the studio alive, but for them it was a win-win situation, they were set free from their shareholder duties and had a working prototype they could show to Moulinsart (the company that holds the rights to Tintin).

When the Tintin prototype was completed, they did not sign the Tintin game (purposely or not we have no idea) and we went bankrupt in 2002. Yann Robert and I purchased back most of the assets belonging to Appeal the Curator could not sell, including the unfinished technology that would help us later to develop and (finally) ship Playstation 2 games Wild Water Adrenaline and Mountain Bike Adrenaline.

Some additional details were shared in February 2015 by Gamestar during an interview with Frank Sauer. We learned in particular that the game was running on a brand new engine called Himalaya, replacing the voxel technology, used on the first title, in favor of one working with polygons. For instance, it allowed to display swirling dust particles in some levels.

Still according to Franck Sauer, the story took place just after the events of the first Outcast, where the main character, Cutter Slade, now living alone in a hut in the mountains, receives a distress call from a Talan, the natives from the planet Adelpha, about an invasion of humans, called New World Army and helped by soldier bots, coming to colonize the planet. A parallel with the film Avatar was notably drawn. Other novelties planned in the sequel were the addition of an all-terrain vehicle for travelling in the open world as well as new levels and territories, such as, for example, a spaceship that Cutter had to hijack in order to be able to move from one area to another.

After more than a decade without the license being mentioned, Appeal, under the name DAOKA Studio at the time, attempted a first comeback for a reboot of the first game in high definition called Outcast Reboot HD in 2014 on Kickstarter, unfortunately without success. Later that same year, the developers, under the Fresh3D’s name, ported the original game to Steam as Outcast 1.1, before managing to release their HD remake in 2017 under the name Outcast: Second Contact on PC, Xbox One and Playstation 4 thanks to BigBen Interactive as publisher. At the beginning of 2019, the publisher THQ Nordic bought the license before officially announcing a sequel on September 17 2021, still developed by the original team, renamed once again Appeal Studios, and called Outcast 2: A New Beginning, almost 20 years after the cancellation of the original planned sequel.

Article updated by Daniel Nicaise

Thanks to Marcel Lutrix for the contribution!

Images:

Videos:

  

City of the Dead (Kuju Entertainment) [PC, Xbox, PS2 – Cancelled]

City of the Dead, also known as The Living Dead : City of the Dead and George A. Romero’s City of the Dead, is a canceled horror first-person shooter developed by Kuju Entertainment and published by Hip Interactive for PC, Xbox and Playsation 2 platforms in 2005.

Presented as “the goriest game ever made”, City of the Dead was first revealed in August 2004 by none other than American McGee as his next game, wanting to sign a deal with Living Dead Productions, the company of the father of the Zombie film, George A. Romero:

“Recently, my company TMIEC partnered with Asylum Entertainment to bring to life a new Romero concept called “City of the Dead”. We’re now in the process of shopping the interactive rights to games publishers. The tagline for the product is “the goriest game ever made”.

Only a few days after that, American McGee announced that it could finally be MercurySteam Entertainment instead of Asylum developing City of the Dead:

“The guys at MercurySteam sent over a couple of cool zombie concept images. Based on what an amazing job they’ve done on Scrapland we’re really excited to have them attached to develop the Romero “City of the Dead” game.”

In December of the same year, Hip Interactive revealed to have signed a deal with Living Dead Productions about a game named City of the Dead, without saying if it was the same concept initially pitched by American McGee, or a brand new one as some media would later said that it was a different game:

“Horror fans have been searching for the ultimate experience in gaming, and we intend to deliver it to them with the tremendous creative input of legendary director, George A. Romero, and Living Dead Productions,” said Arindra Singh, President and CEO of Hip Interactive.

“This is a fantastic opportunity to share George’s work and ideas with the game buying public,” said Simon Bailey, Managing Director of Living Dead Productions. “We are very impressed with the quality of work that Hip will bring to the games. George’s fans and gamers alike will not be disappointed!”

Shortly after this announcement, media revealed that it was ultimately Kuju Entertainment that would develop it, replacing MercurySteam, which was slated for release in March 2006:

“Back in December, Hip Interactive announced it will produce games based on the work of horror director George A. Romero, creator of classic zombie-fests like Night of the Living Dead and Dawn of the Dead.

Hip Interactive has recruited developer Kuju Entertainment to produce the first of the Romero games, which is expected to appear by March of 2006.”

The game was officially announced shortly before E3 2005 in a statement from Hip Interactive:

“City of the Dead” begins as four desperate survivors escape a ravaged zombie infested city by helicopter. After making it to the remote island of Isla Mortal (N.B. : some media wrote that the name of the setting was Island of Ningun Futuro instead), an accident destroys their only means of escape. Unbeknown to them the island is home to a top secret military installation, overrun by the walking dead. Armed with an arsenal of traditional and futuristic weaponry, players must battle the living dead from dusk ’till dawn in series of abandoned locales. With split-screen co-op missions, party mode, and four-player online feature, “City of the Dead” also promises a range of multiplayer features that allow gamers to play as human or zombie.”

We also learned that Tom Savini lent his voice to one of the main characters:

“The company also revealed today that Tom Savini, star of From Dusk till Dawn and known  horror makeup artist, will lend his voice and likeness to City of the Dead. Savini will play William “Red” McLean, a battle-worn ex-cop who initially lends support to the player, but will eventually be a playable character himself.”

Presented at E3 2005, the game received various previews from IGN, Gamespy and Gamespot. Thus, IGN wrote:

“Hip Games’ City of the Dead is a first-person shooter that’s “Trying to become Burnout for the shooting genre.” That’s at least according to company representatives, anyway. Judging by the short presentation we saw, it seems that City of the Dead can more accurately be described as, “a totally vicious FPS that features buckets of blood interspersed with the occasional cubic ton of tenderized brain matter.” City of the Dead does still feature some cool Burnout-like gameplay elements, though.

One of the modes within City of the Dead mimics Burnout 3’s infamous Crash Mode and tasks players with killing as many zombies as possible with a single shot from a specific weapon. To do this, players will want to wait for the most opportune moment to fire their weapon at one of a number of preset environmental hazards, be they massive crates suspended from cranes or conveniently placed combustible barrels. Once you shoot, the widely used Havok physics systems will take care of the rest. This way the results of the action are always different.

In terms of an actual story mode, City of the Dead features one city, some animated dead people who are terribly reluctant to stop moving, and a few dudes who’d really like to not become one of them.

In a way, City of the Dead sort of resembles a cross between Resident Evil and Soldier of Fortune. That is, the game features an excessive amount of dismemberment and gore, which it is not at all afraid to highlight with a number of cinematic, slow-mo camera swoops, zooms and pans. But unlike Soldier of Fortune, the enemies just keep on coming.

Before we go, check out this cool thing we noticed that most people might overlook… When you shoot an enemy, he is entirely governed by physics, meaning he’ll flop around like any good rag doll should. But, totally unlike just about every other game under the sun, enemies in City of the Dead can actually get up and begin animating after the physics routine has initiated and played out. This is, as far as we know, a technical problem no other developer has yet been able to resolve well (at least we haven’t seen it implemented in any other game).”

Gamespot, for its part, told us:

“City of the Dead isn’t based on any specific Romero films, but it is based within the larger Dead universe. In it, you play as one of five different characters, all of which are just trying to survive in a city that has been overrun with the walking dead.

The game itself is a first-person shooter, and it really doesn’t aspire to be anything more than a fast-paced arcade shooter. You’ll find a number of different weapon types, including pistols, machine guns, grenades, and shotguns. There were a couple of unique aspects of the weapons we saw. For instance, the shotgun is fully pump-action, meaning each time you fire, you’ll have to manually reload it using the left trigger button. While that might seem a little cumbersome at first, it actually wasn’t, and it seemed to add to the intensity of the action. Another cool thing is the way you can kind of jury-rig other things onto your weapons to make them more effective in melee combat. For example, you can tie a shovel to the butt of the shotgun, making it much easier to explode a zombie’s head. The same can be done to your pistols, by taping brass knuckles to them.

Zombies tend to travel in groups, and they come in different varieties. Obviously, there’s the usual lumbering, biting, angry zombie, but we also saw a cop zombie, who continually fired a shotgun at us at random intervals and a leaper zombie, a creepy little guy who crawls around on the ground and then jumps at you. Zombies cannot be killed unless you destroy the brain, but you can knock them backward or even blow off body parts if you hit them elsewhere.

