Unseen Interviews

Unseen Interview: Brian McNeely (Lobotomy Software)

lobotomy software interview

Do you know Lobotomy Software? If you played Exhumed / PowerSlave on Saturn or Playstation, you probably remember that it was a real masterpiece, a Metroid-alike adventure in first person view, before Metroid Prime even existed.  Lobotomy were founded in 1993 and they released some other games like the successful Sega Saturn ports of Duke Nukem 3D and Quake, that shown to the world what the 32Bit Sega Console was able to do with 3D graphic when great developers were able to work on great games.

They were also planning 2 new original games, Aquaria (Nintendo 64 + Playstation) and Exhumed 2 (Playstation), but unfortunately these were cancelled before being completed and gamers will never be able to enjoy them. In 1998 Lobotomy’s talented developers were acquired by Crave Entertainment and the team was renamed to Lobotomy Studios, to work on a Caesar’s Palace game for the Nintendo 64, but after a year of development the game was postponed and eventually cancelled. As we can read on Wikipedia, at that point Lobotomy Studios was closed and employees were let go or given the option to be relocated to another position at Crave Entertainment.

Thanks to our friend Ross Sillifant we are able to publish this interview with Brian McNeeely, one of the main Lobotomy Software developers that worked on all their games, to ask him about his memories on their released projects and their cancelled titles. And if you still don’t know why it’s such a shame that we lost Exhumed 2 and Aquaria, please take your time and watch the video below (created by Tatsu  from Lobotomy Software Blog), to understand why Lobotomy Software was one of the most talented development team in the mid ’90, affected by an unlucky fate.

Interview with Brian McNeely by Ross Sillifant

Before we get started, i’m going to try and ‘avoid’ as many technical-based questions as possible, or least phrase them in a more general manner, as i think these type of questions would be better suited to coders like Ezra Dreisbach, with your goodself i’m looking more for the insights into the company itself, hopefully being able to get a few rumours from the press cleared up etc etc.

Q1) Starting with the standard, cliched opener, Brian, please introduce yourself to our readers, in terms of your background, if you could be so kind.

Brian: Thanks for this opportunity Ross.  My name is Brian McNeely (my name was actually Brian Anderson up to around 1996 when I changed my last name to McNeely, which is my birth name).  I’ve been working in the gaming industry since January 1989, when I was hired at Nintendo of America as a Game Play Counselor.  It’s hard to believe that was over 26 years ago!  I look back at those days as a golden era both in the gaming world and in my career, and I feel very lucky that I was at Nintendo’s epicenter during that period.  The NES, SNES, and Gameboy hardware and software were all the rage, and I had the privilege of playing those games full-time and helping gamers all over the world with game tips and “counseling.”  It really was a ton of fun.  I love what I do now and what I’ve done since then, but that was one of the best times of my life for sure. 

Random interviews and info on lost games!

Ross Sillifant sent us a lot of contributions, info and interviews about cancelled videogames and their development, from different software houses and for various consoles / PC. To be able to publish all those info we’ll need more time, but to start here’s a first collection of random facts that should be saved in the Unseen64 archive!

Mike Singleton (RIP) was working on Midwinter III, for PS2 and Dolphin (GameCube) working title was Skyfall Year Zero: Total Midwinter.  See Arcade Mag Timewarp March 1990 and this tweet by Chris Wild.

Activision CANNED PS1 Hyperblade (A futuristic rollerblading sport game) after almost 12 months in development, Activision unwilling to disclose reasons why it was canned though.

Interview with Andrew Hewson:

Q) Is it true you had a PC Engine version of Paradroid ’90 all finished and it was to be Hewson’s 1st crack at the emerging console market? If so, what became of it? Was it never released because PCEngine didn’t get a UK release?

Andrew:Umm, that’s news to me.

 

Unseen Interview: Grant Kirkhope

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Unseen64 has recently been given the opportunity to interview the legendary audio designer Grant Kirkhope, most notable for his work with Rare (GoldenEye 007, Banjo-Kazooie, Grabbed by the Ghoulies, Viva Piñata and more), he is currently Audio Director for Big Huge Games. As we can read on Wikipedia, before joining Rare in October 1995, he played for two bands called Syar and Maineeaxe where he played guitar, and already knew Robin Beanland, another Rare composer. Continue to read below to know more about his memories on the development of the Banjo series and other Rare tales!

U64: Thanks for your time Grant! Would you like to introduce yourself to  our readers?

Grant: Hello, I’m the Audio Director at Big Huge Games in Baltimore, prior to this I worked at Rare in the UK and was lucky to work on many of Rare’s big titles over my 12 years there.

U64: In your time in the games industry what were some games you’ve worked on that were never released, or that changed drastically throughout there development? 

Unseen Interview: Gregg Tavares

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As we can read on MobyGames Gregg Tavares has worked on many of our favourite games, as Wild 9 and Crash Team Racing for the PSX, Gex for 3DO, Locoroco for the PSP, Zombie Revenge for the Arcade, Afro Samurai for the PlayStation 3 & Xbox 360, along with some more obscure (and unseen) ones, as Disruptor for the M2, Terminator vs Robocop for the NES and Project Y for the PS2. We had the chance to have a short interview with him, to talk about his time in the gaming world and asking for some unseen tales on the projects that he worked on.

[Interview by EWJ]

U64: Thanks for your time Gregg, would you like to introduce yourself to our readers?

Gregg: My name is Gregg Tavares, I’ve been making games for over 25 years starting on the Atari 800 all the way up to the 360 and PS3. I’m currently at Google working on adding technology to web browsers to make it easier to play games in them though both the WebGL and Pepper projects.

U64: You’ve been in the Games Industry for a while now, in all of your time working with games, out of all the games you’ve helped develop which games development stands out the very most to you? 

Unseen Interview: Nick Bruty and Earthworm Jim

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[Interview by EWJ]

Unseen 64 was given the great opportunity to talk to Nick Bruty President and Co-Founder of Planetmoon Studios. This article will be focusing on his time spent with Shiny Entertainment working on Earthworm Jim 1 and 2.  It’s important to note that the visual concepts he’s referring to in the first sentence are these two cut levels:

Nick Talks about the Earthwom Jim 1&2 Development: