Infinite Lives

Everybody’s Kung-Fu Fighting (Digital Graffiti) [PS1 – Cancelled]

Everybody’s Kung-Fu Fighting is a cancelled 3D arena fighting game that was in development by Digital Graffiti (AKA Infinite Lives, a team mostly composed by the Rowlands brothers: John and Steve) in 1999, planned to be released on the original Playstation.

The Rowlands brothers previously worked on a few games for C64 and Amiga, such as Creatures, Cyberdyne Warrior and Mayhem in Monsterland, but also on the cancelled Bloodlust (aka International Karate 3) for Atari. From the few animations shared online by Steve we speculate Everybody’s Kung-Fu Fighting would have been a comical take on the fighting game genre, possibly focused on fun multiplayer combat (similarly to Kung-Fu Chaos).

Years later Infinite Lives and HotGen Studios worked on another canned prototype, titled “Burnt Out Cop”.

Thanks to Daniel Nicaise for the contribution!

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Burnt Out Cop [PS2, Xbox – Cancelled]

Burnt Out Cop is a cancelled action game that was in development by Infinite Lives and HotGen Studios around 2002 – 2003, planned to be published by Sega for Playstation 2 (and the original Xbox). Infinite Lives spent a few months developing a playable demo and creating an extensive Game Design Document (that was later shared online on their official website). HotGen Studios was impressed by their work and offered them more funding and resources, while the game was proposed to Sega for publishing. Unfortunately internal issues between HotGen and Infinite Lives caused the latter to lose the IP and in the end the game was canned.

More details about Burnt Out Cop can still be found in the original Design Doc:

“Unorthodox methods and unnecessary force alienate this street-wise cop from his precinct. This adrenaline-fuelled, arcade style, third-person shooter is predominately viewed from a top-down position. The gameplay is heavily based on classic arcade games combining the art of Street Fighter with the frenetic frenzy of Smash TV and Powerstone. Rather than using standard rendered 3D models, the game employs a hand drawn look giving it an unconventional comic book edge. Exaggerated movement and animation, as opposed to life-like motion capture, emphasise the speed and power of the characters. In contrast to Burnt Out Cop’s fast gameplay and slick image, its action is often humorous. Taking a tongue-in -cheek approach, it features many cop movie clichés, including larger than life characters and recognisable locations and set pieces. The cop’s manoeuvres are heavily based on those found in many John Woo films (for example, Hard Boiled and Mission: Impossible II) combined with the slapstick nature of Jackie Chan fight sequences. A fictional Hong Kong environment containing eighties undertones provides the backdrop for the explosive showdowns.”

  • Advanced gunplay: Floor bad guys and catch their guns out of the air or grab an opponent and use him as a human shield.
  • Rapid Targeting: Aim and shoot at the press of a button. Hold two guns and simultaneously target multiple opponents.
  • Extensive Weapon Range: Contains plenty of slapstick action: use traditional ballistic weapons mixed with everything you can get your hands on, including frying pans, chickens and prosthetic limbs.
  • Humour: A true crowd pleasing game featuring a witty send-up of classic cop movies and other games.
  • Self-Improvement: On his path to redemption his mental state and physical abilities are regained and improved.

“Guns play a key role in the game, both in terms of how they are acquired and how they are used. Another important feature is the relative lack of ammunition available. Unlike games where this would result in more cautious and frugal play Burnt Out Cop creates a mad scramble for any guns left by dead guys. When shot, their gun would fly from their hand or skid across the floor, allowing the cop to quickly collect it or catch it out of the air – just like the movies.”

Check the footage below to see how the game would have been played, if only completed.

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