There will be 14 to 16 story missions in the game, though the story here is barely the focus. The developers used Burnout as an example of how they are really looking to make a super-arcadey, over-the-top kind of game. So a lot of the mission objectives will be appropriately focused on killing as many zombies as you can, without much worry about anything else. Once you complete the story mode, you’ll also have arcade and multiplayer modes to check out. The arcade mode works similarly to Soul Calibur’s weapon master mode. You’ll be given a series of available challenges, each with semi-arbitrary rules, like you can only use melee combat, or you have to kill a certain number of a specific type of zombie. The multiplayer will be online for up to four players and features competitive and cooperative play. The cooperative mode sounds especially cool, as during the mode, your friends can be infected. Here, you can opt to just kill your partner immediately, sparing him the change of death, or you can keep him alive long enough to help you kill some more zombies. You’ll have to be careful, however, because once they turn, they’ll come after you.”

Finally, the Gamespy preview said:

“The game’s big visual attraction is the physics engine which flings zombies realistically around based on point of impact. Naturally, this means that there will be a variety of classic weapons such as pistols, shotguns and rocket launchers to turn the zombies into so much zombie goulash. Since it takes a headshot to kill these things, the game also rewards good shots with a beautiful images of exploding heads using a slow motion “bullet-time” effect. Given how tough the zombies are, though, it’ll take more than just a steady hand to take them out, though. That’s why the environment is full of exploding things such as gas canisters, fuel drums and crates of explosives that can set off awesome chain reactions. Judicious use of these items will be vital in clearing out levels in story mode.

As much fun as story mode looks, though, it doesn’t really hold a candle to the “One-shot” levels. These are bonus levels that are unlocked as the player goes through story mode. Undoubtedly inspired by Burnout 3’s crash challenges, the “One-shot” levels puts you in an enclosed space with a bunch of zombies wandering around and a gun with only one bullet. The challenge is to pick out the correct exploding device to shoot to set off a chain reaction that will kill as many zombies as possible in as entertaining a manner as possible.

City of the Dead will sport a multiplayer mode, but rather than just offer up a vanilla deathmatch capability, the game will instead sport a four-player co-op mode that works off the strengths of the setting. If a player gets bitten once during the game (as opposed to shot or hit), that’s it, a countdown timer starts, the player dies, and turns into a zombie. That means that even though four players start the game together, eventually someone’s going to end up a zombie — and that’s where the real fun starts. Players who become zombies will respawn as new zombies when they die and start hunting those who are still alive. They get all the strengths and weakness of the undead (slow speed and incredible resilience), so the game for the zombies becomes using their brains to set up ambushes for the human players.”

Unfortunately, only 2 months after City of the Dead was revealed, Hip Interactive filed for bankruptcy:

“After failing to strike a last-minute deal to bolster its shaky finances, Hip Interactive said it has ceased operations and would close its doors completely in short order. The company said this morning that “discussions with a third party to provide interim relief in respect of the Company’s immediate financing needs were not successful.”

“The publisher had a number of high-profile games on its upcoming slate including Call of Cthulhu: Destiny’s End, George Romero’s City of the Dead, and Jackie Chan Adventures. There has been no word on which publishers are in line to pick up those and other games due from Hip.”

Only a month after the publisher’s demise, Kuju Entertainment was trying to find a new one for the game, but alas, no deal will materialize and City of the Dead vanished after this news. It was once suggested that Freeze Interactive, a Franco-Swiss publisher founded by former staffs of the European branch of Hip Interactive, had taken over the game, now titled World of the Dead, but nothing was officially confirmed, and World of the Dead disappeared very quickly without any information, just like Freeze Interactive. This rumor followed the fact that Ghost Wars, another game initially canceled with the closure of Hip Interactive, was taken over by Freeze shortly after.

Article by Daniel Nicaise

Images:

Video:

 

Sabotage 1943/Sabotage (Velvet Assassin) [PC, PS2, XBOX – Cancelled/Prototype]

Velvet Assassin is a stealth game released in 2009 for PC and Xbox 360, developed by Replay Studios (formerly Team Toro) and published by SouthPeak Games. The title takes place during the Second World War, where player take control of Violette Summer, a British spy in the service of MI6, attempting to thwart the Nazi war effort, operating behind enemy lines. The game’s story was inspired by the real-life secret agent/saboteur Violette Szabo.

But before being released in this form, the game had two other versions, during a hectic development spanning approximately from 2002 until its release in 2009.

Sabotage 1943

In February 2003, German studio Team Toro revealed its very first game, Sabotage 1943, a First-Person Shooter whose scenario and background were identical to Velvet Assassin. It is then planned for a release during the Winter of 2003/2004 on PC, Playstation 2 and Xbox, and the press release revealed some information:

“France 1943. Behind the façade of stability a secret, desperate, and cruel war of liberation has already begun. As a spy, saboteur, and partisan of the French resistance movement, the Résistance, you will also get involved in this fight.

The omnipresent enemy keeps everything under control and reacts on every kind of resistance in a barbarous and brutal way. An open military confrontation would be a lost cause.

Therefore, another way has to be found to fight the enemy. You conspire against the Nazis, operate underground, and pretend to be a harmless civilian. This way you can deceive and infiltrate the Nazis to strike secretly. But don’t fall in the hands of the Gestapo that even plants spies in the resistance groups…”

Engine Specs

3D tactical first-person shooter with the newest technologies offers extremely realistic game visuals. Dynamic real-time light and shadow effects perfectly reflect the sinister atmosphere of the background story.

Particle system makes the explosions look extremely realistic. Environmental effects, such as dust, rain and leaves, create a dark and gloomy atmosphere.

Flexible camera control and exact details of the game world even allow the player to peek through keyholes.

Game Features

22 levels will lead you through the cruel story, which is based on true historical facts.

Scenarios in authentic French theaters of war in 1943/44, such as Paris occupied by German forces.

Seven different characters with various specific attributes

Complex enemy AI with numerous surprising behavior patterns

Various clothing and uniforms allow the player to operate secretly in military areas behind the enemy lines.

Player’s behavior has a direct effect on the relationship between the population and the Résistance (betrayal, assistance, etc.)

By skillfully sneaking up on the enemy, soldiers can be overwhelmed and forced at gunpoint to open doors and reveal vital information

When under fire, the player can fake death by using the “Playing Dead Mode” to deceive the enemy

Shortly after, the developer showed a first trailer, then, later, it was a video preview from Gamestar in April of the same year that was published.

Sabotage

However, after these revelations, the game felt into total obscurity and was not mentionned by its developer until May 2006, just after completing Crashday for Moon Byte Studios. Unsurprisingly, after almost 2 and a half years of absence, the project had undergone a complete overhaul. Simply renamed Sabotage, the title did not change context nor main character, but took the form of a Third-Person Shooter, planned exclusively on PC for 2007 and published by Anaconda, the label of DTP Entertainment. It was presented at the E3 and Game Convention 2006 shows, and it was again Gamestar that released a video preview in November of the same year, notably showing several phases of gunfights.

Early 2007 should have been the release window for Sabotage, but it wasn’t. The title would reappear briefly during the Game Convention 2007 for a release now planned in Autumn 2008, where we learned that Gamecock Media Group took over the publishing rights.

Finally, in March 2008, new changes occured for this project, now named Velvet Assassin with an Xbox 360 version in addition, it would see its main character partially redesigned, as well as its HUD. The gunfights phases that we could see in Gamestar’s preview seem to have been mostly dropped in favor of a more tactical and stealth-oriented gameplay.

Velvet Assassin would finally see the light in Spring 2009, after experiencing an additional delay and a final change of publisher with SouthPeak Games, following the acquisition of Gamecock Media Group. The game received mixed to average critical reviews and Replay Studios filed for bankruptcy in August 2009, only 3 months after its release.

During these 7 years of existence, Replay Studios seemed to have a lot of difficulty in the development of its titles. In addition to the chaotic one for Sabotage 1943, the company also had Survivor in production, a title announced in October 2004. Crashday, only available on PC since 2006, should have been released in 2005, also on Playstation 2 and Xbox. At some point, we could even read on the now-defunct Replay Studios website this:

“Sabotage 1943 is a tactical shooter game in WWII. As allied elite agent Jason Turner you perform dangerous, top-secret guerilla and sabotaging activities which officially don’t exist behind enemy lines.”

Sabotage 1943 video:

Sabotage 1943 images:

Sabotage images